喬治 R·R·馬丁，美國作傢，他的許多作品都是《紐約時報》圖書銷售榜第一位。2011年，《時代》周刊將馬丁評為“全世界最有影響力的一百位人物”之一。

丹尼爾·亞伯拉罕，美國作傢、劇作傢，曾將喬治 R·R·馬丁的兩部小說改編為漫畫小說，並獲得國際恐怖協會奬。

湯米·帕特森，是美國漫畫傢，著有原創漫畫《遙遠星際》，以及數部電影改編漫畫。

屈暢，四川大學文藝復興方嚮研究生，《科幻世界》雜誌社前主力編輯，現史詩圖書負責人。主要翻譯作品有《冰與火之歌》係列、《巨龍的頌歌——世界奇幻史》等。

唐朝栗子，就讀於上海交通大學，HBO劇集《權力的遊戲》的主力字幕翻譯者，百度冰與火之歌貼吧吧主。

Pksunking，喜歡看《豪斯醫生》的醫生，奧德賽公會論壇版主，Truth in Fantasy 工作室組長，奇幻文學愛好者。

Novelist Daniel Abraham and illustrator Tommy Patterson are not merely turning George R. R. Martin’s epic fantasy A Game of Thrones into a graphic novel: They are meticulously translating one art form into another, and capturing the intricate nuances of Martin’s novels just as HBO is doing with the blockbuster series. The Abraham/Patterson collaboration is more than just a faithful adaptation. It is a labor of love—and a thrilling masterwork in its own right.

Now, in the second volume, the sweeping action moves from the icy north, where the bastard Jon Snow seeks to carve out a place for himself among bitter outcasts and hardened criminals sworn to service upon the Wall . . . to the decadent south and the capital city of King’s Landing, where Jon’s father, Lord Eddard Stark, serves as the Hand of King Robert Baratheon amid a nest of courtly vipers . . . to the barbarian lands across the Narrow Sea, where the young princess Daenerys Targaryen has found the unexpected in her forced marriage to the Dothraki warlord Khal Drogo: love—and with it, for the first time in her life, power.

Meanwhile, the dwarf Tyrion Lannister, accused by Lady Catelyn Stark of the attempted murder of her now-crippled youngest son, must call upon all his cunning and wit to survive when he is captured and imprisoned in the lofty dungeons of the Eyrie, where Lady Stark’s sister—a woman obsessed with vengeance against all Lannisters—rules. But Catelyn’s impulsive arrest of the Imp will set in motion a series of violent events whose outcome is fated to shake the world at the worst possible moment. For now is not the time for private feuds and bloodthirsty ambitions.

Winter is coming . . . and with it, terrors beyond imagining.