With the increasing popularity of the Chinese film industry, a large amount of foreign captial has been invested in the productions. Internationalization on this scale at both the production and consumption levels has raised the question of what constitutes "Chinese cinema". In this book the authors discuss the central topic of a national cinema and analyze the emergence of "transnational cinema" in Chinese film studies. Applying different methodologies and approaches, they explore the interrelations of national cinematic style, global capitalism, the evolution of the modern nation-state, cultural politics, censorship and gender identity. Among the film artists discussed are Cai Chusheng, Xie Jin, Chen Kaige, Zhang Yimou, Ang Lee and Jackie Chan. The volume opens with essays tracing the early decades of the 20th century, through to the Mao era and the age of transnational capitalism. Other essays consider what have been the peripheral and marginalized traditions in relation to mainstream Chinese cinema.
具体描述
读后感
评分
评分
评分
评分
用户评价
熬到四点读Reading, 本来觉得很辛苦。收拾书包从图书馆出来时收到日语老师邮件: 日本語２年生のみなさん、新しいスケジュールです...... 果然，拼命只是标配。 PS，这书，好多文章乱扯。
评分他们的文章也废话不少嘛，夏威夷大学的Sheldon在电影方面很活跃，关注一下
评分2019.10 soas, reading
评分非常迅速的略过了transnational的部分。。。可能ruan这篇没有作为重点。关于新女性传入中国后概念的流变与ruan其人是否展示了新女性反映的现代性有打问号。分析电影镜头对于主客体切换，自我与他者的臆想很棒。
评分他们的文章也废话不少嘛，夏威夷大学的Sheldon在电影方面很活跃，关注一下
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有