New York Times bestselling author Kristin Hannah “touches the deepest, most tender corner of our hearts” (Tami Hoag). Her last novel, Between Sisters, was chosen by CBS’s The Early Show as one of the best books of the summer. Now she returns with The Things We Do for Love— a poignant, evocative story that celebrates the magic of motherhood, the joys of coming home, and the price we so willingly pay for love.
The youngest of three daughters, Angela DeSaria Malone was always “the princess” of the family, a girl who thought she knew how her life would unfold. High School. College. Marriage. Motherhood. That was how it had gone for her sisters, her cousins, her friends. But it didn’t work out that way for Angie. She and her husband tried desperately to have a child; year after year, their perfectly decorated nursery remained empty. Finally, their marriage collapsed under the weight of lost dreams.
After the divorce, Angie moved back to her hometown and rejoined her loud, loving, slightly crazy family. In West End, a place where life rises and falls in time with the tides, she will find the man who once again will open her heart to love . . . and meet the girl who will change Angie’s life.
Lauren Ribido lives in a rundown apartment in a bad part of town with a mother who cares more about her next drink than about her daughter. At seventeen, Lauren knows that her aspirations in life may never come to pass.
From the moment they meet, Angie sees something special in Lauren. They form a quick connection, this woman who is desperate for a daughter and the girl who has never known a mother’s love. When Lauren is abandoned by her mother, Angie doesn’t hesitate to offer the girl a place to stay.
But nothing could have prepared Angie for the far-reaching repercussions of this act of kindness. In a dramatic turn of events, she and Lauren will be tested in a way that mothers and daughters seldom are. Together they will embark on an intensely moving, deeply emotional journey to the very heart of what it means to be a family.
From the Hardcover edition.
这部作品的叙事节奏像一场漫长的、层层叠叠的迷雾,初读时会让人感到一种近乎令人窒息的压抑感,仿佛置身于一个无法逃脱的圆形剧场之中。作者似乎对人物内心的细微震颤有着近乎病态的敏锐捕捉能力,每一个角色的选择和每一次呼吸都带着沉重的、难以言喻的宿命感。我尤其欣赏它对环境氛围的营造,那种潮湿、陈旧,带着铁锈味的笔触,使得那些发生在光线昏暗的角落里的对话,其重量感远超出了字面意义上的信息传递。它探讨的不是爱情的浪漫面,而是关于“责任”和“妥协”在漫长岁月中如何慢慢腐蚀掉最初的美好愿景,最终只剩下一具空壳在机械地维持着某种社会契约。故事情节推进缓慢,但每一次停顿都像是在水面下积蓄力量的暗流,直到最后爆发,那种突如其来的清醒和痛苦,让人不得不放下书,在原地静默良久,反思自身那些被忽略已久的选择。这部书更像是一面打磨得极其光滑的镜子,反射出的不是光鲜亮丽的自我,而是那些我们极力想隐藏在深处的矛盾和怯懦。
评分我欣赏作者在这部作品中对“模糊地带”的勇敢探索。它没有提供任何清晰的道德指南针,更没有给出任何简单的答案或救赎。书中的每一个角色都处于一种灰色的地带,他们的善行往往伴随着自私的目的,而他们的错误也常常带有某种无辜的背景。这种复杂性使得人物形象极其丰满和真实,它们拒绝被贴上“好人”或“坏人”的标签,而更像是生活中随处可见的、被日常琐事和未尽人情所困扰的普通人。我特别喜欢书中关于“回忆”的描绘方式,回忆不是甜蜜的追溯,而是一种持续的、具有攻击性的在场,它不断地干扰着当下,使得任何想要向前迈出的尝试都显得异常艰难。整本书读下来,就像经历了一场漫长的、对个体意志力极限的测试,它让人感到疲惫,但同时又因经历了如此彻底的内心剖析而获得一种近乎宗教般的净化感。
评分这本书的魅力在于它的克制。它用最平实甚至有些乏味的语言,构建了一个巨大的情感陷阱。高潮部分的处理尤其令人印象深刻,它没有采用任何戏剧化的冲突或激烈的对峙,而是选择了一种近乎平静的“接受”——对现状的接受,对自身局限的接受,对所有可能性消亡的接受。这种平静,比任何声嘶力竭的呐喊都更具穿透力,因为它迫使读者直面自身在面对无可挽回的局面时,是否也会选择如此寂静地退场。书中的对话极其精彩,表面上是礼貌、客套的寒暄,但每一句的背后都隐藏着三层未说出口的诘问和试探,像是一场精妙的文字交锋,充满了潜台词的重量。它让我想起那些久未联系的老友,我们之间似乎永远隔着一层透明却坚硬的屏障,明明心意相通,却再也找不到合适的开口方式来打破这种沉默。
评分我必须承认,这本书的文字功底达到了令人叹为观止的程度,它不是在讲述一个故事,而是在雕刻一系列精确到微米级别的心理切片。叙事视角频繁且突然地在不同角色的意识流中切换,起初让人有些晕眩,仿佛置身于一个多声部的复调音乐会,各个声部都在用不同的音高和节奏述说着同一主题下的不同焦虑。这种结构上的复杂性,要求读者必须全神贯注,否则很容易错过那些隐藏在看似日常对话下的关键性心理暗示。书中对于“时间”的流逝处理得极其精妙,它不是线性的,而是像一团被揉捏过的废纸,重要的片段被反复强调,无关紧要的日常则被迅速带过,这种处理方式极大地增强了叙事的张力和情感的密度。对于那些追求直白情节推进的读者来说,这本书可能会显得晦涩难懂,但对于热衷于解构人性底层逻辑的爱好者而言,这简直是一场盛宴,每一次重读都能从中发现新的、更深层次的关联,简直令人着迷。
评分读完这本书后,我有一种强烈的冲动,想去探访那些书中描绘的,充斥着灰尘和未竟之梦的街区。作者对地域的描绘具有一种近乎魔幻的现实主义色彩,那种城市肌理的纹理、空气中弥漫的独特气味,都通过极富画面感的语言被捕捉下来,仿佛自带了一层泛黄的滤镜。它不遗余力地展示了生活中的“间隙”——那些在等待、在踌躇、在犹豫不决时所占据的时间,并赋予这些间隙以重量和意义。书中人物的行为逻辑常常是反直觉的,他们的选择似乎更多地源于一种根深蒂固的“惯性”,而非清醒的理性驱动,这让我联想到现实生活中许多半途而废的计划和早已僵化的关系。与其说这是一部关于情感的书,不如说它是一部关于“如何忍受平庸的日常”的田园牧歌式悲剧,只不过,这里的田园是钢筋水泥浇筑而成,充满了疏离感。
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