Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cezanne's painting. He shows how Cezanne's style met the emerging criteria of a "technique of originality" and how it satisfied critics sympathetic to symbolism as well as to impressionism. Expanding his study of the interaction of Cezanne and his critics, Shiff considers the problem of modern art in general. He locates the core of modernism in a dialectic of making (technique) and finding (originality). Ultimately, Shiff provides not only clarifying accounts of impressionism and symbolism but of a modern classicism as well.
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比较性的研究,对印象主义、象征主义等绘画潮流和相关批评有相当的理解和把握,适合作为印象派画史之类的辅助参考读物(个人意见,仅供参阅)
评分比较性的研究,对印象主义、象征主义等绘画潮流和相关批评有相当的理解和把握,适合作为印象派画史之类的辅助参考读物(个人意见,仅供参阅)
评分比较性的研究,对印象主义、象征主义等绘画潮流和相关批评有相当的理解和把握,适合作为印象派画史之类的辅助参考读物(个人意见,仅供参阅)
评分比较性的研究,对印象主义、象征主义等绘画潮流和相关批评有相当的理解和把握,适合作为印象派画史之类的辅助参考读物(个人意见,仅供参阅)
评分比较性的研究,对印象主义、象征主义等绘画潮流和相关批评有相当的理解和把握,适合作为印象派画史之类的辅助参考读物(个人意见,仅供参阅)
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