John Dickson Carr was a writer in the "Golden Age" of mysteries, and he was one of the best. In his books you will not find child molesters, serial killers with a taste for liver, or melancholy P.I.'s filled with two slugs of bourbon. Rather, you will find mysteries that are cleverly crafted and that above all else adhere to the rules of "fairplay". Carr was a stickler for playing fair with the reader; There are no secret passages, unknown poisons, or last-chapter appearances by unknown characters. All of the clues needed to solve the mystery are presented and with keen observation and perseverance the reader has every chance of doing so.
Though Carr was an American most of his books (especially the early ones) were set in England. He moved to England with his wife (her native country) in 1933 and they lived there for a number of years before moving back permanently to the states in 1965. While living in England in the 1930's Carr was invited to join the London Detection Club. Some of its members included Anthony Berkeley, Margery Allingham, G.K. Chesterton, E.C. Bentley, Dorothy L. Sayers, John Rhode, and Agatha Christie. Carr was one of only two Americans to have been a member. Carr was awarded an Edgar in 1950 by the Mystery writers of America for his Conan Doyle biography. He was also awarded the highest honor by the MWA in 1970; the title of Grand Master.
The Red Widow Murders is a modern mystery with a shuddering historic background. The scene is laid in Lord Mantling's mansion on Curzon Street, in a room called the Red Widow's Chamber. In 1802, a man had died there; in 1825, a girl; in 1870 and 1876, two gentlemen were mysteriously found dead. Then the room had been sealed up.
Now, many years later, eight men and a woman gathered around a table for a sinister experiment. Among them are Sir Henry Merrivale, the rumbling, grumbling, grand old man who has become one of our best-loved detectives; Lord Mantling of the flaming hair and booming voice; Guy Brixham, his brother, sardonic and uneasy behind his glasses; Ravelle, the blond Frenchman, smiling and debonair; little, inoffensive Bender. Which one of them would draw the Ace of Spades and be escorted into the Red Widow's Chamber? Is it a death trap? ...Poison? ... Or WHAT?
这本书个人认为至少是可以和犹大之窗比肩的佳作,几乎可以说是无瑕疵的密室经典。推理小说最正宗的套路,丝丝入扣,让人回味无穷。 一群人受到邀请去见证和参与一个古老传说的真伪,也就是红寡妇房间是不是真的可以杀人。亨利·梅利维尔爵士作为见证人也参与其中。抽到最大牌的...
評分卡尔就这一本翻成血案,原文是murders啊,像《独角兽谋杀案》那样把murders译为谋杀案多好,轻重度强迫症表示不能忍,密室毒杀和血有半毛钱关系啊。小说里是这样描写尸体的:“那人仰面躺着……脸孔肿胀发黑,两眼发白。”后来又提及:“这人已经死了一个多小时了。”和《瘟疫...
評分 評分这本书个人认为至少是可以和犹大之窗比肩的佳作,几乎可以说是无瑕疵的密室经典。推理小说最正宗的套路,丝丝入扣,让人回味无穷。 一群人受到邀请去见证和参与一个古老传说的真伪,也就是红寡妇房间是不是真的可以杀人。亨利·梅利维尔爵士作为见证人也参与其中。抽到最大牌的...
評分这本书个人认为至少是可以和犹大之窗比肩的佳作,几乎可以说是无瑕疵的密室经典。推理小说最正宗的套路,丝丝入扣,让人回味无穷。 一群人受到邀请去见证和参与一个古老传说的真伪,也就是红寡妇房间是不是真的可以杀人。亨利·梅利维尔爵士作为见证人也参与其中。抽到最大牌的...
謎麵相當亮眼,馬斯特斯的僞解答作得也不錯,可惜最終解答氣勢反而弱瞭,而且個人不喜歡某些元素在小說裏齣現。
评分四星半。"The trick was so simple, that we refused to look at the truth when it came up and kicked us. "
评分謎麵相當亮眼,馬斯特斯的僞解答作得也不錯,可惜最終解答氣勢反而弱瞭,而且個人不喜歡某些元素在小說裏齣現。
评分四星半。"The trick was so simple, that we refused to look at the truth when it came up and kicked us. "
评分謎麵相當亮眼,馬斯特斯的僞解答作得也不錯,可惜最終解答氣勢反而弱瞭,而且個人不喜歡某些元素在小說裏齣現。
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