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Book Description
In Paris, American sculptor Ross Marteau is renowned for his sensual depictions of women's bodies. After his latest love affair ends violently, he retreats to his home in Texas to start a new commission. In his local restaurant he meets Celeste, a charismatically beautiful woman, and she suggests another commission to him - her sister Leda. Intrigued he agrees to meet Leda and discovers that as well as being the most beautiful woman he has ever seen she is also the most grotesque, her body distorted by her being a hunchback. Fascinated by the challenge sculpting her would entail, he agrees to take the commission. Soon he is obsessively in love with Celeste and obsessively intrigued by Leda, and he finds himself pulled deeper and deeper into their world until someone close to them is killed, and Ross finds himself so deeply ensnared in their web of dark secrets and twisted motivations that he is close to mortal suffocation.
Amazon.com
Penzler Pick, April 2001: David Lindsey can write horrific thrillers such as Mercy, which ranks up there with such serial-killer novels as By Reason of Insanity by Shane Stevens and The Silence of the Lambs by Thomas Harris. However, he is also the author of gentler tales--psychological suspense where the horror is subtle and comes from everyday and unexpected sources. Animosity belongs in the second category.
Ross Marteau is an American living in Paris, where he makes a decent living as a sculptor. After a particularly nasty breakup with his girlfriend of several years, he decides to return to his home in Texas and work from his studio in the art-friendly city of San Rafael. There he settles into a routine of working in the mornings on his next project and sharing conversation and a beer in the afternoons with his friend Amado Mateos. It is during one of these afternoon meetings that he notices a newcomer to the town.
Celeste Lacan is a beautiful woman who soon approaches Ross with a proposition. She would like to offer Ross a commission to sculpt her sister. Ross demurs--he already has a commission--but Celeste asks him to meet her sister before refusing, and when he does, he understands why Celeste is so insistent. Leda is not only the most beautiful woman Ross has ever seen, she is also the ugliest, and as a sculptor Ross knows that he will learn something new about beauty. As Ross begins working with Leda and meeting Celeste in the afternoons, he becomes obsessed with the two sisters. Life is about to become a living hell for Ross Marteau, and the ending of this story about art and love is breathtakingly horrifying.
--Otto Penzler
From Publishers Weekly
Set in the art world, this latest psychological thriller by suspense veteran Lindsey (Mercy; Color of Night) is an alternately entertaining and frustrating tale of a sculptor's entanglement in revenge and murder. Ross Marteau makes a handsome living sculpting female nudes from glamorous live models. After a bad breakup in Paris, he returns home to San Rafael a chic, artsy enclave in the Texas hill country for his next commission. Upon his arrival, exotically beautiful newcomer C?leste Lacan seeks him out and persuades him to sculpt her sister, Leda. Leda is striking in a photograph C?leste shows Ross, but Leda, C?leste hints, is not an ordinary beauty she will be a unique artistic challenge. As Ross soon discovers, Leda is a hunchback, stunning from some angles and startling from others. As Ross begins sketching her daily, and he and C?leste become romantically involved, he glimpses details of the sordid arrangement that binds the sisters to each other and to C?leste's abusive husband. There is an eerie tension among Ross, C?leste and Leda, which heightens when a murder disturbs the calm of San Rafael. Lindsey conceives an intriguing scenario and wrestles his story through unexpected turns. At time his efforts to conceal surprises make the writing, and especially the dialogue, irritatingly vague, and Ross becomes less sympathetic as time after time he fails to ask obvious questions when subjected to the sisters' cryptic babbling. But as the end approaches, Lindsey's obfuscation pays off, and a few clever twists are guaranteed to throw readers for a delicious loop. National advertising. (May 8)Forecast: Lindsey is one of the most accomplished writers in the thriller field, but his tales, while solid, don't match his enormous talent; and this novel, with its offbeat subject and erudite approach, won't be a smash hit.
From AudioFile
A tortured saga of love, revenge, and betrayal, Lindsey's latest features Ross Marteau, a sculptor who is becoming a star in the art world. When a woman asks him to sculpt her sister, he has no idea that this request will lead him to obsession and murder, and a darker future than he could ever imagine. The twists and turns of the story are surprising, but the uneven narration by Joe Pantoliano requires the listener to make an effort to stay with the story. His reading of dialogue offers subtle vocal characterizations, but his reading of the narrative passages is halting and often totally flat--as if he is seeing the material for the first time. Both the suspense and the story are overcome by the dismal narration. M.A.M.
About Author
The author of ten highly acclaimed thrillers, David Lindsey is also a passionate collector of books and has built his own private library next to his house in Texas.
Book Dimension:
length: (cm)23.6 width:(cm)15.9
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这部作品的节奏掌握堪称教科书级别。开篇平缓,像湖水初升的薄雾,引人好奇;中期火力全开,悬念迭起,让人夜不能寐,急切地想知道真相;而收尾的处理,则带着一种宿命般的宁静和一丝未竟的遗憾,高明至极。作者对“时间”的运用达到了炉火纯青的地步,通过在不同时间线之间频繁切换,成功地制造了强烈的戏剧张力,将过去的错误和现在的后果紧密地捆绑在一起。我欣赏作者的克制,在最应该煽情的地方,他选择了冷峻的叙述,反而让情感的冲击力更强。书中对权力结构和等级制度的讽刺,毫不留情,犀利深刻,反映了对社会不公的深刻洞察。这绝非一部轻松的读物,它要求读者投入极高的专注力,但回报是丰厚的——你会收获一个结构完整、思想深刻的艺术品。
评分这本小说简直是作者对人性幽暗角落的一次深入挖掘,读完后让人久久不能平静。故事情节的推进犹如抽丝剥茧,层层递进,每一次转折都出乎意料却又在情理之中。我尤其欣赏作者对于人物内心世界的细腻刻画,那些纠葛、挣扎,那些在道德边缘徘徊的选择,都写得淋漓尽致。主角的成长线设计得非常巧妙,他并非一蹴而就的英雄,而是带着深刻的创伤和缺陷,在不断的试错中寻求救赎。书中的场景描绘极具画面感,无论是阴冷的城市街道,还是弥漫着秘密的古老宅邸,都仿佛触手可及。然而,这份真实感也带来了阅读上的压迫感,它迫使读者直面那些我们通常选择回避的残酷真相。尽管叙事节奏略显缓慢,但这恰恰是为了铺陈更宏大的主题——关于信任的脆弱性与背叛的深远影响。总而言之,这是一部需要静下心来细品的佳作,它不仅仅是一个故事,更像是一面映照现代社会复杂性的棱镜。
评分说实话,一开始我是抱着试一试的心态拿起这本书的,但读到四分之一处便彻底“沦陷”了。这部小说的世界观构建极其宏大且逻辑自洽,充满了令人惊叹的细节。作者似乎进行过详尽的历史或文化研究,将虚构的元素巧妙地编织进了真实的历史纹理之中,使得整个故事的基石异常坚固。我特别喜欢它处理冲突的方式——冲突往往不是简单的正邪对抗,而是立场、价值观和生存策略之间的碰撞。每一次“胜利”都伴随着巨大的代价,这让整个阅读过程充满了道德的灰色地带。语言风格偏向于古典和内敛,但情绪的爆发点却极其精准和震撼。读完后,我感觉自己仿佛完成了一次漫长而艰辛的旅程,它拓展了我对“冲突”这个概念的理解。它不是那种读完后可以轻松合上的书,它会像一块小石子一样,持续地在你心底滚动,引发涟漪。
评分我很少对一本书产生如此强烈的“沉浸感”,仿佛自己就是故事中的一员,呼吸着同样的紧张空气。这部作品的叙事手法非常大胆和实验性,大量运用了意识流和非线性叙事结构,初读时可能会感到些许困惑,但一旦适应了这种节奏,便会被其独特的魅力所吸引。作者似乎对哲学思辨有着浓厚的兴趣,许多对话和内心独白都充满了对存在、自由意志和宿命论的探讨,深度远超一般的小说范畴。特别是对“记忆”这个主题的处理,令人拍案叫绝——记忆如何被构建、被篡改,最终定义了我们是谁。文笔华丽却不失力度,一些句子读起来如同诗歌般优美,但马上又被突如其来的残酷事实打断,这种对比制造了一种令人着迷的张力。唯一的遗憾是,某些配角的动机似乎没有得到充分的阐释,在宏大的主题面前,他们更像是符号而非完整的人。但这或许也是作者刻意为之,以凸显核心人物的孤独与挣扎。
评分我向所有寻求真正有“份量”文学体验的读者推荐这部小说。它的魅力在于其无可挑剔的文学性。作者的遣词造句极其考究,每一个词语似乎都经过了千锤百炼,用以服务于特定的语境和情绪。叙事视角的变化运用得非常精妙,从宏观的旁观者视角切换到微观的第一人称体验,让读者得以从多个维度审视事件的复杂性。我被其中对“失去”的描绘深深打动,那种不是声嘶力竭的哭喊,而是渗透到骨髓里的、难以愈合的空洞感,被作者用近乎冰冷的笔触描绘出来,效果异常震撼。这本书的主题是关于如何与无法改变的过去共存,以及在破碎的世界中寻找微小的确定性。它结构复杂,但内核却无比纯粹和专注,是近年来难得一见的、能够经得起反复推敲的文学作品。
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