Spaces of Their Own: Women's Public Sphere in Transnational China (Public Worlds, Vol 4) pdf epub mobi txt 電子書下載2025

簡體網頁||繁體網頁

☆☆☆☆☆

Mayfair Mei-hui Yang is an associate professor of anthropology at the University of California, Santa Barbara

出版者:University of Minnesota Press

作者:Mayfair Mei-Hui Yang

出品人:

頁數:336

译者:

出版時間:01 February, 1999

價格:$59.95

裝幀:Hardcover

isbn號碼:9780816631452

叢書系列:

圖書標籤:

社會性彆史
女性
Mayfair_Mei_Hui_Yang,
Gender
人類學
文化研究、哲學理論
中國民族誌
Mayfair_Mei_Hui_Yang

下載連結在頁面底部

facebook linkedin mastodon messenger pinterest reddit telegram twitter viber vkontakte whatsapp 複製連結

想要找書就要到圖書目錄大全

book.wenda123.org

立刻按 ctrl+D收藏本頁

你會得到大驚喜!!

How are the public and political lives of Chinese women constrained by states and economies? And how have pockets of women’s consciousness come to be produced in and disseminated from this traditionally masculine milieu? The essays in this volume examine the possibilities for a public sphere for Chinese women, one that would emerge from concrete historical situations and local contexts and also cut across the political boundaries separating the Mainland, Taiwan, Hong Kong, and the West.

The challenges of this project are taken up in essays on the legacy of state feminism on the Mainland as contrasted with a grassroots women’s movement in Taiwan; on the role of the capitalist consumer economy in the emerging lesbian movement in Taiwan; and on the increased trafficking of women as brides, prostitutes, and mistresses between the Mainland and wealthy male patrons in Taiwan and Hong Kong. The writers’ examples of masculine domination in the media include the reformulation of Chinese women in Fifth Generation films for a transnational Western male film audience and the portrayal of Mainland women in Taiwanese and Hong Kong media. The contributors also consider male nationalism as it is revealed through both international sports coverage on television and in a Chinese television drama. Other works examine a women’s museum, a telephone hotline in Beijing, the films of Hong Kong filmmaker Ann Hui, the transnational contacts of a Taiwanese feminist organization, the diaspora of Mainland women writers, and the differences between Chinese and Western feminist themes.