Burning with Desire 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


Burning with Desire

简体网页||繁体网页
Geoffrey Batchen 作者
The MIT Press
译者
1999-02-26 出版日期
288 页数
USD 28.00 价格
Paperback
丛书系列
9780262522595 图书编码

Burning with Desire 在线电子书 图书标签: 摄影  攝影  摄影理论  theconceptionofphotography  photography  Photography  随便看  視覺   


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发表于2024-11-07


Burning with Desire 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Burning with Desire 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Burning with Desire 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



Burning with Desire 在线电子书 用户评价

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对所谓的“前摄影”史和摄影起源的分析很透彻

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A fair materialistic critique on the formalist and postmodernist analysis of photography from a big fan of Derrida and Foucault. btw i’m literally done with postmodernism and poststructuralism theories...enough is enough!!!!!

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对所谓的“前摄影”史和摄影起源的分析很透彻

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摄影在电子时代已死?不敢苟同。

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对所谓的“前摄影”史和摄影起源的分析很透彻

Burning with Desire 在线电子书 著者简介

Geoffrey Batchen is Professor of the History of Photography and Contemporary Art at the City University of New York Graduate Center. He is the author of Burning with Desire: The Conceptions of Photography (1999) and Each Wild Idea: Writing, Photography, History (2002), both published by the MIT Press.


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Burning with Desire 在线电子书 图书描述

In an 1828 letter to his partner, Nicéphore Niépce, Louis Daguerre wrote, "I am burning with desire to see your experiments from nature." In this book, Geoffrey Batchen analyzes the desire to photograph as it emerged within the philosophical and scientific milieus that preceded the actual invention of photography. Recent accounts of photography's identity tend to divide between the postmodern view that all identity is determined by context and a formalist effort to define the fundamental characteristics of photography as a medium. Batchen critiques both approaches by way of a detailed discussion of photography's conception in the late eighteenth and early nineteenth centuries. He examines the output of the various nominees for "first photographer," then incorporates this information into a mode of historical criticism informed by the work of Michel Foucault and Jacques Derrida. The result is a way of thinking about photography that persuasively accords with the mediums undeniable conceptual, political, and historical complexity.

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