Yayoi Kusama

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出版者:Rizzoli
作者:Neri, Louise; Goto, Takaya; Camhi, Leslie
出品人:
页数:304
译者:
出版时间:2012-7-10
价格:USD 75.00
装帧:Hardcover
isbn号码:9780847839087
丛书系列:
图书标签:
  • 草间弥生 
  • 艺术 
  • 设计 
  • 画 
  • 画册・作品集 
  • 非虛構 
  • 草間彌生 
  • 繪本表情 
  •  
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This book comes in three different color patterns (all with the same cover design).

The most comprehensive book devoted to the incomparable and iconic work of Yayoi Kusama. Yayoi Kusama, now in her eighties, has become a vital force in contemporary art and an influence on generations of artists. Arriving in New York City in 1958 from her native Japan, she embarked on a series of works that forged a new visual vocabulary—the Net paintings, which were composed of scores of small, thickly painted loops spanning large canvases. Her singular approach to art making continued in other extraordinary bodies of work, including the phallic soft sculptures which she later incorporated into full-scale environments. In 1973 she returned to Japan, where she lives and works today. Since then, she has created dazzling walk-in mirror rooms and her now-famous pumpkin sculptures, as well as writing poetry and novels. In this book—created in close collaboration with Kusama and her Tokyo studio—the breadth and import of this watershed artist’s career are considered in depth. In addition to studies of the development of her artistic vocabularies across different media, the book includes ephemera, sketches, and photographs from the artist’s extensive archive that have never been seen before. The publication is timed to coincide with the artist’s major touring retrospective, which makes its American debut at the Whitney Museum in New York in summer 2012, as well as with the much-anticipated collaboration with powerhouse fashion brand Louis Vuitton.

Contributors include: Leslie Camhi, RoseLeeGoldberg, Laura Hoptman, Chris Kraus, Arthur Lubow, Kevin McGarry, Louise Neri, Akira Tatehata, and Olivier Zahm.

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早期作品就很牛逼了,二十岁的作品就能看出很多天赋,搁到今天也没有过时之感,这一点超越同时代太多艺术家。后期的装置和行为倒是不觉得有什么,少了一份尖锐和攻击性

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镜屋是真的好看! 翻完一整本感觉做了一整套罗夏墨迹测试

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早期作品就很牛逼了,二十岁的作品就能看出很多天赋,搁到今天也没有过时之感,这一点超越同时代太多艺术家。后期的装置和行为倒是不觉得有什么,少了一份尖锐和攻击性

评分

镜屋是真的好看! 翻完一整本感觉做了一整套罗夏墨迹测试

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点点爱好者。

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