Architecture's relationship with its representations is peculiar, powerful and critical. Though driven by belief in the characteristics of physical reality, architecture is identified, discussed, and explained almost entirely through representations. Indeed, the representations are often described as though they were architecture itself. The status of the imaginary project, and the shifts in media technology which affect how we make and see architecture, are part of a construct of media representations, including photographs, exhibitions, journalism, books, critical theory, by which we define what is architecture. This is Not Architecture assembles architectural writers of different kinds - historians, theorists, journalists, computer game designers, technologists, film-makers and architects - to discuss the characteristics, cultures, limitations and bias of the different kinds of media, and to build up an argument as to how this complex culture of representations is constructed. James Ackerman, Philip Campbell, Beatriz Colomina, Paul Finch, David Greene, Alberto Perez Gomez, Charles Jencks, Patrick Keiller, William Mitchell, Alan Powers, Kester Rattenbury, Pierluigi Serraino,
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是本合集。文章质量参差不一。主题也乏味得很:建筑表现(诸如图纸、照片、模型、3D)跟建筑的关系。可是,Perez-Gomez开篇的综述《秩序的彰显:透视以及建筑表现》还是很具水准。23页的文章,讲明白了透视对于建筑发展的价值和约束。跟着是Ackerman的关于《建筑摄影的起源》。。。。其它文章比较无聊。
评分是本合集。文章质量参差不一。主题也乏味得很:建筑表现(诸如图纸、照片、模型、3D)跟建筑的关系。可是,Perez-Gomez开篇的综述《秩序的彰显:透视以及建筑表现》还是很具水准。23页的文章,讲明白了透视对于建筑发展的价值和约束。跟着是Ackerman的关于《建筑摄影的起源》。。。。其它文章比较无聊。
评分是本合集。文章质量参差不一。主题也乏味得很:建筑表现(诸如图纸、照片、模型、3D)跟建筑的关系。可是,Perez-Gomez开篇的综述《秩序的彰显:透视以及建筑表现》还是很具水准。23页的文章,讲明白了透视对于建筑发展的价值和约束。跟着是Ackerman的关于《建筑摄影的起源》。。。。其它文章比较无聊。
评分是本合集。文章质量参差不一。主题也乏味得很:建筑表现(诸如图纸、照片、模型、3D)跟建筑的关系。可是,Perez-Gomez开篇的综述《秩序的彰显:透视以及建筑表现》还是很具水准。23页的文章,讲明白了透视对于建筑发展的价值和约束。跟着是Ackerman的关于《建筑摄影的起源》。。。。其它文章比较无聊。
评分是本合集。文章质量参差不一。主题也乏味得很:建筑表现(诸如图纸、照片、模型、3D)跟建筑的关系。可是,Perez-Gomez开篇的综述《秩序的彰显:透视以及建筑表现》还是很具水准。23页的文章,讲明白了透视对于建筑发展的价值和约束。跟着是Ackerman的关于《建筑摄影的起源》。。。。其它文章比较无聊。
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