In Akira Kurosawa and Intertextual Cinema, James Goodwin draws on contemporary theoretical and critical approaches to explore the Japanese director's use of a variety of texts to create films that are uniquely intertextual and intercultural. Surveying all of Kurosawa's films and examining six films in depth- The Idiot, The Lower Depths, Rashomon, Ikiru, Throne of Blood, and Ran-Goodwin finds in Kurosawa's themes and techniques the capacity to restructure perceptions of Western and Japanese cultures and to establish new meanings in each.
評分
評分
評分
評分
再次陷入文獻的泥沼………(泣)
评分再次陷入文獻的泥沼………(泣)
评分再次陷入文獻的泥沼………(泣)
评分再次陷入文獻的泥沼………(泣)
评分再次陷入文獻的泥沼………(泣)
本站所有內容均為互聯網搜索引擎提供的公開搜索信息,本站不存儲任何數據與內容,任何內容與數據均與本站無關,如有需要請聯繫相關搜索引擎包括但不限於百度,google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有