具体描述
In the predawn gloom of a February day in 1994, two thieves entered the National Gallery in Oslo. They snatched one of the world's most famous paintings, Edvard Munch's <em>The Scream</em>, and fled with their $72 million trophy. The thieves made sure the world was watching: the Winter Olympics, in Lillehammer, began that same morning. Baffled and humiliated, the Norwegian police called on the world's greatest art detective, a half-English, half-American undercover cop named Charley Hill.</p>
In this rollicking narrative, Edward Dolnick takes us inside the art underworld. The trail leads high and low, and the cast ranges from titled aristocrats to thick-necked thugs. Lord Bath, resplendent in ponytail and velvet jacket, presides over a 9,000-acre estate. David Duddin, a 300-pound fence who once tried to sell a stolen Rembrandt, spins exuberant tales of his misdeeds. We meet Munch, too, a haunted misfit who spends his evenings drinking in the Black Piglet Café and his nights feverishly trying to capture in paint the visions in his head. The most compelling character of all is Charley Hill, an ex-soldier, a would-be priest, and a complicated mix of brilliance, foolhardiness, and charm. The hunt for <em>The Scream</em> will either cap his career and rescue one of the world's best-known paintings or end in a fiasco that will dog him forever.</p>
作者简介
爱德华·多尔尼克曾为《波士顿环球报》、《大西洋月刊》、《时代杂志》等报纸杂志撰稿，并有《进入伟大的未知世界》以及《睡椅上的疯狂》等多部著作。
目录信息
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“名画不过是镶了框的巨额支票”这句话是从书里摘的。 作者爱德华·多尔尼克认为，小偷对博物馆美术馆毫无兴致，除非偷东西的时候。而驱使他们起了这个念头的，除了在黑道里争得荣誉感、在媒体上争得头版头条，或者是用这个作为条件跟政府谈判歪，最大的驱动力就是钱。 梵高...
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评分听起来很荒唐，博物馆的贵重展品竟然可以称为最容易偷盗的物品之一。有时候抢劫也行。博物馆的安保措施从来很差，保险买的也不足够。即便丢失了展品，由于要耗费太多的时间和金钱，进行太多的谋划，动用太多的人力，很多情况下警方搜寻也不积极。毕竟没有死人，很多展品丢失了...
评分一直就对自己无知的领域格外感兴趣。这本书从商品角度讲，排版、纸张都格外令人满意。作为一部记录片写实的作品来说，内容绝对是我们这些非官非贼非艺术家的普通百姓所毫不知晓的。中间名画和名侦探的照片，更是让人充满想象。似一部充满智慧的侦探小说，个人感觉还有点谢尔顿...
评分这不是旅行，不是巡展，是艺术品在黑夜、后车厢、储物柜、流氓、骗子、奸商、河流中的冒险，是继毒品买卖、军火走私之后的第三大国际黑市贸易。 博物馆，尤其藏有珍品的那些，总是戒备森严吗？他们用红外线感应？角落里都是隐蔽的探头？或者启动了某个装置整个博物馆都会自动封...
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