Kierkegaard (1813-55) was born in Copenhagen, the youngest of seven children. His childhood was unhappy, clouded by the religious fervour of his father, and the death of his mother, his sisters and two brothers. Educated at the School of Civic Virtue, he went on study theology, liberal arts and science at university, gaining a reputation for his academic brilliance and extravagant social life. He began to criticize Christianity, and in 1841 broke off his engagement to concentrate on his writing. Over the next ten years he produced a flood of works, in particular twelve major philosophical essays, many written under noms de plume. By the end of his life he had become an object of public ridicule, but he is now enjoying increasing acclaim.
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Alastair Hannay was educated at the Edinburgh Academy, the University of Edinburgh and University College London. In 1961 he became a resident of Norway and is now Emeritus Professor of Philosophy at the University of Oslo.
In Either/Or, using the voices of two characters - the aesthetic young man of part one, called simply 'A', and the ethical Judge Vilhelm of the second section - Kierkegaard reflects upon the search for a meaningful existence, contemplating subjects as diverse as Mozart, drama, boredom, and, in the famous Seducer's Diary, the cynical seduction and ultimate rejection of a young, beautiful woman. A masterpiece of duality, Either/Or is a brilliant exploration of the conflict between the aesthetic and the ethical - both meditating ironically and seductively upon Epicurean pleasures, and eloquently expounding the noble virtues of a morally upstanding life.
【按语:《非此即彼:一个生命的残片(Either/or: a fragment of life,1843)》下卷是对上卷的答复。在上卷中,尤其是《诱惑者的日记》中,Kierkegaard刻画了一种审美的生活取态,“他最大的激情,是那青春初放的女性。”[上卷,380];而下卷则驳斥了审美的生活,认为伦理的(含...
評分注:《勾引家日记》是《非此即彼》一书的后半部分所附带,这则书评根据《勾引家日记》内容创作。 当我离开她的时候,她已经成了一具干尸,被我的蛛丝包裹,悬挂在残破废弃的网中…… 如果我要追一个姑娘,我会选择一个纯洁而聪明的,她举手投足散发着致命的诱惑...
評分没有心情严肃,就8g吧! 书翻完后,又略扫了一遍《勾引者日记》,之前的津津有味中加了一些谐虐的味道。纯然是个体性的表达,译者一定感到百般为难,《性爱或音乐性爱的诸阶段》有几处走样的文字,突兀得厉害,关于《唐璜》的音乐解释,自然不是直白的翻译就可以心灵相...
評分这本书里祁克果主要探讨了浪漫主义所带来的道德隐患,以及所之对应的道德人生。 首先描绘了审美的人生:渴望从情欲和艺术作品中追求最大限度的快乐,而且对他人和道义都不负责。然而审美的人生的快乐和自由只能使人感到片刻的满足,但欲望得到满足后厌烦和空虚会随之而来,而且...
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