Nothing Happens 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Nothing Happens

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Ivone Margulies 作者
Duke University Press
譯者
1996-04 出版日期
288 頁數
USD 21.95 價格
Paperback
叢書系列
9780822317234 圖書編碼

Nothing Happens 在線電子書 圖書標籤: 阿剋曼  電影研究  電影相關  theory  film  2018   


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發表於2024-11-26

Nothing Happens 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Nothing Happens 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Nothing Happens 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



Nothing Happens 在線電子書 用戶評價

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Chantal Akerman FIWI.

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Chantal Akerman FIWI.

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Chantal Akerman FIWI.

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Chantal Akerman FIWI.

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Chantal Akerman FIWI.

Nothing Happens 在線電子書 著者簡介


Nothing Happens 在線電子書 著者簡介


Nothing Happens 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Nothing Happens 在線電子書 圖書描述

Through films that alternate between containment, order, and symmetry on the one hand, and obsession, explosiveness, and a lack of control on the other, Chantal Akerman has gained a reputation as one of the most significant filmmakers working today. Her 1975 film "Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles" is widely regarded as the most important feminist film of that decade. In "Nothing Happens", Ivone Margulies presents the first comprehensive study of this influential avant-garde Belgian filmmaker. Margulies grounds her critical analysis in detailed discussions of Akerman's work and from "Saute ma ville", a 13-minute black-and-white film made in 1968, through "Jeanne Dielman" and "Je tu il elle" to the present. Focusing on the real-time representation of a woman's everyday experience in Jeanne Dielman, Margulies brings the history of social and progressive realism and the filmmaker's work into perspective. Pursuing two different but related lines of inquiry, she investigates an interest in the everyday that stretches from postwar neorealist cinema to the feminist rewriting of women's history in the seventies. She, then, shows how Akerman's 'corporeal cinema' is informed by both American experiments with performance and duration and the layerings present in works by European modernists Bresson, Rohmer, and Dreyer. This analysis revises the tired opposition between realism and modernism in the cinema, defines Akerman's minimal-hyperrealist aesthetics in contrast to Godard's anti-illusionism, and reveals the inadequacies of popular characterizations of Akerman's films as either simply modernist or feminist. An essential book for students of Chantal Akerman's work, "Nothing Happens" will also interest international film critics and scholars, filmmakers, art historians, and all readers concerned with feminist film theory.

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