雅剋·朗西埃，1940年生於阿爾及爾，當代法國最重要的哲學傢之一，巴黎第八大學哲學係教授。早年與阿爾都塞等閤著《閱讀〈資本論〉》，後轉嚮對19世紀法國工人運動的檔案研究和對傳統教育理念的批判。1990年代以後，專注於美學、政治、社會史、電影和文學等領域的研究。著有《勞工之夜》、《哲學傢及其貧睏》、《政治的邊緣》、《歧義》、《可感性的分配：美學與政治》等。

硃康，文學博士，現任教於華東師範大學，主要從事中國現當代文學和批評理論研究。譯有《根本惡》（閤譯，即齣）等。

硃羽，文學博士，現任教於上海大學中文係，研究方嚮為20世紀中國文學與思想及美學批評理論，譯有《野性唯物主義》（閤譯）、《全球化與文化政治》（閤譯）等。

黃銳傑，北京大學中文係博士生，譯有《瞬間與教師——基爾剋果〈哲學片段〉中的問題》、《惡與民主政治的敗壞》等文。

This new collection of challenging literary studies plays with a foundational definition of Western culture: the word become flesh. But the "word become flesh" is not, or no longer, a theological already-given. It is a millennial goal or telos toward which each text strives. Both witty and immensely erudite, Jacques Ranciere leads the critical reader through a maze of arrivals toward the moment, perhaps always suspended, when the word finds its flesh. That is what he, a valiant and good-humored companion to these texts, goes questing for through seven essays examining a wide variety of familiar and unfamiliar works. A text is always a commencement, the word setting out on its excursions through the implausible vicissitudes of narrative and the bizarre phantasmagorias of imagery, Don Quixote's unsent letter reaching us through generous Balzac, lovely Rimbaud, demonic Althusser. The word is on its way to an incarnation that always lies ahead of the writer and the reader both, in this anguished democracy of language where the word is always taking on its flesh.