In a chilling literary hall of mirrors, Patricia Highsmith introduces Tom Ripley. Like a hero in a latter-day Henry James novel, is sent to Italy with a commission to coax a prodigal young American back to his wealthy father. But Ripley finds himself very fond of Dickie Greenleaf. He wants to be like him--exactly like him. Suave, agreeable, and utterly amoral, Ripley stops at nothing--certainly not only one murder--to accomplish his goal. Turning the mystery form inside out, Highsmith shows the terrifying abilities afforded to a man unhindered by the concept of evil.
I read “Strangers on a Train” first, and I am not really a fan of this narrative or style. Bruno was more like a depressive sociopath who was obsessed with murder, betrayal, and a passionate hatred for his father. The story was more focused on the inner w...
评分I read “Strangers on a Train” first, and I am not really a fan of this narrative or style. Bruno was more like a depressive sociopath who was obsessed with murder, betrayal, and a passionate hatred for his father. The story was more focused on the inner w...
评分I read “Strangers on a Train” first, and I am not really a fan of this narrative or style. Bruno was more like a depressive sociopath who was obsessed with murder, betrayal, and a passionate hatred for his father. The story was more focused on the inner w...
评分I read “Strangers on a Train” first, and I am not really a fan of this narrative or style. Bruno was more like a depressive sociopath who was obsessed with murder, betrayal, and a passionate hatred for his father. The story was more focused on the inner w...
评分I read “Strangers on a Train” first, and I am not really a fan of this narrative or style. Bruno was more like a depressive sociopath who was obsessed with murder, betrayal, and a passionate hatred for his father. The story was more focused on the inner w...
之前是这个版本后来不能再续借了就看的电子版 只能说看得很辛苦
评分还是喜欢电影
评分还是喜欢电影
评分还是喜欢电影
评分还是喜欢电影
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