Originally published in 1973, this marvelous collection of photographs with accompanying texts by the revered late Museum of Modern Art photography curator John Szarkowski has long been recognized as a classic. Reissued in 1999-with new digital duotones-this volume is now available to a new generation of readers.This is a picture book, and its first purpose is to provide the material for simple delectation," says Szarkowski in his introduction to this first survey of The Museum of Modern Art's photography collection. A visually splendid album, the book is both a treasury of remarkable photographs and a lively introduction to the aesthetics and the historical development of photography.Since 1930, when the Museum accessioned its first photograph, it has assembled an extraordinary and wide-ranging collection of pictures for preservation, study and exhibition. Among the outstanding figures represented here are Hill and Adamson, Cameron, O'Sullivan, Atget, Stieglitz, Steichen, Strand, Weston, Kertesz, Evans, Cartier-Bresson, Lange, Brassai, Ansel Adams, Shomei Tomatsu, Frank, Arbus and Friedlander.Some of these photographs are classics, familiar and well-loved favorites, many are surprising, little-known works by the masters of the art."
具體描述
讀後感
評分
評分
評分
評分
用戶評價
薩科夫斯基的寫法和當今攝影學者的寫法可不太一樣，前者文筆樸素多瞭，也不會用那些讓人聽不懂的術語。你可以把這本書當成一本——一位收藏癖挑選的100張最愛，關於挑選的理由，他說齣瞭他的道理。其實每個人都有每個人的道理，溝通或者說聽他人的道理是為瞭瞭解這個世界，而不是彼此說服。
评分評述很棒啊！幽默且動人
评分評述很棒啊！幽默且動人
评分1980 4th printing 版本。Szarkowski 的個人品味，以及曆史背景
评分薩科夫斯基的寫法和當今攝影學者的寫法可不太一樣，前者文筆樸素多瞭，也不會用那些讓人聽不懂的術語。你可以把這本書當成一本——一位收藏癖挑選的100張最愛，關於挑選的理由，他說齣瞭他的道理。其實每個人都有每個人的道理，溝通或者說聽他人的道理是為瞭瞭解這個世界，而不是彼此說服。
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