斯蒂芬·金,本名羅伯特·貝茨曼,當今世界讀者最多,聲名最大的美國小說傢之一。一九四七年齣生於美國緬因州的波特蘭,後在緬因州州立大學學習英國文學。二十世紀七十年代中期,斯蒂芬·金聲名鵲起,被《紐約時報》譽為“現代驚悚小說大師”。自二十世紀八十年代以來,在曆年的美國暢銷書排行榜中,其作品總是名列榜首,居高不下,版稅均逾韆萬美金之巨。
在斯蒂芬·金30年的創作生涯裏,他寫瞭200多部短篇小說和40部書,被翻譯成33種語言,發行到35個國傢,總印數超過3億冊。更值得一提的是,有超過70部電影和電視節目取材自他的作品,因而創下吉尼斯世界紀錄。例如《魔女嘉莉》(Carrie)、《閃靈》(The Shining)、《熱淚傷痕》(Dolores Claiborne)、《危情十日》(Misery)、《肖申剋的救贖》(The Shawshank Redemption)、《綠裏奇跡》(The Green Mile)等等。
6次獲布萊姆·斯托剋奬
6次獲國際恐怖文學協會奬
1996年歐·亨利奬
2003年11月19日,美國全國圖書基金會美國文學傑齣貢獻奬
THERE'S A REASON CELL RHYMES WITH HELL. On October 1, God is in His heaven, the stock market stands at 10,140, most of the planes are on time, and Clayton Riddell, an artist from Maine, is almost bouncing up Boylston Street in Boston. He's just landed a comic book deal that might finally enable him to support his family by making art instead of teaching it. He's already picked up a small (but expensive!) gift for his long-suffering wife, and he knows just what he'll get for his boy Johnny. Why not a little treat for himself? Clay's feeling good about the future. That changes in a hurry. The cause of the devastation is a phenomenon that will come to be known as The Pulse, and the delivery method is a cell phone. Everyone's cell phone. Clay and the few desperate survivors who join him suddenly find themselves in the pitch-black night of civilization's darkest age, surrounded by chaos, carnage, and a human horde that has been reduced to its basest nature...and then begins to evolve. There's really no escaping this nightmare. But for Clay, an arrow points home to Maine, and as he and his fellow refugees make their harrowing journey north they begin to see crude signs confirming their direction: KASHWAK=NO-FO. A promise, perhaps. Or a threat... There are one hundred and ninety-three million cell phones in the United States alone. Who doesn't have one? Stephen King's utterly gripping, gory, and fascinating novel doesn't just ask the question "Can you hear me now?" It answers it with a vengeance.
《手机》这部小说应该是证明了一条理论:任何事物都有盛衰,再牛的作家,也有写出败笔的时候,哪怕是牛气冲天的斯蒂芬·金,也不例外。 《手机》的情节用一句话就可以说完,小说版的《活死人黎明》,只是引发原因是不知所谓的手机脉冲。老金借用电影的创意几乎到了不知...
評分看过十几本史蒂芬•金的小说,还有根据书改编的电影电视剧,很佩服他无穷的灵感,之前他写的书多数都是些正邪鬼怪僵尸末日再加点什么相关的宗教题材,这本《手机》的风格虽然同样血腥残忍,但是却把传统的冤魂暂时扔到一边,而打上了高科技的主意,反正不管你是好人坏人,用...
評分不知道是书排版的问题 还是 畅销作者文字不够新奇。 决定没有肖申克的救赎、布莱泽、纳粹高徒……这些刺激又好读。 太冗长了,……情节不够刺激。 我只是冲着作者的威名去读的,小失望。 上海译文出版社 是不是不太出他的书哇,怎么目录里就几本,最经典的都没 ………… 手机...
評分这部小说让人不禁想起前段时间美国热映的电影『我是传奇』。事实上,据说斯蒂芬·金在创作本书的时候亦的确是借鉴了『我是传奇』等经典作品原著的构思。 不过,斯蒂芬·金尽管是个制造惊悚故事的顶级高手,但操作『手机』这样带有科幻内容的题材时却明显表现出力不从心:技术...
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