These essays on creating, performing and thinking about music in today's world are drawn from the journal "Perspectives of New Music" and reflect a variety of artistic viewpoints and critical perspectives. The contributors include composers Pierre Boulez and John Cage, anthropologist Eric Gans, philosopher Michael Foucault and poet Delmore Schwartz. The authors contemplate music's origins and function, the changing relations between music and society and the effects of today's conflicting aesthetical notions on composition.
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