Stephen Shore was interested in photography from an early age. Self-taught, he received a photographic darkroom kit at age six. He began to use a 35mm camera three years later and made his first color photographs. At ten he received a copy of Walker Evans's book, American Photographs, which influenced him greatly. At age seventeen Shore met Andy Warhol and began to frequent Warhol's studio, the Factory, photographing Warhol and the creative people that surrounded him. In 1972 Shore embarked on a series of cross-country trips and "on the road" photographs of the American landscape.
Among the first to work almost exclusively in color, Shore, in 1971, became the first living photographer to have a one-person show at the Metropolitan Museum of Art in New York.
(quoted from http://www.jenbekman.com/stephen_shore_bio.html)
就是在平凡中看出令人感動要素的大片幅照色照片集。
大画幅&彩色&景深的运用 。尤其喜欢停车场富有色彩的作品,看起来有点杂乱的画面却有很精湛的构图。Art is the conscious decision这句话应该最能解释stephen shore摄影的理念
评分大画幅&彩色&景深的运用 。尤其喜欢停车场富有色彩的作品,看起来有点杂乱的画面却有很精湛的构图。Art is the conscious decision这句话应该最能解释stephen shore摄影的理念
评分大画幅&彩色&景深的运用 。尤其喜欢停车场富有色彩的作品,看起来有点杂乱的画面却有很精湛的构图。Art is the conscious decision这句话应该最能解释stephen shore摄影的理念
评分大画幅&彩色&景深的运用 。尤其喜欢停车场富有色彩的作品,看起来有点杂乱的画面却有很精湛的构图。Art is the conscious decision这句话应该最能解释stephen shore摄影的理念
评分大画幅&彩色&景深的运用 。尤其喜欢停车场富有色彩的作品,看起来有点杂乱的画面却有很精湛的构图。Art is the conscious decision这句话应该最能解释stephen shore摄影的理念
只要你用过大画幅相机且知道一张胶片多少钱,就明白想用它拍日常根本不可能。拍一张都不是闹着玩的= =不
评分像是印象中的美国小镇印象 以及总是会有很多车车车
评分http://www.douban.com/photos/album/66499944/?start=0
评分大画幅//喜欢其镜头下的当代美国景观(esp.加州)//利用秩序让照片产生结构/照相机放哪儿、对哪儿取景以及何时按下快门
评分uncommon boredom
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