This book looks at the aristocratic adoption of Roman ideals in eighteenth-century English culture and thought. Philip Ayres shows how, in the century following the Revolution of 1688, the ruling class promoted - by way of its patronage - a classical frame of mind embracing all the arts, on the foundations of 'liberty' and 'civic virtue'. The historical fact of a Roman Britain lent an added authenticity to a new 'Roman' present constructed by Lord Burlington and his circle. Ayres's study shows that the propensity to adopt the self-image of virtuous Romans was the attempt of a newly empowered oligarchy to dignify and vindicate itself by association with an idealized image of Republican Rome. This sense of affinity with the ideals of the free Roman Republic gave British classicism an authenticity impossible under the various versions of absolutism on the continent. Its discourse precluded any more thoroughgoing revolution by suggesting that Britain's liberty had been won by an 'oligarchy of virtue', which now defended, defined and emblematized the nation.
評分
評分
評分
評分
本站所有內容均為互聯網搜索引擎提供的公開搜索信息,本站不存儲任何數據與內容,任何內容與數據均與本站無關,如有需要請聯繫相關搜索引擎包括但不限於百度,google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有