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People detour paths that keep silence on political issues rather than stand candidly always due to conceivable conflicts. Ideology symplifies into dichotomy which capitalism and communism occupy the two extremes. But it’s not the truth. The belief that treasure one's life and respect one another is the right direction. Ira and Murray proved that.

People detour paths that keep silence on political issues rather than stand candidly always due to conceivable conflicts. Ideology symplifies into dichotomy which capitalism and communism occupy the two extremes. But it’s not the truth. The belief that treasure one's life and respect one another is the right direction. Ira and Murray proved that.

People detour paths that keep silence on political issues rather than stand candidly always due to conceivable conflicts. Ideology symplifies into dichotomy which capitalism and communism occupy the two extremes. But it’s not the truth. The belief that treasure one's life and respect one another is the right direction. Ira and Murray proved that.

People detour paths that keep silence on political issues rather than stand candidly always due to conceivable conflicts. Ideology symplifies into dichotomy which capitalism and communism occupy the two extremes. But it’s not the truth. The belief that treasure one's life and respect one another is the right direction. Ira and Murray proved that.

People detour paths that keep silence on political issues rather than stand candidly always due to conceivable conflicts. Ideology symplifies into dichotomy which capitalism and communism occupy the two extremes. But it’s not the truth. The belief that treasure one's life and respect one another is the right direction. Ira and Murray proved that.

邪恶之徒的色情魔力……哈哈 这段太不容易了，表达这种混乱和嚣张能量的纠缠不清，两个棋逢对手 将遇良才的搭档制造出来的感觉，即使是有那么多事件的铺垫，要总结出来的话也是很难的，可作者做到了极致……甚至把兄弟的视角也顺带评点了一下。这是真实的生活状态，虽然底层生...  

关于“背叛”，文中各个人物的背叛，精神上，内森对艾拉精神上的背离，受大学老师的教诲——“教育我的人，我出自他们。对我而言，他们是各有各的卓越，引人竞争的个性，是代表或信奉强大理念的导师，最先教会我操纵这世界和它的权利，他们每个人到时候都要伴着他们的遗赠一起...  

按:发评论时只在豆瓣找到了另一个版本，关联到背叛的都是无关的电影，所以物归原主，在这里重发一遍。 作为普通中国人，我们仿佛对世界头号强国美国很熟悉——因为对超级大国的关注通常会远超别国，但事实上，我们对这个国家的历史细节如雾里看花，知之甚少。我们知道的大多是...  

只能说同情主人公悲惨的命运 本不应该相信一个女人 但是这偏偏又是故事进行下去的重要脉络 不想谈什麽主义 信仰 时代 背景和大环境...单单给我的感受就是 不要相信女人 你的女人...唉 想必这句话又存在了好多争议 不管怎样 仅仅当成一部文艺作品吧...  

菲利普·罗斯的三部作品《美国牧歌》（1997）、《我嫁给了共产党人》（1998）和《人性的污秽》（2000），与其说是“美国三部曲”，倒不如干脆说是“背叛三部曲”。这三部作品分别对应了 美国的不同时期：激情洋溢的六十年代、充满恐怖疑云的五十年代以及政治丑闻娱乐化的九十年...