Worringers classic study argues that in historical periods of anxiety and uncertainty, man seeks to abstract objects from their unpredictable state and transform them into absolute, transcendental forms. With an Introduction by Hilton Kramer.
具體描述
讀後感
第一章跟第三章的笔记。 Chpt.1 Abstraction and Empathy This work is a contribution to the work of art. Natural beauty is on no account to be regarded as a condition of the work of art, despite the fact that it has become a valuable element in the work of ar...
評分第一章跟第三章的笔记。 Chpt.1 Abstraction and Empathy This work is a contribution to the work of art. Natural beauty is on no account to be regarded as a condition of the work of art, despite the fact that it has become a valuable element in the work of ar...
評分第一章跟第三章的笔记。 Chpt.1 Abstraction and Empathy This work is a contribution to the work of art. Natural beauty is on no account to be regarded as a condition of the work of art, despite the fact that it has become a valuable element in the work of ar...
評分第一章跟第三章的笔记。 Chpt.1 Abstraction and Empathy This work is a contribution to the work of art. Natural beauty is on no account to be regarded as a condition of the work of art, despite the fact that it has become a valuable element in the work of ar...
評分第一章跟第三章的笔记。 Chpt.1 Abstraction and Empathy This work is a contribution to the work of art. Natural beauty is on no account to be regarded as a condition of the work of art, despite the fact that it has become a valuable element in the work of ar...
用戶評價
移情是把自己放在被欣賞的物品裏，抽象是把自己抽離於被欣賞的物品。移情是生的藝術，抽象是死的藝術。兩者都是遠離真正的自己。
评分移情是把自己放在被欣賞的物品裏，抽象是把自己抽離於被欣賞的物品。移情是生的藝術，抽象是死的藝術。兩者都是遠離真正的自己。
评分移情是把自己放在被欣賞的物品裏，抽象是把自己抽離於被欣賞的物品。移情是生的藝術，抽象是死的藝術。兩者都是遠離真正的自己。
评分移情是把自己放在被欣賞的物品裏，抽象是把自己抽離於被欣賞的物品。移情是生的藝術，抽象是死的藝術。兩者都是遠離真正的自己。
评分a classic
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