Editorial Reviews
From Booklist
*Starred Review* The common perception of Capote (who died in 1984) is that he had a brilliant early beginning to a career that eventually fizzled out in drug use and soured celebrity. His "new nonfiction" book, In Cold Blood (1966), the true story of a Kansas murder told with great fictional technique and elan, is generally regarded as his finest achievement. But now, for the first time, all of Capote's short stories are being published together, an event that signifies a renewed appreciation of his overall contribution to literature, for evidence is presented in this one volume that he should be ranked as a major American short story writer. By instinct, he produced the amalgam of fact and fiction that became In Cold Blood; similarly but contrarily, by instinct he wrote short stories always intent on maintaining the form's integrity as distinct from the novel. Most of Capote's short story work was concentrated in the early years of his career, the 1940s, but his capacity for writing deeply thought-out, deeply felt stories continued into the 1980s, from the first story in the collection, "The Walls Are Cold," a short, entertaining piece about a young, flirtatious socialite, to the last story, "One Christmas," set in the Alabama and New Orleans of his boyhood, a story conjured from the heart--but free of overripe sentiment--about learning the differences in how people love. Both a broadening of theme and deepening in treatment are observable when the stories in the collection are read in order; all of them are linked by a shimmering, but never showy, eloquence and sensitive observation of the personal environments his characters inhabit, both psychological and physical. Brad Hooper
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
Review
“An abundance of riches. . . . It is not hard at all to open to any page . . . and be amused, moved, intrigued.” –"Newsday" “To best experience Capote the stylist, one must go back to his short fiction. . . . One experiences as strongly as ever his gift for concrete abstraction and his spectacular observancy.” –"The New Yorker" “It is a stunning experience to reread this fiction . . . and to realize how very golden this golden boy was. . . . We are in the presence of a tremendous talent, and a fully mature technique as well. Norman Mailer’s judgment that Capote was the most perfect writer of their generation–‘he writes the best sentences word for word, rhythm upon rhythm’–seems true and just.” –"The New Criterion" “Capote does some things perfectly that many writers can’t do at all. . . . [He] summons the sensory world in its bewildering, inexhaustible richness.” –"Lo
From the Inside Flap
Most readers know Truman Capote as the author of Breakfast at Tiffany's and In Cold Blood; or they remember his notorious social life and wild and witty public appearances. But he was also the author of superb short tales that were as elegant as they were heartfelt, as grotesque as they were compassionate. Now, on the occasion of what would have been his eightieth birthday, the Modern Library presents the first collection that includes all of Capote's short fiction - a volume that confirms his status as one of the masters of this form.
Among the selections are "A Tree of Night," in which an innocent student, sitting on a train beside a slatternly woman and her deaf-mute companion, enters a seductive nightmare that brings back the deepest fears of childhood . . . "House of Flowers," the inspiration for a celebrated Broadway musical, which tells of a superstitious prostitute who learns to love in a way no one else can ever understand . . . the holiday perennial "A Christmas Memory," famously adapted into a superb made-for-TV movie . . . and "The Bargain," Capote's melancholy, never-before-published 1950 story about a suburban housewife's shifting fortunes.
From the gothic South to the chic East Coast, from rural children to aging urban sophisticates, all the unforgettable places and people of Capote's oeuvre are captured in this first-ever compendium. The Collected Stories of Truman Capote should restore its author to a place above mere celebrity, to the highest levels of American letters. --This text refers to the Hardcover edition.
About the Author
Reynolds Price is James B. Duke Professor of English at Duke University and the disinguished author of more than twenty-five books of fiction, poetry, drama and essays. He lives in North Carolina.
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这部选集简直是一场文学的盛宴,读完之后,我感觉自己的感官都被重新校准了一般。特鲁曼·卡波特那些精妙绝伦的笔触,描绘出的世界既光怪陆离又极其真实。尤其是那些关于社会边缘人物的刻画,简直入木三分,让你在感到震惊的同时,又生出一种无法抗拒的同情。他似乎有一种魔力,能把那些最微不足道的日常细节,瞬间提升到近乎寓言的高度。比如他写起某个南方小镇的夏日午后,空气的湿度、蝉鸣的频率,都能被他捕捉得丝丝入扣,让你仿佛能闻到那种混合着栀子花和陈旧木地板的味道。我尤其欣赏他叙事节奏的把控,有时像一场精心编排的芭蕾,优雅而流畅;但一旦情节需要,又能瞬间切换成一把锋利的手术刀,精准地切开人物内心最深处的矛盾和谎言。读他的文字,你会发现,所谓的“完整故事”并非只是数量的堆砌,而是一次次对人性幽暗角落的深入探访,每一次翻页都是一次对既有认知的颠覆。
评分说句实在话,初次接触这本《全集》时,我还有点担心风格会过于单一或沉闷,毕竟处理如此庞大的故事量,难免会有些重复。然而,卡波特用事实扇了我一记耳光。这里的跨度之大,简直令人咋舌!从他早期那种带着浓重“南方哥特”色彩的忧郁叙事,到后来那些明显受到新闻报道和纪实文学影响的、近乎冷酷的冷静观察,风格的演变清晰可见。他处理不同主题时,所采用的句法结构和词汇选择都有着明显的倾向性变化,这说明他并非是抱着同一种工具箱来完成所有作品的。我特别喜欢那些探讨“美与堕落”主题的短篇,他能用最华丽、最无可挑剔的词藻来描绘最不堪的场景,这种强烈的反差制造出一种令人心悸的美感。这本选集就像一趟时间胶囊,让你得以完整见证一位大师如何在不同的文学探索中,不断雕琢和完善他那独一无二的声音。
评分这本书简直是文学爱好者们的“必修课”,我几乎能想象到,那些热衷于推敲文字的读者,会如何为卡波特对形容词和副词的运用而拍案叫绝。他的文字密度极高,但神奇的是,它读起来却一点也不费劲,这才是真正的大师手笔——毫不费力的优雅。通过这些故事,我仿佛被带入了一个充满精致而又脆弱的氛围的圈子,那里的人们用最得体的礼仪,掩盖着最粗粝的本性。我得承认,有些篇章的阴郁程度,确实让人在深夜阅读时感到一丝寒意,但这正是他的力量所在:他敢于直视人性中那些我们通常选择回避的部分。对我个人而言,它提供的远不止是故事,更像是一套关于如何观察世界、如何构建叙事结构的完整哲学体系。这是一套值得珍藏,并会随着阅读者心境变化而展现出不同光彩的宝藏。
评分天呐,如果说卡波特是位作家,那他更像是一位技艺高超的炼金术师,将日常的琐碎和人性的复杂提炼成了闪耀的黄金。我花了整整一个月才慢慢消化完这本厚厚的合集,不是因为篇幅冗长,而是因为每一篇都值得反复咀嚼,生怕错过哪怕一个微妙的语境暗示。让我印象最深的是他笔下那些对话的精妙——那种看似漫不经心、实则暗藏机锋的交流方式,简直是教科书级别的示范。你看着角色们你来我往,感觉自己就像一个无声的旁观者,被邀请进入了一个只有他们才懂的密语圈子。更绝的是,他对于环境的描绘,完全不是简单的背景板,而是与人物心境深度绑定的存在。比如,当角色陷入绝望时,窗外的天气总是恰到好处地阴沉下来,但这种“恰到好处”却丝毫没有落入俗套,反而增强了悲剧宿命感的张力。这本选集,无疑证明了他文学地位的不可动摇性,它集合了诗人般敏感的心灵和冷峻的观察者视角。
评分读完这部作品集,我有一种强烈的感受:特鲁曼·卡波特写的人物,即便是在最疯狂、最不理智的时刻,他们也拥有着一种令人信服的内在逻辑。你也许会批判他们的行为,但你永远无法否认他们“为什么会那样做”的驱动力在他笔下得到了充分的阐释。这需要极高的共情能力和洞察力,他似乎能轻易穿透人物的外壳,直达灵魂深处的欲望与恐惧。我尤其对那些篇幅较短但爆发力极强的作品印象深刻,几千字内,他就能搭建起一个完整的心理迷宫,让你在迷失方向时,突然被他抛出的一个关键细节猛地拉回现实。这种叙事的经济学,是很多当代作家难以企及的高度。它迫使读者也参与到解读的过程中,不断在“表象”与“真相”之间来回拉扯,读起来非常过瘾,但又带着一丝挥之不去的惆怅。
评分Actually finished half only because I left it in the aircraft.
评分Actually finished half only because I left it in the aircraft.
评分A tree of night&The headless hawk&Master misery 都很近
评分A tree of night&The headless hawk&Master misery 都很近
评分Actually finished half only because I left it in the aircraft.
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