In these two essays, two of the most important French thinkers of our time reflect on each other's work. In so doing, novelist/essayist Maurice Blanchot and philosopher Michel Foucault develop a new perspective on the relationship between subjectivity, fiction, and the will to truth. The two texts present reflections on writing, language, and representation which question the status of the author/subject and explore the notion of a "neutral" voice that arises from the realm of the "outside." This book is crucial not only to an understanding of these two thinkers, but also to any overview of recent French thought.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
要再來一遍
评分4.5 迷弟福柯寫男神布朗肖，寫齣瞭篇被各路哲學傢(以德勒茲為首)頻繁引用的文章，而布朗肖寫福柯的文章僅僅是中規中矩的深刻與精彩。隻能說布朗肖本身的思想太耀眼，而福柯做到瞭一個傑齣的迷弟應做的事。如果說福柯的文章齣色地闡述瞭nomad philosophy，那布朗肖就是nomad本mad。
评分很安靜的一本書
评分foucault寫blanchot寫的真真好： 一個人影在拐角——似是而非，影影綽綽，模棱兩可。 全身湧過一股電流，直衝進每一根頭發絲兒，它們漫天飛揚，掠過空氣中的剪子——
评分foucault寫blanchot寫的真真好： 一個人影在拐角——似是而非，影影綽綽，模棱兩可。 全身湧過一股電流，直衝進每一根頭發絲兒，它們漫天飛揚，掠過空氣中的剪子——
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