With the increasing popularity of the Chinese film industry, a large amount of foreign captial has been invested in the productions. Internationalization on this scale at both the production and consumption levels has raised the question of what constitutes "Chinese cinema". In this book the authors discuss the central topic of a national cinema and analyze the emergence of "transnational cinema" in Chinese film studies. Applying different methodologies and approaches, they explore the interrelations of national cinematic style, global capitalism, the evolution of the modern nation-state, cultural politics, censorship and gender identity. Among the film artists discussed are Cai Chusheng, Xie Jin, Chen Kaige, Zhang Yimou, Ang Lee and Jackie Chan. The volume opens with essays tracing the early decades of the 20th century, through to the Mao era and the age of transnational capitalism. Other essays consider what have been the peripheral and marginalized traditions in relation to mainstream Chinese cinema.
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很全面，背景知识，对导演的理解，在national和transnational上的关系我也很喜欢。缺点的话就是背景知识还是不能理解更深吧，看得出来这本书尽可能地介绍详细的当时的背景，但对一个中国人来说完全不够
评分非常迅速的略过了transnational的部分。。。可能ruan这篇没有作为重点。关于新女性传入中国后概念的流变与ruan其人是否展示了新女性反映的现代性有打问号。分析电影镜头对于主客体切换，自我与他者的臆想很棒。
评分不算读过，只是标记一下。有篇张艺谋两篇霸王别姬，感觉没太大意思
评分非常迅速的略过了transnational的部分。。。可能ruan这篇没有作为重点。关于新女性传入中国后概念的流变与ruan其人是否展示了新女性反映的现代性有打问号。分析电影镜头对于主客体切换，自我与他者的臆想很棒。
评分2019.10 soas, reading
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