A one-time Fauvist, Cubist, Dadaist, and Surrealist, but an eternal chess player, Marcel Duchamp remains the avant-garde figure beyond all avant-garde figures of the past century. Provocative and brilliant, he radically challenged and changed accepted notions of art and its manufacture, and of the relationship between art and life. Marcel Duchamp, published on the occasion of an exhibition at the Jean Tinguely Museum in Basel under the curatorship of Harald Szeeman, endeavors to trace the different periods of Duchamp's oeuvre by means of a selection of his work focused mainly on those aspects that influenced Tinguely's own oeuvre. Additionally, the publication contains statements by Duchamp and essays by renowned Duchamp scholars on such topics as the emergence and development of the ready-made concept and its impact on the art of the 1960s.
Unless a picture shocks, it is nothing. --Marcel Duchamp
The individual, man as a man, man as a brain, if you like, interests me more than what he makes, because I've noticed that most artists only repeat themselves. --Marcel Duchamp
Essays by Harald Szeeman, Dieter Daniels, Herbert Molderings and Jacques Caumont.
Clothbound, 9.5 x 11 in., 232 pages, 70 color and 130 b&w.
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