The Dying Animal

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菲利普・罗斯(Philip Roth),1933年出生在美国新泽西州的纽瓦克市,被认为是当代最杰出的美国犹太裔作家之一。罗斯以短篇小说《再见,哥伦布》崛起,在过去的十年间,他已赢得美国多个主要文学奖项,1998年更是凭借《美国田园诗》一举获得美国普利策文学奖,电影《人性污点》即由他2000年出版的同名畅销小说改编,他也是近年来获诺贝尔文学奖呼声颇高的作家之一。

出版者:Jonathan Cape Ltd
作者:Philip Roth
出品人:
页数:176
译者:
出版时间:2001-7-12
价格:GBP 12.99
装帧:Hardcover
isbn号码:9780224061933
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  • 美国 
  • 英文原版书 
  • 小说 
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Book Description

David Kepesh is white-haired and over sixty, an eminent TV culture critic and star lecturer at a New York College, when he meets Consuela Castillo, a decorous, well-mannered student of twentyfour, the daughter of wealthy Cuban exiles, who promptly puts his life into erotic disorder and haunts him for the next eight years. Since the sexual revolution of the 1960s freed him from his wife and child, Kepesh has experimented with living what he calls an 'emancipated manhood' beyond the reach of family or a mate. Over the years, he has refined that exuberant decade of protest and licence into an orderly way of life in which he is both unimpeded in the world of Eros and studiously devoted to his aesthetic pursuits. But the youth and beauty of this 'newly-hatched' woman - 'a masterpiece,' as Kepesh describes Consuela, 'of volupte' - undo him completely. His worldliness, his confidence, his reason desert him, and on the brink of old age, a maddening sexual possessiveness transports him to the depths of deforming jealousy. The light-hearted erotic tale with which he began evolves into a poignant, tragic story of love and loss. The Dying Animal is vintage Roth fiction, a masterpiece of passionate immediacy. It is intellectually bold, forcefully candid, wholly of our time, and utterly without precedent - a story of sexual discovery told about himself by a man of seventy.

Amazon.co.uk

The Dying Animal is the latest addition to Philip Roth's already considerable and highly celebrated oeuvre. The protagonist is David Kepesh, a recurring protagonist in Roth's work, having been introduced first in the Kafkaesque 1972 novella, The Breast, and again in The Professor of Desire (1979). Kepesh, now a 70-year-old arts critic and lecturer in critical theory, is a sexual adventurer, who feels himself liberated from marriage, children and old school sexual mores by the 1960s sexual revolution, and uses his celebrity and intellectual reputation to seduce the young women that he tutors. Written in the form of a conversational confession, Roth has Kepesh introduce the method of his sexual conquests and then the foil to his method, the beautiful, mannered and busty Consuela Castillo. So begins a description of a descent into the madness of love; "crazy distortions of longing, doting, possessiveness ... this need, this derangement. Will it ever stop?"

. What begins as a chronology of sexual conquest becomes an exquisite meditation on the destructive and addictive nature of love and lust. Notions of social freedom, and sexual emancipation are explored as Kepesh, who for so long has considered himself a free animal, finds himself caged in by his obsession. His journey of sexual discovery becomes one of self-discovery, and as his life journey nears its close he also begins to realise in himself and those around him, "the dying animal" (from Yeats' poem "Sailing to Byzantium"),a different beast to the sexual animal yet still entwined with it through shared flesh.

This is a sexually candid novel, a brave and daring one, a novel that does not blink in the admission that so many of our actions are motivated by the sexual. In this it is reminiscent of the writings of Henry Miller, which are mentioned among the many literary references that populate this book. Every line of Roth's prose brings a desire to read the next; it is brilliantly written, and like the Yeats poem from which it draws inspiration, it is open to much interpretation.

                             --Iain Robinson

Book Dimension :

length: (cm)19.8                 width:(cm)12.6

具体描述

读后感

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73岁的菲利普·罗斯又出了新书:《普通人》(Everyman)。书的封套上有作家的照片,虽然老,但精神不错。这是好几十年来菲利普·罗斯第一次允许照片随书发行,据说是为了避免自传的误会。《普通人》是关于衰老和死亡的故事,主人公与作家一样都生于1933年,简短的小说开始于他...  

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那个叫康秀拉·卡斯底洛的古巴女孩,衬衣总是敞到第三颗钮扣,如同巴尔蒂斯画作中初次逾距的处女。她在一次PARTY结束后,从藏身的浴室里出来,对教授先生说,我聪明吧,一直藏在你楼上的浴室里,现在我想和你睡觉。然后她脱掉毛衣,露出丰满的胸部,他们自然就睡在了一起——这...

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忘记什么时候保存这个书单的 但elegy绝对是我最爱的电影之一 看前面几页的时候就开始与电影elegy对比 之后看到30多页才想到上google搜索一下2者关系 因为简直如出一辙 之后果真是根据此书改编而拍的。。看来我对老男人的印象从很早就注定了 不是太了解作者背景 但推荐此书 ...  

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那个叫康秀拉·卡斯底洛的古巴女孩,衬衣总是敞到第三颗钮扣,如同巴尔蒂斯画作中初次逾距的处女。她在一次PARTY结束后,从藏身的浴室里出来,对教授先生说,我聪明吧,一直藏在你楼上的浴室里,现在我想和你睡觉。然后她脱掉毛衣,露出丰满的胸部,他们自然就睡在了一起——这...

评分

忘记什么时候保存这个书单的 但elegy绝对是我最爱的电影之一 看前面几页的时候就开始与电影elegy对比 之后看到30多页才想到上google搜索一下2者关系 因为简直如出一辙 之后果真是根据此书改编而拍的。。看来我对老男人的印象从很早就注定了 不是太了解作者背景 但推荐此书 ...  

用户评价

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书写男性欲望。

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He who forms a tie is lost. 一个多月来也一样的婆娑烟火,也一样言语不通但肉欲痴缠后更能明白了。

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the essence of the book is mistaken by many i would said. It is disguised as a book on sex between a young girl and an experienced older Man. It is in fact a book about a hunter who gets hunted himself. A book about love. The love he develops for her.

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the chaos of Eros

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He who forms a tie is lost. 一个多月来也一样的婆娑烟火,也一样言语不通但肉欲痴缠后更能明白了。

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