The 1970s: that magical era betwixt the swinging 60s and the decadent 80s, the epoch of leisure suits and afros, the age of disco music and platform shoes. As war raged on in Vietnam and the cold war continued to escalate, Hollywood began to heat up, recovering from its commercial crisis with box-offce successes such as Star Wars, Jaws, The Exocist, and The Godfather. Thanks to directors like Spielberg and Lucas, American cinema gave birth to a new phenomenon: the blockbuster. Meanwhile across the Atlantic, While the Nouvelle Vague died out in France, Its influence extended to Germany, where the New German Cinema of Fassbinder, Schlondorff, Wenders, and Herzog had its heyday. The sexual revolution made its way to the silver screen (cautiously in the U.S., more freely in Europe) most notably in Bertolucci's steamy, scandalous Last Tango in Paris. Amidst all this came a wave of nostalgic films (The Sting, American Graffiti) and Vietnam pictures (Apocalypse Now, The Deer Hunter),, the rise of the anti-hero (Robert De Niro, Al Pacino, Dustin Hoffman), and the prestigious short-lived genre, blaxploitation.
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裝訂精美,選的電影也比較全,是本研究七零年代電影的重要工具書之一。
评分裝訂精美,選的電影也比較全,是本研究七零年代電影的重要工具書之一。
评分裝訂精美,選的電影也比較全,是本研究七零年代電影的重要工具書之一。
评分裝訂精美,選的電影也比較全,是本研究七零年代電影的重要工具書之一。
评分先大概通讀瞭一遍,非常好,這纔是真正的電影教育
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