What Britain refined, America defined. Assembled by two key figures at the heart of the movement and told through the voices o musicians, artists, iconoclastic reporters and entrepreneurial groupies, PLEASE KILL ME is the full decadent story of the American punk scene, through the early years of Andy Warhol's Factory to the New York underground of Max's Kansas City and later, its heyday at CBGB's, spiritual home to the Ramones, Talking Heads, Television and Blondie. PLEASE KILL ME goes backstage and behind apartment doors to chronicle the sex, drugs and power struggles that were the very fabric of the American punk community, to the time before piercing and tattoos became commonplace and when every concert, new band and fashion statement marked an absolute first. From Iggy Pop and Lou Reed to the Clash and the Sex Pistols (the first time around), Mc Neil and Mc Cain document a time of glorious self-destruction and perverse innocence - possibly the last time so many will so much fun in the pursuit of excess.
莱格斯·麦克尼尔,《朋克》杂志创始人之一,Spin杂志高级编辑,纽约朋克文化圈传奇人物之一,有《另一个好莱坞》等著作多部。
吉里安·麦凯恩,圣马可教堂颂诗活动节目协调人,《颂诗活动通讯》编辑,著有《倾斜》等诗集。
好,让我们一起坐下来想象,那些居心叵测的总想粉饰摇滚的伪善的人们,在读这本书的时候,会将自己道貌岸然的脸庞扭曲成一个怎样匪夷所思的形状。 这本书的包装一点都不诱人,从封面TELEVISION半死不活的表情以及胸口的血,到那个仿佛无聊的小报试图吸引人们眼球的烂俗标题“...
评分摇滚的生命在于叛逆,今天的人已经不知道还有什么可以去叛逆的了,该叛的都被人叛完了。所以摇滚式微,老崔窦唯之类都奔电子与爵士去也。偶然听到一个清新的声音,也只不过昙花一现。 书名让我想起Beck的那首Loser: I'm a loser baby so why don't you kill me...
评分每个人都有屁眼 每个人都有屁眼,多么光鲜也不例外。华尔街套着石膏、温文尔雅的银行家们也要拉屎。拉屎就要脱下裤子,让菊花绽放在空气中,一二三——嘿!不脱裤子就只有拉到裤裆里了。年纪小点儿吧说你不懂事儿,年纪大点儿吧说你大便失禁,要正值年轻力壮,就实在无话可说...
评分书倒是买了很久了,尝试几次,就是看不进去……因为太写实和记载方式的原因吧……感觉跳跃思维超出我的接受
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