Quote: "The ability to keep things in perspective is very important for a journalist.

In a tense situation you need the ability to be there, yet somehow step aside;

to keep a cool head and keep working without getting frustrated."

“對於一名記者來說，領悟局勢的能力極為重要，在危機時刻，你需要站在正確的位置，

中立而冷靜地完成任務，不被失敗或消沉所左右。”

Philip Jones Griffiths 14歲便開始為雜誌社拍攝照片，25歲成為『Observer』的全職自由攝影師，

1966至1971年在越南戰爭中的拍攝作品為其贏得瞭全球性聲譽，戰爭結束後，正式加入瑪格南圖片社。

Griffiths的足跡遍及120多個國傢，長期為《Life》等刊物提供第一現場的照片，在越戰後他曾經兩次重訪越南，

並完成瞭兩本極具影響力的越戰後作品：《Agent Orange》以及《Vietnam at Peace》。

Griffiths的作品往往摺射齣科技與人性之間不平衡的關係，尤其是對人類愚昧行為的捕捉更為敏銳，盡管如此，

Griffiths依然堅信瑪格南創始者們的道德信念：人性最終能改進現狀。

2008年3月19日，Philip Jones Griffiths因癌癥辭世於倫敦西區。

本書不僅拍攝瞭大量戰爭場麵的圖片,也留齣大量篇幅記錄當時人民的生活,包括多個方麵,是一手的珍貴資料

Paperback:224 pages

Language:English

Product Dimensions:10.9 x 7.8 x 1 inches

First published in 1971, Philip Jones Griffiths' account of the Vietnamese War was the outcome of three years' reporting and is a detailed survey of the conflict. Showing us the true horrors of the war as well as offering a study of Vietnamese folk life, the author argues against the de-humanizing power of technology and highlights the arrogance and hypocrisy of American imperialistic attitudes. This new edition is a recreation of the original with Philip Jones Griffiths' personal layouts and commentaries. There is a foreword by Noam Chomsky, who was profoundly affected by the book when it was originally published.