奥尔罕·帕慕克(Orhan Pamuk, 1952- ),当代欧洲最杰出的小说家之一,享誉国际的土耳其文学巨擘。出生于伊斯坦布尔,曾在伊斯坦布尔科技技大学主修建筑。2006年获诺贝文学奖,作品已经被译为40多种语言出版。
A portrait, by turns intimate and panoramic, of one of the world’s great cities, by its foremost man of letters, author of the acclaimed novels Snow and My Name Is Red.
Blending reminiscence with history; family photographs with portraits of poets and pashas; art criticism, metaphysical musing, and, now and again, a fanciful tale, Orhan Pamuk invents an ingenious form to evoke his lifelong home, the city that forged his imagination. He begins with his childhood among the eccentric extended Pamuk family in the dusty, carpeted, and hermetically sealed apartment building they shared. In this place came his first intimations of the melancholy awareness that binds all residents of his city together: that of living in the seat of ruined imperial glories, in a country trying to become “modern” at the dizzying crossroads of East and West. This elegiac communal spirit overhangs Pamuk’s reflections as he introduces the writers and painters (among the latter, most particularly the German Antoine-Ignace Melling) through whose eyes he came to see Istanbul. Against a background of shattered monuments, neglected villas, ghostly backstreets, and, above all, the fabled waters of the Bosphorus, he presents the interplay of his budding sense of place with that of his predecessors. And he charts the evolution of a rich, sometimes macabre, imaginative life, which furnished a daydreaming boy refuge from family discord and inner turmoil, and which would continue to serve the famous writer he was to become. It was, and remains, a life fed by the changing microcosm of the apartment building and, even more, the beckoning kaleidoscope beyond its walls.
As much a portrait of the artist as a young man as it is an oneiric Joycean map of the city, Istanbul is a masterful evocation of its subject through the idiosyncrasies of direct experience as much as the power of myth--the dazzling book Pamuk was born to write.</p>
奥尔罕.帕慕克于去年获得了诺贝尔文学奖,和以往任何一届诺贝尔文学奖颁发之后一样,人们匆忙开始了解这个人,把他的作品翻译为中文。而去年是文学作品的"达. 芬奇密码"之年,所以奥尔罕.帕慕克那本充满悬疑的小说《我的名字叫红》最先被翻译为中文,而我们不得不等到今年3月份...
评分2006 年,奥尔罕·帕慕克获得诺贝尔奖,那一年,《我的名字叫红》在中国火爆异常,印象中颇有洛阳纸贵的架势。不过,当时我并没有对这位土耳其作家抱以太大的兴趣,而更让我兴味索然的,是《我的名字叫红》——它的名字让我联想到一些我绝不会感兴趣的小说,所以,在帕慕克获奖...
评分阅读《伊斯坦布尔》,需要耐心,或者说适当的心境。而这心境,与其说是来自于个性,不如说是来自于生活,特别是某一时段的生活。 以我为例,数月前的第一次阅读就无疾而终,这一点有点儿像某些豆友;而在最近的这一次阅读中,我却渐渐地被它吸引,这一点又像另一些豆友...
评分1 在深圳这个不算太大的城市居住了10年,按照一般的逻辑,即使不能够准确无误地说出每一条街道的名字,也不会相差太远。但除了郊区那灰色的、散发古怪气味的厂房和横冲直撞、排出浓浓黑烟的小巴之外,从我儿时的记忆中浮现出来的,只有清晨时分穿过窗外的浓雾,断断续续地飘进...
评分所谓自传,或叫回忆录,就是让人看不到未来与现在的东西。作者必须做出或装出掏心掏肺的样子,将自己骨髓里,细胞里,角角落落那点东西搜刮出来,一一罗列,一再审视,很有些陈尸剖析的意味。 当然,如果你没有显赫的家世;一对父母,无论上溯到哪里,无论从哪个角度看...
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评分个人成长经历与城市的变迁交织 东西方意识形态的撞击融合 帕慕克大大笔下的伊斯坦布尔弥漫着浪漫忧郁的色彩 真想亲眼看看博斯普鲁斯海峡!
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