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4.5. I remember this ending from that afternoon more than 15 years ago, in the eye of a hurricane, in the perpetual stagnant peaceful somnambulance in the middle of a war, the incoherent, casual, impersonal and destructive work of time.

4.5. I remember this ending from that afternoon more than 15 years ago, in the eye of a hurricane, in the perpetual stagnant peaceful somnambulance in the middle of a war, the incoherent, casual, impersonal and destructive work of time.

4.5. I remember this ending from that afternoon more than 15 years ago, in the eye of a hurricane, in the perpetual stagnant peaceful somnambulance in the middle of a war, the incoherent, casual, impersonal and destructive work of time.

4.5. I remember this ending from that afternoon more than 15 years ago, in the eye of a hurricane, in the perpetual stagnant peaceful somnambulance in the middle of a war, the incoherent, casual, impersonal and destructive work of time.

4.5. I remember this ending from that afternoon more than 15 years ago, in the eye of a hurricane, in the perpetual stagnant peaceful somnambulance in the middle of a war, the incoherent, casual, impersonal and destructive work of time.

常言说，一切伟大的文学作品都建立或瓦解了某种文体。这样的“常言”幸好我只在本雅明评价普鲁斯特的时候才看到，近几天重新想起是在读法国作家克劳德·西蒙的《弗兰德公路》。我不知道如何归类西蒙的这部小说，倒不是说因为其晦涩难懂，而是因为迷惑不解。西蒙虽然归属于法国...  

一 写作手法 《弗兰德公路》的写作受普鲁斯特的影响非常大，是一本运用意识流手法写成的小说。所谓“意识流手法”就是把事件按它们在人的意识中出现的次序依次书写下来，情节间的“因果次序”被人的意识中的“呈现次序”所代替。这样写下来的小说就象是一个依照时间拍摄出来的...  

一 写作手法 《弗兰德公路》的写作受普鲁斯特的影响非常大，是一本运用意识流手法写成的小说。所谓“意识流手法”就是把事件按它们在人的意识中出现的次序依次书写下来，情节间的“因果次序”被人的意识中的“呈现次序”所代替。这样写下来的小说就象是一个依照时间拍摄出来的...