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In Istanbul: City of a Hundred Names, Magnum photographer Alex Webb displays his particular ability to distill gesture, color and contrasting cultural tensions into a single, beguiling frame. He presents a vision of Istanbul as an urban cultural center, rich with the incandescence of its past--a city of minarets and pigeons rising to the heavens during the early-morning call to Muslim prayers--yet also a city riddled with ATM machines and clothed in designer jeans. Webb began photographing Istanbul in 1998, and became instantly enthralled: by the people, the layers of culture and history, the richness of street life. But what particularly drew him in was a sense of Istanbul as a border city, lying between Europe and Asia. "For 30-some years as a photographer, I have been intrigued by borders, places where cultures come together, sometimes easily, sometimes roughly." The resulting body of work, some of Webb's strongest to date, conveys the frisson of a culture in transition, yet firmly rooted in a complex history. With essay by the Nobel Prize winning novelist, Orhan Pamuk.
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In Istanbul: City of a Hundred Names, Magnum photographer Alex Webb displays his particular ability to distill gesture, color and contrasting cultural tensions into a single, beguiling frame. He presents a vision of Istanbul as an urban cultural center, rich with the incandescence of its past--a city of minarets and pigeons rising to the heavens during the early-morning call to Muslim prayers--yet also a city riddled with ATM machines and clothed in designer jeans. Webb began photographing Istanbul in 1998, and became instantly enthralled: by the people, the layers of culture and history, the richness of street life. But what particularly drew him in was a sense of Istanbul as a border city, lying between Europe and Asia. "For 30-some years as a photographer, I have been intrigued by borders, places where cultures come together, sometimes easily, sometimes roughly." The resulting body of work, some of Webb's strongest to date, conveys the frisson of a culture in transition, yet firmly rooted in a complex history. With essay by the Nobel Prize winning novelist, Orhan Pamuk.
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对于伊斯坦布尔的诠释，似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上，被西方世界整整凝望了数百年的经历了辉煌到没落，每一寸土地上都浸满了忧伤，帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...
评分对于伊斯坦布尔的诠释，似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上，被西方世界整整凝望了数百年的经历了辉煌到没落，每一寸土地上都浸满了忧伤，帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...
评分对于伊斯坦布尔的诠释，似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上，被西方世界整整凝望了数百年的经历了辉煌到没落，每一寸土地上都浸满了忧伤，帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...
评分对于伊斯坦布尔的诠释，似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上，被西方世界整整凝望了数百年的经历了辉煌到没落，每一寸土地上都浸满了忧伤，帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...
评分对于伊斯坦布尔的诠释，似乎没有比帕慕克描绘给我们的更有说服力的了。那是一座矗立于欧亚大陆之上，被西方世界整整凝望了数百年的经历了辉煌到没落，每一寸土地上都浸满了忧伤，帕慕克将其称之为“呼愁”的神秘城市。 但似乎Alex Webb并不打算展示这座城市忧伤的一面。如他自...
用户评价
Istanbul as a border city, lying between Europe and Asia.
评分大师级的色彩运用以及神一般的光影和构图，前景和背景的交叉，引起强烈冲突却异常有趣，故事线索很多，而每条每个人都是精彩的，而且让读者有强烈的置入感，眼前的照片，犹如你亲眼所见，真实的展现，却并不具有侵略性，人文风景无出其右者
评分佐以帕慕克的《黑书》与《伊斯坦布尔》看
评分偶像
评分20世纪的排版水平。可以和刘涛的合肥，Matt Stuart的伦敦对比起来读，看看谁好玩
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