"New Spring" was originally published as a novella in the speculative fiction anthology edited by Robert Silverberg entitled Legends: Short Novels by the Masters of Modern Fantasy. Published by Tor Books, this anthology was released on September 15, 1999, between the 1998 publication of The Path of Daggers (Book 8 of The Wheel of Time) and 2000 publication of Winter's Heart (Book 9).
Robert Jordan later expanded the novella into a standalone novel (though of significantly shorter length than typical Wheel of Time books), which was then published by Tor Books in January 2004, between the 2003 publication of Crossroads of Twilight (Book 10) and the 2005 publication of Knife of Dreams (Book 11).
The New Spring novel was originally conceived of as the first in a trilogy of prequel novels. The second and third were to focus on Tam serving in the Illianer army and finding Rand, and Moiraine and Lan's journeys and discoveries to reach the Two Rivers just before the events of the first novel. Jordan's original plan was to complete this trilogy before books 11 and 12 of the main series, but he was disappointed with New Spring's reception and decided to postpone this until after the main series was completed. However, his death on September 16, 2007 before the completion of the final novel in the series has rendered the fate of any planned follow-up doubtful.
The first paperback edition of New Spring, released on June 13, 2005, gave readers the first look at Knife of Dreams (Book 11), as it featured an advance excerpt of part of the prologue of Knife of Dreams.
New Spring describes events which take place twenty years before the events of The Eye of the World (Book 1). The story begins in the last days of the Aiel War, and the Battle of the Shining Walls around Tar Valon. It is set primarily in the Borderlands, specifically Kandor.
New Spring focuses mainly on Moiraine Damodred and Siuan Sanche, two Aes Sedai new to the sisterhood, and how a young Moiraine became Aes Sedai, met Lan Mandragoran and made him her Warder. The novel also explains how Moiraine and Siuan witnessed a prophecy of the Dragon's rebirth and came to begin investigating the Karaethon Cycle, the Prophecies of the Dragon, decades before discovering Rand al'Thor.
Robert Jordan was the pen name of James Oliver Rigney, Jr. (October 17, 1948 – September 16, 2007), under which he was best known as the author of the bestselling The Wheel of Time fantasy series. He also wrote under the names Reagan O'Neal and Jackson O'Reilly.
Charleston, South Carolina. He served two tours in Vietnam (from 1968 to 1970) with the United States Army as a helicopter gunner. He was awarded the Distinguished Flying Cross with bronze oak leaf cluster, the Bronze Star with "V" and bronze oak leaf cluster, and two Vietnamese Gallantry Crosses with palm. After returning from Vietnam he attended The Citadel where he received an undergraduate degree in physics. After graduating he was employed by the United States Navy as a nuclear engineer. He began writing in 1977. He was a history buff and enjoyed hunting, fishing, sailing, poker, chess, pool, and pipe collecting. He described himself as a "High Church" Episcopalian and received communion more than once a week. He lived with his wife Harriet McDougal, who works as a book editor (currently with Tor Books; she was also Jordan's editor) in a house built in 1797.
On March 23, 2006, Jordan disclosed in a statement that he had been diagnosed with cardiac amyloidosis, and that with treatment, his median life expectancy was four years, though he said he intended to beat the statistics. He later posted on his Dragonmount blog to encourage his fans not to worry about him and that he intended to have a long and fully creative life, working for another 30 years.
He began chemotherapy treatment at Mayo Clinic in Rochester, Minnesota in early April 2006. Jordan was enrolled in a study using the drug Revlimid just approved for multiple myeloma but not yet tested on primary amyloidosis.
Jordan died at approximately 2:45 p.m. EDT on September 16, 2007, and a funeral service was held for him on Wednesday, September 19, 2007. His life will be subject of the feature length documentary The Wit of the Staircase: The Life and Works of Robert Jordan. Jordan was cremated and his ashes buried at an Episcopal church plot outside Charleston.
我定义baby sedai包含:实习生,见习生以及刚获得披肩一年的两仪师。新春是时光之轮的前传,讲了俩好基友的baby史,以及沐瑞对岚的束缚。啊啊啊真没想到年轻时她们是多么嚣张!!脾气坏,恶作剧,伊兰艾雯奈妮薇跟这俩比起来简直就是天使。哈哈,我钟意!书里俩人的故事还总让...
评分我定义baby sedai包含:实习生,见习生以及刚获得披肩一年的两仪师。新春是时光之轮的前传,讲了俩好基友的baby史,以及沐瑞对岚的束缚。啊啊啊真没想到年轻时她们是多么嚣张!!脾气坏,恶作剧,伊兰艾雯奈妮薇跟这俩比起来简直就是天使。哈哈,我钟意!书里俩人的故事还总让...
评分我定义baby sedai包含:实习生,见习生以及刚获得披肩一年的两仪师。新春是时光之轮的前传,讲了俩好基友的baby史,以及沐瑞对岚的束缚。啊啊啊真没想到年轻时她们是多么嚣张!!脾气坏,恶作剧,伊兰艾雯奈妮薇跟这俩比起来简直就是天使。哈哈,我钟意!书里俩人的故事还总让...
评分我定义baby sedai包含:实习生,见习生以及刚获得披肩一年的两仪师。新春是时光之轮的前传,讲了俩好基友的baby史,以及沐瑞对岚的束缚。啊啊啊真没想到年轻时她们是多么嚣张!!脾气坏,恶作剧,伊兰艾雯奈妮薇跟这俩比起来简直就是天使。哈哈,我钟意!书里俩人的故事还总让...
评分我定义baby sedai包含:实习生,见习生以及刚获得披肩一年的两仪师。新春是时光之轮的前传,讲了俩好基友的baby史,以及沐瑞对岚的束缚。啊啊啊真没想到年轻时她们是多么嚣张!!脾气坏,恶作剧,伊兰艾雯奈妮薇跟这俩比起来简直就是天使。哈哈,我钟意!书里俩人的故事还总让...
这本书最令人着迷的一点,在于它对于“记忆”这一主题近乎偏执的探讨。它并非简单地回顾过去,而是将记忆的不可靠性、选择性遗忘、以及集体记忆的构建与篡改,作为叙事的核心驱动力。故事中不断地出现“真相”与“被记住的版本”之间的拉扯与模糊,让你时刻处于一种对既定事实的怀疑之中。有些关键情节,会在不同的时间点,以略微不同的面貌被重新呈现,这使得读者必须像侦探一样,拼凑出最接近原貌的事件链条。这种处理方式极大地提高了故事的张力,也赋予了角色行为更深层次的动机——他们所做的,也许并非基于现实,而是基于他们选择相信的那个“过去”。这种对认知偏差和主观构建的深刻挖掘,使得这本书超越了一般的叙事作品,更像是一部关于人类心智运作机制的实验报告。读完后,我发现自己对许多自己坚信不疑的“往事”,都产生了一丝审视的目光,这是一种令人不安,却又无比宝贵的阅读体验。
评分这本书的文字运用简直是华丽而又精准的体操表演。阅读它的过程,就像是品尝一道层次丰富的法式大餐,每一口都有不同的惊喜和口感。作者对动词和形容词的选择,达到了出神入化的地步,他总能找到那个最“刚刚好”的词语,让一个普通的场景瞬间焕发出惊人的生命力。我记不清有多少次,因为一个绝妙的比喻或一句精准的排比而拍案叫绝。更难得的是,这种华丽并非空洞的辞藻堆砌,而是紧紧服务于情感的表达和氛围的营造。例如,当描述角色处于极度焦虑时,文字的节奏会变得急促、破碎,仿佛打碎的玻璃;而在描写宁静的瞬间,句子则拉长、舒展,带着水波纹般的韵律感。这种对语言的驾驭能力,使得本书在文学性上达到了一个很高的水准。对于喜爱纯粹文字之美的读者来说,这本书的价值不仅仅在于故事本身,更在于它展示了语言可以达到的美学高度和表现力极限。
评分这本书的哲学思辨深度,远远超出了我最初的预期。我原以为会是一部纯粹的个人成长史,但读下去才发现,作者巧妙地将个体命运与宏大的历史背景、关于自由意志与宿命论的经典探讨编织在一起。书中那些关于“选择的重量”和“时间的回响”的论述,极其发人深省。它不直接给出答案,而是抛出一系列尖锐的问题,逼迫读者跳出舒适区,去重新审视自己生活中的那些既定框架。举例来说,书中对某段历史时期社会心理的剖析,那种近乎冷酷的客观性,让人在感到被冒犯的同时,又不得不承认其洞见的精准。语言风格上,它呈现出一种古典的、略带疏离感的冷静美学,这使得即便是描写最激烈的情感冲突,也保持着一种克制的张力。我感觉自己不是在阅读一个故事,而是在参与一场与作者共同进行的智力探险,每解开一个谜团,都能清晰地感受到自己思维边界的拓展。这本书的价值,不在于它讲述了什么,而在于它让你开始思考什么。
评分这本书的叙事节奏把握得相当精妙,尤其是在描绘主角内心挣扎的部分,简直让人拍案叫绝。作者似乎对人性的幽微之处有着超乎寻常的洞察力,那些细微的情绪波动,那些在光亮与阴影间摇摆不定的抉择,都被刻画得入木三分。我特别欣赏作者在处理多线叙事时展现出的高超技巧,几条看似无关的故事线索,随着情节的深入,如同精密的钟表齿轮般紧密啮合,最终导向一个令人唏嘘的结局。阅读过程中,我好几次停下来,不是为了休息,而是为了细细品味那些措辞考究的段落。那种仿佛能触摸到人物肌肤纹理般的细腻描写,着实考验着读者的专注力,但也正因如此,读完后留下的回味才格外悠长。书中对环境的渲染也极为出色,那些古老城市的黄昏、密林深处的低语,都像是为故事披上了一层厚重的、富有象征意义的幕布,烘托出人物命运的不可抗拒性。这本书无疑是一部需要慢品,才能体味其中深意的佳作,它不是那种能让人一口气读完的爆米花小说,而是更像一坛需要时间去发酵的老酒,每一次开启,都能带来新的感悟和震撼。
评分坦白说,这本书的阅读体验是相当“沉浸式”的,但这种沉浸感来自于它构建世界的完整性和逻辑自洽性。作者似乎在搭建一个平行宇宙,从货币体系到社会阶层,从信仰结构到日常习俗,每一个细节都经过了严密的考量,毫不含糊。我尤其佩服作者在铺陈背景信息时的功力,他极少使用冗长的人物内心独白或信息倾泻式的对话,而是通过人物的行动、环境的描写,甚至是一句不经意的谚语,将庞大的世界观自然地融入叙事之中,让读者在不知不觉中学会了“这个世界”的运作法则。这种“展示而非告知”的写作手法,极大地增强了阅读的参与感和代入感。对于那些喜欢深度世界构建的读者而言,这本书简直是一座宝藏。它让你在阅读时,总会忍不住停下来,想象自己置身于那个世界中,思考如何在那种严酷或奇特的规则下生存下去。这种细致入微的构建,使得故事的冲突和人物的困境,都显得无比真实可信,即使它们发生在完全虚构的背景下。
评分感觉还是节奏慢了点。Moraine为了练出完美冰山脸,内心戏还是蛮多的。结尾画面感唯美。听说当年作者计划前传写三本,新春是第一本,可惜后来生病没有完成。唉,非常好奇Moraine是为什么在第一本里会有一把法杖,而其他Aei Sedai都不可能配的东西。
评分沐瑞与史汪桑辰的baby sedai史。光明烧了我吧 她们脾气坏!调皮!恶作剧!年轻。
评分太可爱太有趣了,西方作家写感情、写男女互动总是对不上电波,乔丹是个例外,桑德森你好好学学
评分傻萌的妹子在20年里换上张正经的假脸,沙袋真不是个好职业。
评分傻萌的妹子在20年里换上张正经的假脸,沙袋真不是个好职业。
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