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In Istanbul: City of a Hundred Names, Magnum photographer Alex Webb displays his particular ability to distill gesture, color and contrasting cultural tensions into a single, beguiling frame. He presents a vision of Istanbul as an urban cultural center, rich with the incandescence of its past--a city of minarets and pigeons rising to the heavens during the early-morning call to Muslim prayers--yet also a city riddled with ATM machines and clothed in designer jeans. Webb began photographing Istanbul in 1998, and became instantly enthralled: by the people, the layers of culture and history, the richness of street life. But what particularly drew him in was a sense of Istanbul as a border city, lying between Europe and Asia. "For 30-some years as a photographer, I have been intrigued by borders, places where cultures come together, sometimes easily, sometimes roughly." The resulting body of work, some of Webb's strongest to date, conveys the frisson of a culture in transition, yet firmly rooted in a complex history. With essay by the Nobel Prize winning novelist, Orhan Pamuk.
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In Istanbul: City of a Hundred Names, Magnum photographer Alex Webb displays his particular ability to distill gesture, color and contrasting cultural tensions into a single, beguiling frame. He presents a vision of Istanbul as an urban cultural center, rich with the incandescence of its past--a city of minarets and pigeons rising to the heavens during the early-morning call to Muslim prayers--yet also a city riddled with ATM machines and clothed in designer jeans. Webb began photographing Istanbul in 1998, and became instantly enthralled: by the people, the layers of culture and history, the richness of street life. But what particularly drew him in was a sense of Istanbul as a border city, lying between Europe and Asia. "For 30-some years as a photographer, I have been intrigued by borders, places where cultures come together, sometimes easily, sometimes roughly." The resulting body of work, some of Webb's strongest to date, conveys the frisson of a culture in transition, yet firmly rooted in a complex history. With essay by the Nobel Prize winning novelist, Orhan Pamuk.
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对于伊斯坦布尔的诠释，似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上，被西方世界整整凝望了数百年的经历了辉煌到没落，每一寸土地上都浸满了忧伤，帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...
评分对于伊斯坦布尔的诠释，似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上，被西方世界整整凝望了数百年的经历了辉煌到没落，每一寸土地上都浸满了忧伤，帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...
评分对于伊斯坦布尔的诠释，似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上，被西方世界整整凝望了数百年的经历了辉煌到没落，每一寸土地上都浸满了忧伤，帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...
评分对于伊斯坦布尔的诠释，似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上，被西方世界整整凝望了数百年的经历了辉煌到没落，每一寸土地上都浸满了忧伤，帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...
评分对于伊斯坦布尔的诠释，似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上，被西方世界整整凝望了数百年的经历了辉煌到没落，每一寸土地上都浸满了忧伤，帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...
用户评价
我大学极少读完的书之一。
评分绝赞 AP今年再版了
评分有几张好照片… 但整体比较normal 我不太能接受群像杂乱的构图
评分有几张好照片… 但整体比较normal 我不太能接受群像杂乱的构图
评分横版。胶片色彩浓却让人觉得偏冷。碎片式的瞬间。轻。甚至有些可以。帕慕克那篇著名的“呼愁”的散文打底。作为匆匆去过伊斯坦布尔的人，觉得印象平平，只是把拍摄者熟悉的题材和技法换了一个场景。
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