Bruce Carruthers' "City of Capital," presented as a dissertation in sociology at the University of Chicago, nails down some home truths that academic economists and Wall Street financiers have often derided, to our cost, in recent times.
Carruthers' research object was to determine whether in the time of Queen Anne, trading in London financial instruments was affected by non-economic factors and specifically party maneuvering.
The short answer is, yes, sometimes, despite the economist Stanley Jevons's Law of Indifference which says that traders who allow anything but profits (and short-term profits at that) to affect their decisions will be squeezed out of the market. People as high up as Robert Rubin, Clinton's Treasury secretary, believed this.
Carruthers does not prove that the Law of Indifference does not work in the long run, but he does show that even in unregulated markets, real-life traders behave as if it doesn't.
A lot of scene-setting is required before getting to the rather brief research section, in which Carruthers manages to match traders in the big companies of the day (the Bank of England, the South Sea Company and the East India Company) with their party, social, religious and national associations.
He examines the financial structures and government mobilization of resources in five 17th century states: England, France, Spain, the Netherlands and Sweden. A good deal of the book is devoted to establishing that government could co-opt (not a word he uses) rich people by borrowing money from them. This gave the creditor a stake in the continued health of the debtor.
Carruthers uses the classical example of Eumenes, a Greek general surrounded by hostile Macedonians, who instead of trying to buy support, borrowed from everyone. Given that he is writing about the Augustan Age in England, the common remark of the time that tailors could not afford to turn down new business from deadbeat milords would have served as well and been more apposite. In any case, the scope for co-option was well understood at the time.
It seems we have forgotten a lot. In any event, Carruthers is absolutely right that "more than just economic behavior takes place in a market," however much the financial big noises today would like to deny it. To take an obvious example, globalization aimed to driving all wage costs down to coolie levels -- whatever the merits of that -- have the additional effect of exporting not merely American jobs but American environmental policy overseas. If you are concerned about carbon dioxide levels (I am not but many people claim to be), then being able to buy consumer goods cheaply at Wal-Mart may come with a hidden price that the market is incapable of reacting to.
In the reign of Queen Anne "public debt proved to be an impressively subtle instrument for the pursuit of partisan ends." It still is.
But not in the way that the Reaganomics crowd would have us believe. Around 1700, the richest countries in the world, with the most flexible financial systems, which were able to mobilize the most wealth for government purposes, were also the highest-taxed.
Carruthers speaks for a more complex and sociological understanding of financial markets. This is an excellent point.
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评分从结构上看,这本书的巧妙之处在于它的“碎片化叙事”所带来的整体性。它不是一个线性时间轴的简单铺陈,而是像一张被打碎了又重新拼合起来的巨大马赛克。不同的章节,看似跳跃很大,时间跨度也难以捉摸,但当你读到后期,那些看似无关的细节、那些被抛在几百页之前的只言片语,会以一种令人震惊的精确度相互咬合,构成一幅完整的图景。这要求读者必须保持高度的注意力,甚至需要时不时地回顾前面的内容,去印证当前的发现。这种阅读方式,本身就是一种对“记忆”和“信息重构”的探索。它模仿了真实世界中我们理解一个复杂事件的方式——不是一次性获取所有信息,而是通过收集散落的线索,自己去建构历史。这种复杂性带来的是极强的代入感和智力上的回馈,每次成功地将两个看似不相关的点联系起来时,都会有一种豁然开朗的快感,这种体验远超一般的故事情节的吸引力。
评分这本书的叙事节奏把握得非常到位,那种初读时的陌生感和逐渐深入的熟悉感之间的转换,简直如同老电影胶片在放映机里缓缓转动。作者在构建世界观时,并没有急于抛出宏大的设定,而是选择了一种非常生活化的切入点,让读者像一个新搬进这座城市的访客,从街头巷尾的细微之处去拼凑出整个城市的轮廓。那种感觉不是被生硬地塞进一个复杂的系统里,而是自然而然地融入,仿佛深吸一口气,就能闻到空气中特有的那种混合了工业废气与潮湿泥土的气息。尤其是在描绘那些日常的场景时,比如清晨市场上的叫卖声、黄昏时分高楼投下的长影,笔触细腻得让人几乎能感受到皮肤上的微风。这种细腻之处的积累,最终汇集成了一种厚重的历史感,让你觉得这座城市是真正“存在”的,而不是纸面上虚构的符号堆砌。它没有那种刻意的戏剧冲突来强行推动情节,相反,冲突往往潜藏在人物的内心挣扎和环境的压迫感之中,需要读者自己去挖掘,这种需要动脑筋去参与的阅读体验,实在让人欲罢不能。
评分这本书对我产生的影响,更多的是一种弥散在生活中的后效。它不是那种读完就合上,然后转头去读下一本的书。相反,它在我的思维里留下了一种持久的“滤镜”。很多日常生活中遇到的场景,比如看到某个特定的建筑风格,或者听到一小段旋律时,我都会不自觉地联想到书中的某个意象或氛围。它成功地在读者的意识深处植入了一套独特的感知系统。这种“传染性”是优秀文学作品的标志之一。作者对于“空间感”的描绘尤其令人印象深刻,他似乎能用文字勾勒出空间的体积和重量,让你感觉角色们不仅仅是“在”某个地方,而是被那个地方的物理属性所塑造和压制。读完之后,你会开始重新审视自己周围的环境,用一种更具批判性、更深层次的眼光去看待那些我们习以为常的背景。这种对现实世界感知边界的拓展,才是这本书最宝贵的遗产,远超故事本身的起承转合。
评分这本书最让人感到不安,也最着迷的地方,在于它对“人性灰色地带”的坦诚揭露。它没有将角色简单地划分为好人和坏人,而是把每个人都置于一个道德的迷宫之中。你看着那些人物为了生存、为了某种微小的尊严,做出了你可能永远不会做的选择,那种旁观者的审判感会油然而生,但下一秒,作者又会用一个恰到好处的内心独白告诉你,在他们的处境下,那似乎是唯一的出路。这种游走在理解与谴责之间的张力,让阅读体验变得异常沉重和真实。它迫使你直面自己的局限性,思考在极端压力下,自己会如何应对。我尤其欣赏作者处理那种微妙的背叛和不言而喻的爱恋的方式,它们都不是通过大张旗鼓的对白来表现,而是隐藏在一次眼神的交汇、一个递水的动作、或者一次不经意的沉默中。这种含蓄的情感表达,比任何直白的倾诉都要来得有力,因为它要求读者付出更多的专注力去解码,这种智力上的参与感,极大地提升了阅读的满足度。
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