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豪尔赫·路易斯·博尔赫斯（1899-1986）
阿根廷诗人、小说家、评论家、翻译家，西班牙语文学大师。1899年8月24日出生于布宜诺斯艾利斯，少年时随家人旅居欧洲。1923年出版第一部诗集《布宜诺斯艾利斯激情》，1925年出版第一部随笔集《探讨集》，1935年出版第一部短篇小说集《恶棍列传》，逐步奠定在阿根廷文坛的地位。代表诗集《圣马丁札记》、《老虎的金黄》，小说集《小径分岔的花园》、《阿莱夫》，随笔集《永恒史》、《探讨别集》等更为其赢得国际声誉。译有王尔德、吴尔芙、福克纳等作家作品。
曾任阿根廷国家图书馆馆长、布宜诺斯艾利斯大学文学教授，获得阿根廷国家文学奖、福门托国际出版奖、耶路撒冷奖、巴尔赞奖、奇诺·德尔杜卡奖、塞万提斯奖等多个文学大奖。1986年6月14日病逝于瑞士日内瓦。
- 博尔赫斯
- 诗歌
- 文论
- Borges
- 文学讲稿
- 文学批评
- 讲演
- 艺评
Through a twist of fate that the author of "Labyrinths" himself would have relished, these lost lectures given in English at Harvard in 1967-1968 by Jorge Luis Borges return to us now, a recovered tale of a life-long love affair with literature and the English language. Transcribed from tapes only recently discovered, "This Craft of Verse" captures the cadences, candour, wit and remarkable erudition of one of the most extraordinary and enduring literary voices of the 20th century. In its wide-ranging commentary and exquisite insights, the book stands as a deeply personal yet far-reaching introduction to the pleasures of the word, and as a first-hand testimony of to the life of literature. Though his avowed topic is poetry, Borges explores subjects ranging from prose forms (especially the novel), literary history and translation theory to philosophical aspects of literature in particular and communication in general. Probably the best-read citizen of the globe in his day, he draws on a wealth of examples from literature in modern and mediaeval English, Spanish, French, Italian, German, Greek, Latin, Arabic, Hebrew and Chinese, speaking with characteristic eloquence on Plato, the Norse "kenningar", Byron, Poe, Chesterton, Joyce and Frost, as well as on translations of Homer, the Bible, and the "Rubaiyat" of Omar Khayyam. Whether discussing metaphor, epic poetry, the origins of verse, poetic meaning, or his own "poetic creed", Borges gives a performance as entertaining as it is intellectually engaging. A lesson in the love of literature and in the making of a unique literary sensibility, this is a sustained encounter with one of the writers by whom the 20th century will be long remembered.
具体描述
读后感
将博尔赫斯确定为我的同道的正是因为他的这本谈艺录，虽然技不如人（他），但好歹还有点儿信心去说自己的创作观跟他是有许多契合的地方吧。这样一本讨论创作，讨论对诗歌的理解，讨论如何运用隐喻等等的书，语言如此朴实平易近人，实在不得不让我万分感谢博氏的慷慨。在读这本...
评分最近很喜欢这类“~讲”的形式，名字起的大（仅是翻译），不是贺拉斯的那种···读起来很是好读。之前看其他书的评价，有些读者说中国人不喜这种口语化强的东西，不应该的也不至于，难道就习惯了看无聊连篇废话又极容易介入乃至侵蚀思想的课本，这类讲座或者课的形态，稍微还原...
评分许多老师最近都提诗人冯至，就买了《十四行集》来看，拿到书有些失落，排版和纸质不是一本诗集该有的样子。还有本身也很难去读一本纯粹的诗集，反倒觉得《诗艺》《空间的诗学》这样半呈现半评论式的书更能进入。 前几天舍友讲她更愿意用一段文字的形式来表达情感，而不愿用诗。...
评分读到第二章节时，就被他对诗歌的描摹讲解而深深折服。如果没有他的讲述，那些原本有光芒的句子，也不会进入我愚笨的脑瓜吧。我想，如果有机会聆听这样的教诲，当是多么幸福的事情。 记录几个震撼到我的句子： 死亡与睡眠的隐喻。 We are such staff, As dreams are made on,...
评分用户评价
独到的观点中透露出独立的个性，过度谦虚的语调让人怀疑本真。不过亮点很多，尤其喜欢metaphor一部分。
评分一边看译文，一边听录音，如此才能get哈佛学生的笑点????
评分一边画画一边听，一不小心就通宵了…… = = 今年把这本书读了三遍，还是觉得奥妙无穷。博尔赫斯的西班牙语口音真是有意思，每到for example 就直接在那边por ejamplo哈哈…… Harvard现场气氛真好，很多点之前看书的时候都没笑（是我道行太浅没发现那是笑点吧= =
评分「I think you are quite mistake if you admire my writing. But I think of it as a very generous mistake. I think that one should try to believe in things even if they let you down afterwards.」也是另一种意义上的美而不自知了。
评分「I think you are quite mistake if you admire my writing. But I think of it as a very generous mistake. I think that one should try to believe in things even if they let you down afterwards.」也是另一种意义上的美而不自知了。
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