Istanbul

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In Istanbul: City of a Hundred Names, Magnum photographer Alex Webb displays his particular ability to distill gesture, color and contrasting cultural tensions into a single, beguiling frame. He presents a vision of Istanbul as an urban cultural center, rich with the incandescence of its past--a city of minarets and pigeons rising to the heavens during the early-morning call to Muslim prayers--yet also a city riddled with ATM machines and clothed in designer jeans. Webb began photographing Istanbul in 1998, and became instantly enthralled: by the people, the layers of culture and history, the richness of street life. But what particularly drew him in was a sense of Istanbul as a border city, lying between Europe and Asia. "For 30-some years as a photographer, I have been intrigued by borders, places where cultures come together, sometimes easily, sometimes roughly." The resulting body of work, some of Webb's strongest to date, conveys the frisson of a culture in transition, yet firmly rooted in a complex history. With essay by the Nobel Prize winning novelist, Orhan Pamuk.

出版者:Aperture
作者:Orhan Pamuk
出品人:
页数:136
译者:
出版时间:2007-05-01
价格:USD 50.00
装帧:Hardcover
isbn号码:9781597110341
丛书系列:
图书标签:
  • 摄影 
  • 土耳其 
  • 画册 
  • Alex_Webb 
  • 摄影画册 
  • Magnum 
  • photography 
  • 城市 
  •  
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In Istanbul: City of a Hundred Names, Magnum photographer Alex Webb displays his particular ability to distill gesture, color and contrasting cultural tensions into a single, beguiling frame. He presents a vision of Istanbul as an urban cultural center, rich with the incandescence of its past--a city of minarets and pigeons rising to the heavens during the early-morning call to Muslim prayers--yet also a city riddled with ATM machines and clothed in designer jeans. Webb began photographing Istanbul in 1998, and became instantly enthralled: by the people, the layers of culture and history, the richness of street life. But what particularly drew him in was a sense of Istanbul as a border city, lying between Europe and Asia. "For 30-some years as a photographer, I have been intrigued by borders, places where cultures come together, sometimes easily, sometimes roughly." The resulting body of work, some of Webb's strongest to date, conveys the frisson of a culture in transition, yet firmly rooted in a complex history. With essay by the Nobel Prize winning novelist, Orhan Pamuk.

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对于伊斯坦布尔的诠释,似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上,被西方世界整整凝望了数百年的经历了辉煌到没落,每一寸土地上都浸满了忧伤,帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...

评分

对于伊斯坦布尔的诠释,似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上,被西方世界整整凝望了数百年的经历了辉煌到没落,每一寸土地上都浸满了忧伤,帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...

评分

对于伊斯坦布尔的诠释,似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上,被西方世界整整凝望了数百年的经历了辉煌到没落,每一寸土地上都浸满了忧伤,帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...

评分

对于伊斯坦布尔的诠释,似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上,被西方世界整整凝望了数百年的经历了辉煌到没落,每一寸土地上都浸满了忧伤,帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...

评分

对于伊斯坦布尔的诠释,似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上,被西方世界整整凝望了数百年的经历了辉煌到没落,每一寸土地上都浸满了忧伤,帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...

用户评价

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切割画面大师,或者说切割空间,镜子变化,明暗组合,建筑上下,颜色深浅,线条排列,动静瞬间……看到有人说,人头混乱,其实恰好是排版上的精心安排。因为三分之一篇幅,也出现了简洁干净构图的人物肖像。摄影师以这样的形式,呈现了伊斯坦布尔的变化,混乱冲突融合又有暗藏有秩序。

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City of a Hundred Names(最近把Alex Webb的摄影集差不多都买来看了 对色彩和构图万般着迷 且主要耐看

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@2019-05-31 15:58:20

评分

切割画面大师,或者说切割空间,镜子变化,明暗组合,建筑上下,颜色深浅,线条排列,动静瞬间……看到有人说,人头混乱,其实恰好是排版上的精心安排。因为三分之一篇幅,也出现了简洁干净构图的人物肖像。摄影师以这样的形式,呈现了伊斯坦布尔的变化,混乱冲突融合又有暗藏有秩序。

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Alex Webb 伊斯坦布尔

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