Size matters-the team behind the Twentieth Century Fox blockbuster Independence Daybring to life the biggest monster of all time!
You are there for the filming of the most spectacular scenes in movie history. With exclusive action photos, candid interviews with cast and crew, and special effects secrets- revealed !
Is That Thunder . . . Or Footsteps?
Godzilla is back, bigger than ever. And you are there, for the filming of the most spectacular special effects ever captured on screen. The undisputed king of movie monsters has been brought to life by Roland Emmerich and Dean Devlin, the celebrated creators of the smash hit, Independence Day. How they filmed the ultimate monster in the ultimate city-New York-is one of the most fascinating, revealing and entertaining stories in cinema history.
<UL>
toppling the Chrysler Building
the fog factor
"Do you have a permit for that?"
attack of the condor cranes
space-cams & hero suits
Jamaica goes Hawaiian
the 360 degree technocrane
the "jumping" cars
lightning on cue
a database named "Dave"
the Hudson tornado
praying for rain
Matthew Broderick limps to the rescue
Wrong-way Azaria
the Professional from The Big Blue
The Simpson connection
"He's Angry But He Likes Your Tie"
Green-screen blues
this Isn't Spinal Tap
Zeiss-counting and Z-tracking
lighting with a 70s touch
Godzilla visits Jurassic Park</UL>
"How do you follow up a movie like Independence Day? The only thing that seemed remotely in the ball park was Godzilla"
-- Dean Devlin
"We passed four time. I wasn't sure it could be done without being kitschy. Actually, it was Jan DeBont's script that convinced me. . . ."
-- Roland Emmerich
"These were the biggest sets I'd ever seen. Even bigger than Mission Impossible!"
-- Jean Reno
"When Godzilla vs. King Kong came out, that was a big deal in my neighborhood. I remember actively worrying about who would win."
-- Hank Azaria
"You have to have a sense of humor about this enormous lizard knocking over buildings in New York."
-- Matthew Broderick
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我必须指出,这本书在资料的广度和深度上,远超出了我原本的期待。它不仅仅停留在对“怪兽”本身的解析上,更像是一部深入探讨社会文化现象的编年史。从早期科幻电影的流变,到好莱坞与日本电影工业的对标和影响,再到背后庞大的制片体系的运作逻辑,作者似乎都不遗余力地进行了挖掘。特别是那些关于早期剪辑技术的讨论,那些关于如何通过声音设计来放大角色(或者说生物)的压迫感,细节详实到让人惊叹。这绝不是一本‘速食’读物,它需要你沉下心来,像解密一样,去品味那些被埋藏在光影背后的技术与艺术的博弈。
评分这本书的叙事口吻极其迷人,它没有采用那种枯燥的学术分析腔调,反而像一位资深的老影迷在咖啡馆里,带着抑制不住的兴奋,向你娓娓道来那些不为人知的幕后花絮。行文之间,充满了对那个时代电影工业复杂性的深刻洞察,比如在物资匮乏的背景下,如何用智慧和决心去克服特效制作上的巨大鸿沟。作者对于氛围的捕捉能力一流,读到关于那个特定时期日本社会情绪的段落时,我甚至能感觉到那种战后重建时期特有的压抑与对未来不确定性的集体焦虑,而这一切,都被巧妙地融入到电影的创作哲学之中,让人在阅读时,不由自主地将文字转化为脑海中强烈的声光电体验。
评分如果要用一个词来形容这本书的整体感觉,那便是“沉浸感”。作者对细节的描绘已经达到了近乎偏执的程度,每一个重要的道具、每一位关键幕后的技术人员,都被赋予了鲜明的个性。我特别喜欢它穿插了一些未曾公开过的访谈片段,那些带着浓重口音、略显断续的陈述,反而比精心编辑的文字更具说服力,它们为冰冷的档案增添了人性的温度。通过这本书,我感觉自己像是获得了一张进入那个时代制片厂的通行证,亲眼见证了那些看似不可能的奇迹是如何一步步被搭建起来的。读完合上书本时,脑海里留下的不是知识点的堆砌,而是一股强烈的、想要重温那部划时代作品的冲动。
评分阅读体验中,最让我感到惊喜的是那些引人深思的哲学性探讨。它并没有满足于仅仅介绍一部电影的诞生,而是将其提升到了文化符号构建的高度。作者巧妙地将文本导向了对“破坏与再生”、“人类的傲慢与自然的反噬”这些宏大命题的审视。每当读到对某个特定场景的深入剖析时,我都会停下来,重新审视自己对那部作品的既有认知。这种阅读的间歇性暂停,说明文本的质量极高,它不是在灌输结论,而是在激发读者的主动思考,促使我们去探究一个流行文化符号在漫长的时间跨度中,其内核是如何保持鲜活并不断被重新解读的。
评分这本书的装帧设计简直是一场视觉盛宴,从封面的那种略带粗粝感的纹理,到内页纸张的微微泛黄,无不透露出一种对经典致敬的匠心。我尤其欣赏它在排版上的克制与大胆并存。那些历史照片的选取,角度刁钻,光影对比强烈,仿佛能透过纸张感受到那个特定年代的躁动与狂热。每当我翻阅那些早期概念草图时,那种从无到有的创造过程就像被剥开了一层层神秘的面纱,让人由衷地敬佩那位设计师或艺术指导的非凡想象力。它不仅仅是展示了最终的成品,更多的是记录了无数个推翻重来的夜晚,那些被涂抹掉的线条和被撕碎的草稿,才是真正孕育出史诗的关键。
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