Anke Gleber examines one of the most intriguing and characteristic figures of European urban modernity: the observing city stroller, or flaneur. In an age transformed by industrialism, the flaneur drifted through city streets, inspired and repelled by the surrounding scenes of splendor and squalor. Gleber examines this often elusive figure in the particular contexts of Weimar Germany and the intellectual sphere of Walter Benjamin, with whom the concept of flanerie is often associated. She sketches the European influences that produced the German flaneur and establishes the figure as a pervasive presence in Weimar culture, as well as a profound influence on modern perceptions of public space.The book begins by exploring the theory of literary flanerie and the technological changes - street lighting, public transportation, and the emergence of film - that gave a new status to the activities of seeing and walking in the modern city. Gleber then assesses the place of flanerie in works by Benjamin, Siegfried Kracauer, and other representatives of Weimar literature, arts, and theory. She draws particular attention to the works of Franz Hessel, a Berlin flaneur who argued that flanerie is a "reading" of the city that perceives passersby, streets, and fleeting impressions as the transitory signs of modernity. Gleber also examines connections between flanerie and Weimar film, and discusses female flanerie as a means of asserting female subjectivity in the public realm. The book is a deeply original and searching reassessment of the complex intersections among modernity, vision, and public space.
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based on Berlin, modernity, Femme.
评分based on Berlin, modernity, Femme.
评分寫的最好的部分是第三章，漫遊者對具體細節的追尋與剋拉考爾電影理論之間的相通之處，其他涉及性彆與空間、城市與現代性諸問題…
评分寫的最好的部分是第三章，漫遊者對具體細節的追尋與剋拉考爾電影理論之間的相通之處，其他涉及性彆與空間、城市與現代性諸問題…
评分based on Berlin, modernity, Femme.
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