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出版者:All Rights Reserved

作者:All Rights Reserved 编

出品人:

页数:388

译者:

出版时间:2007-02

价格:USD 59.95

装帧:Paperback

isbn号码:9789889900182

丛书系列:

图书标签:

• design
• 艺术
• 绘画
• 设计
• 视觉
• 插画
• 插画　女生
• Drawing
• 女性主义
• 绘画艺术
• 女性创作
• 当代艺术
• 性别议题
• 视觉文化
• 女性觉醒
• 艺术史
• 女性力量
• 批判性思维

《女性线条的时代》：触碰时代的脉搏，描摹时代的灵魂 《女性线条的时代》并非一本单纯的书籍，它是一次对时代的回溯与审视，一次对女性艺术与表达的深度探索。本书旨在解构并重塑我们对“线条”——这一最基础、最直观的艺术语言——的理解，并将其置于一个更为广阔的社会文化语境中，特别是聚焦于女性在其中扮演的角色及其所留下的独特印记。 本书并非按照传统的艺术史编年体例展开，而是以一种更具穿透力的方式，从“线条”这一核心概念出发，层层剥离出其背后蕴含的时代精神、社会变迁以及女性身份的演进。我们所讨论的“线条”，绝不仅仅是画笔在纸上的轨迹，它更象征着一种思维方式、一种情感表达、一种行动的痕迹，以及一种看不见却真实存在的连接。 在《女性线条的时代》中，读者将跟随作者的笔触，穿越不同的历史时期，从古典主义的严谨规整，到浪漫主义的奔放抒情，再到现代主义的解构与重塑。然而，本书的独特之处在于，它始终将女性艺术家的创作、女性主义思潮的影响、以及女性在社会结构中所勾勒出的独特“线条”作为观察和分析的焦点。 例如，在描绘文艺复兴时期，我们不会仅仅关注达·芬奇的解剖学透视，而是会深入探究那些默默无闻却技艺精湛的女性抄写员、绣花匠，她们用针线和丝线在布匹上织就的精美图案，以及她们在家庭环境中默默传递的知识与美学观念。这些“丝线”的勾勒，虽不常被载入史册，却构成了那个时代女性生活轨迹的重要部分。 当我们将目光投向18世纪的洛可可时期，在对华托、布歇笔下柔美的人物造型进行解读时，本书会进一步探讨那个时期女性沙龙文化中所孕育出的精致品味，以及女性在推动时尚、文学和艺术品味方面的微妙影响力。这些“优雅的曲线”和“精巧的装饰”，不仅仅是视觉上的愉悦，更折射出女性在当时社会中寻求自我表达和影响力的独特方式。 进入19世纪，随着工业革命的深入和女性教育的逐渐普及，女性艺术家的身影开始在画坛崭露头角。本书将深入分析库尔贝、马奈等印象派画家作品中对女性形象的描绘，但更侧重于发掘那些被边缘化的女性画家，如贝尔特·莫里索、玛丽·卡萨特等，她们如何用更细腻、更贴近生活的视角，捕捉家庭、母性以及日常女性生活的“线条”。她们的作品，是那个时代女性意识觉醒的有力证明。 20世纪的现代艺术更是本书浓墨重彩的篇章。从立体主义的几何分解，到抽象表现主义的能量释放，再到波普艺术的流行文化审视，本书将审视女性艺术家如何运用这些新的艺术语言，挑战传统的审美观念，表达她们独特的性别体验和对社会的反思。草间弥生的波点、弗里达·卡罗的自画像、辛迪·舍曼的身份扮演，这些都不仅仅是艺术创作，更是女性在时代洪流中锚定自我、划定边界、甚至突破束缚的“线条”。 本书还将触及女性在非视觉艺术领域所留下的“线条”。例如，文学作品中女性角色的塑造，她们的语言风格、情感轨迹；女性在音乐创作中的旋律与节奏；女性在社会运动中提出的口号和行动所形成的“社会线条”；甚至是在家庭和社区中，女性通过日常照料、情感联结所编织的“人际线条”。这些看似琐碎，实则构成了时代和社会最真实、最鲜活的肌理。 《女性线条的时代》的价值在于，它提供了一个全新的视角来审视艺术史和人类文明。它提醒我们，任何一个时代的“线条”都并非单一的、由男性主导的叙事，而是由无数不同性别、不同身份、不同阶层的人共同勾勒而成。而女性，以其独特的生命体验和视角，为我们理解这些“线条”增添了至关重要的维度。 本书的写作风格力求深入浅出，既有严谨的学术考证，又不乏生动的文学笔触。它适合所有对艺术、历史、社会学以及女性研究感兴趣的读者。通过阅读《女性线条的时代》，你将不仅仅是欣赏艺术作品，更是触摸时代的脉搏，理解时代的演进，并最终看见那些曾经被忽视，却无比重要的——女性所绘制的时代灵魂的线条。它将启迪你重新审视自己生活中的“线条”，发现其中蕴含的无限可能。

评分☆☆☆☆☆

书应该是香港翻译的，只有英文版，很值啊，中文名字为《女性风格之时代》 我们中国的年轻的学和从事设计的人们啊，都要好好看看啊，看谁还那么没劲的糟蹋我们本来就不堪入目的设计，瞅瞅我们的城市和眼球被俗不可耐的大设计环境污染成什么样了。 大家都冷静，静一静行吗，好...

评分☆☆☆☆☆

书应该是香港翻译的，只有英文版，很值啊，中文名字为《女性风格之时代》 我们中国的年轻的学和从事设计的人们啊，都要好好看看啊，看谁还那么没劲的糟蹋我们本来就不堪入目的设计，瞅瞅我们的城市和眼球被俗不可耐的大设计环境污染成什么样了。 大家都冷静，静一静行吗，好...

评分☆☆☆☆☆

书应该是香港翻译的，只有英文版，很值啊，中文名字为《女性风格之时代》 我们中国的年轻的学和从事设计的人们啊，都要好好看看啊，看谁还那么没劲的糟蹋我们本来就不堪入目的设计，瞅瞅我们的城市和眼球被俗不可耐的大设计环境污染成什么样了。 大家都冷静，静一静行吗，好...

评分☆☆☆☆☆

书应该是香港翻译的，只有英文版，很值啊，中文名字为《女性风格之时代》 我们中国的年轻的学和从事设计的人们啊，都要好好看看啊，看谁还那么没劲的糟蹋我们本来就不堪入目的设计，瞅瞅我们的城市和眼球被俗不可耐的大设计环境污染成什么样了。 大家都冷静，静一静行吗，好...

评分☆☆☆☆☆

书应该是香港翻译的，只有英文版，很值啊，中文名字为《女性风格之时代》 我们中国的年轻的学和从事设计的人们啊，都要好好看看啊，看谁还那么没劲的糟蹋我们本来就不堪入目的设计，瞅瞅我们的城市和眼球被俗不可耐的大设计环境污染成什么样了。 大家都冷静，静一静行吗，好...

评分☆☆☆☆☆

这本书的名字，The Age of Feminine Drawing，光是听起来就有一种奇妙的共鸣感。我尤其喜欢这个标题的“Drawing”这个词，它不仅仅是指描绘，更包含了一种深思熟虑的塑造、一种艺术性的构思，甚至是某种意图的呈现。当我在书店里第一次看到它时，这个名字就立刻抓住了我的注意力，仿佛在低语着某种古老而又现代的智慧。我一直对“女性”这个概念在历史长河中的演变、在不同文化语境下的理解，以及它如何被构建、被描绘、被“Drawing”充满好奇。而“The Age of”这个前缀，又暗示了一种时代的特征，一种特定时期内女性身份的集体性塑造。我期待这本书能够深入探讨，在历史的某个特定阶段，女性的形象是如何被社会、文化、艺术乃至权力结构所“Drawing”出来的。它是否会关注那些被遗忘的女性艺术家，她们的作品如何挑战当时对女性的刻板印象？抑或它会剖析那些主流的“女性Drawing”，揭示它们背后隐藏的父权制逻辑和审美偏好？“Feminine Drawing”这个词本身就有一种双重性，它可以指女性自身对世界的描绘，也可以指社会对女性的描绘。我非常好奇作者将如何 navigate 这两个层面，它们之间又存在着怎样的张力和互动。我想象着书中会充斥着丰富的视觉材料，可能是绘画、雕塑、文学片段，甚至是对当时社会习俗的细致描摹，所有这些都将汇聚成一幅关于“女性时代”的宏大图景。我迫切想知道，这本书会以怎样的叙事方式呈现这些内容，它是否会偏重于某个特定地域或历史时期，还是会进行一次横跨时空的跨文化比较？“The Age of Feminine Drawing”—— 这个名字本身就是一首诗，一种承诺，它让我对接下来的阅读充满了无限的期待和遐想。我希望它能够带来深刻的洞察，挑战我固有的认知，并激发我对“女性”这一概念更广阔、更 nuanced 的理解。

评分☆☆☆☆☆

The Age of Feminine Drawing，这个书名本身就有一种令人着迷的诗意和深度。当我第一次看到它时，我脑海中立刻涌现出无数的画面和联想。“Drawing”这个词，在我看来，远不止于简单的描绘，它蕴含着构思、塑造、绘制、甚至是一种深刻的解读。而“Feminine Drawing”，更是将这种描绘与女性特质紧密相连，让我不禁思考，究竟是谁在Drawing？是以女性为主题的艺术作品，描绘了她们的生活、情感和思想？还是社会、文化、历史力量对女性的“Drawing”，将她们塑造成某种特定的形象？“The Age of”又赋予了这种Drawing一种历史的纵深感，仿佛在宣告一个特定时期，女性的“Drawing”方式，或者说，女性所处的被“Drawing”的状态，具有了某种决定性的意义。我猜测这本书可能会深入探讨不同历史时期，女性形象是如何被构建、被呈现的。它或许会聚焦于某个具体的时代，分析当时的艺术、文学、哲学如何刻画女性，以及这些刻画又如何影响了女性的自我认知和社会地位。又或者，它会以一种更宏观的视角，跨越不同的文化和地域，展现女性“Drawing”自身和被“Drawing”的多样性与复杂性。我尤其期待书中能够关注到那些被历史洪流所掩盖的女性声音和创作，她们是如何用自己的画笔，或者用她们的生活本身，来“Drawing”出不一样的时代图景。这个书名带给我一种强烈的吸引力，它让我感受到一种对过往女性经历的尊重和对未来女性可能性的探索，我迫切地想知道这本书会为我揭示怎样的关于“女性时代”的深刻洞见。

评分☆☆☆☆☆

The title, "The Age of Feminine Drawing," is a phrase that resonates with a certain elegance and intellectual depth. It immediately conjures a sense of historical inquiry intertwined with artistic expression, and a particular focus on the feminine. The word "drawing" itself is multi-layered. On one hand, it can signify the literal act of creating art, suggesting a period where female artists might have played a more prominent or defining role. On the other hand, "drawing" can also imply the act of shaping, constructing, or defining something. This dual interpretation leads me to believe the book might explore how femininity was not just depicted in art, but how it was actively "drawn" into being by societal structures, cultural narratives, and historical forces during a specific era. The "Age of" component clearly signals a historical framework, prompting me to wonder which specific period the author might be examining and why it is characterized as an "Age of Feminine Drawing." I anticipate an exploration that could shed light on the evolving representation of women in various artistic mediums, challenging preconceived notions about their creative contributions and their influence on cultural aesthetics. Furthermore, I'm curious if the book delves into the ways in which societal expectations and norms "drew" the boundaries of acceptable feminine behavior and identity during that time. The title promises a comprehensive and thought-provoking look at how the feminine was conceived, created, and perceived within a distinct historical context, and I am eager to uncover the rich insights the author has to offer.

评分☆☆☆☆☆

初次翻阅The Age of Feminine Drawing，我的第一反应是它挑战了我对“时代”和“女性”的传统理解。我一直认为“时代”是以政治事件、科技进步或者经济发展来划分的，而“女性”则常常被置于这些宏大叙事的边缘，成为被观察、被描绘的对象。然而，这本书的名字，特别是“The Age of Feminine Drawing”的组合，让我意识到，或许存在着一种以“女性”为核心的时代划分，或者至少，女性的“Drawing”——无论是自我表达还是外部塑造——本身就能构成一个时代的独特印记。我脑海中浮现出无数的可能性。它是否会探讨某个历史时期，女性的艺术创作达到了前所未有的高峰，她们的作品如何定义了那个时代的审美与精神？或者，它是否会关注在某个特定的历史阶段，社会对女性的期待、规范和禁锢，是如何通过各种媒介被“Drawing”出来的，而这些“Drawing”又反过来塑造了女性的身份认同和生存状态？“Feminine Drawing”这个词，在我看来，既包含了女性主动的创造力，也暗示了被动接受的塑造。我好奇这本书会侧重于哪一方面，或者是否会巧妙地将两者融为一体，展现出女性在被描绘的同时，也在不断地重新描绘自身，重塑着自己与世界的关系。我期待它能提供一种全新的视角，去审视历史，去理解女性在其中扮演的角色，以及她们如何用自己的方式“Drawing”出属于自己的时代。这本书的名字就如同一扇门，引领我进入一个充满未知与探索的知识领域，我迫不及待地想知道里面究竟蕴藏着怎样的智慧与发现。

评分☆☆☆☆☆

When I first saw the title "The Age of Feminine Drawing," it immediately sparked my curiosity. The phrase itself is so evocative, suggesting a period where the feminine aspect of existence, as expressed through various forms of "drawing," held a particular significance. My mind immediately went to art history, picturing periods where female artists might have emerged as prominent figures, their works reflecting a unique perspective that defined the era. But the "drawing" could also extend beyond literal artistic creation. It could encompass how women's roles, identities, and societal expectations were "drawn" or constructed by the prevailing culture. The "Age of" part implies a historical context, a specific time when this "Feminine Drawing" was either dominant, undergoing transformation, or being defined. I wondered if the book would delve into the visual arts, examining specific movements or individual artists who embodied this "Feminine Drawing." Perhaps it would explore how women depicted themselves and their experiences, challenging traditional representations. Or, it might analyze how society at large "drew" its perception of femininity, creating archetypes and norms that influenced women's lives. The ambiguity of "Feminine Drawing" is what makes the title so compelling. Is it about the creation by women, or the creation of women? It hints at a complex interplay between agency and societal influence. I am intrigued to discover how the author navigates this, and what specific historical period or cultural phenomenon they believe best exemplifies "The Age of Feminine Drawing." The title alone promises a rich exploration of creativity, identity, and historical perspective, and I am eager to uncover the insights within.

评分☆☆☆☆☆

"The Age of Feminine Drawing" – the title itself is a beautiful enigma. It doesn't immediately tell you what it's about, but it hums with possibilities. My initial thought was that it might be about a specific historical era where art and culture were deeply influenced by a particular understanding or representation of the feminine. The word "drawing" is key here; it could refer to the literal act of artistic creation, perhaps focusing on female artists and their unique perspectives. Or, it could be a metaphor, suggesting how femininity itself was "drawn" or constructed within societal frameworks during a certain period. The combination of "Age" and "Feminine Drawing" suggests a historical exploration, a deep dive into a time when this particular form of expression or societal framing of the feminine was particularly prominent or defining. I found myself wondering if the book would explore periods where female artists broke through societal barriers and their works redefined artistic canons. Alternatively, it might analyze how cultural narratives, visual media, or even fashion in a specific era contributed to a distinct "drawing" of feminine ideals. The phrase "Feminine Drawing" also makes me consider the dual nature of creation – both the active creation by women, and the passive reception of how they are depicted by others. I am extremely keen to discover how the author unravels this complex relationship, and what historical context they illuminate to demonstrate this "Age of Feminine Drawing." It's a title that promises intellectual stimulation and a fresh perspective on history and art, and I can't wait to see what unfolds within its pages.

评分☆☆☆☆☆

The title, "The Age of Feminine Drawing," immediately struck me as something profoundly insightful. It’s not a straightforward title; it invites contemplation and hints at a deeper, more nuanced exploration of a specific historical period. The word "drawing" itself is incredibly rich in its potential meanings. It could refer to the artistic practice of sketching and painting, suggesting a focus on female artists and their contributions during a particular era. However, I also consider "drawing" in a more metaphorical sense – how societal expectations, cultural norms, and power structures might have "drawn" or shaped the image and roles of women during a specific historical moment. Coupled with "The Age of," it implies a historical period where this "feminine drawing" – be it in art or in social construction – was a defining characteristic, a significant marker of the times. I imagine the book might delve into how women's creative expressions were either amplified or suppressed, and how their very identities were being formulated within the context of their era. It could be an exploration of aesthetic movements, but more significantly, a dissection of how visual culture and societal discourse converged to create a particular perception of femininity. The phrase "Feminine Drawing" also suggests a delicate balance, perhaps even a tension, between women’s active agency in representing themselves and the external forces that depicted them. I am eager to uncover the historical periods the author chooses to highlight and the specific ways in which this "Feminine Drawing" manifested. This title promises a journey through history, seen through the lens of female representation and creation, and I am highly anticipating the revelations it holds.

评分☆☆☆☆☆

When I first encountered the title "The Age of Feminine Drawing," it felt like a key unlocking a hidden chamber of historical and artistic inquiry. The phrase itself is beautifully constructed, hinting at a period where the concept and representation of the feminine, expressed through various forms of "drawing," held a particular cultural or historical weight. My immediate thought went to art history, imagining epochs where female artists might have been pivotal in shaping aesthetic sensibilities, or where depictions of women profoundly influenced societal perceptions. However, the word "drawing" also carries metaphorical weight – it can suggest the process of formation, of being shaped or defined. This dual meaning makes me wonder if the book will explore not just how women drew, but how they were "drawn" by their times, by prevailing ideologies, and by the visual language of their era. The "Age of" prefix firmly places this exploration within a historical context, making me anticipate a focused examination of a specific period, dissecting its unique characteristics related to the feminine. I'm eager to discover if the book will analyze the visual arts, but also extend to broader cultural expressions – literature, fashion, social customs – that contributed to this "Feminine Drawing." The intriguing interplay between women as creators and women as subjects of representation, both being forms of "drawing," is what makes this title so compelling. It promises a nuanced understanding of historical periods, seen through the multifaceted lens of the feminine, and I am deeply curious to explore the world the author has meticulously "drawn" for us within its pages.

评分☆☆☆☆☆

"The Age of Feminine Drawing" – even the name itself feels like an artwork waiting to be unveiled. My immediate reaction was one of intrigue, a sense that this book would delve into a topic that is both historically significant and artistically rich. The term "drawing" is particularly captivating. It conjures images of artistic creation, of lines and forms taking shape, and I wondered if the book would focus on periods where women’s artistic output was particularly notable or transformative. But "drawing" can also mean to pull, to attract, or to form something. This led me to consider whether the book would explore how femininity itself was "drawn" into existence by societal forces, cultural narratives, or specific historical contexts. The inclusion of "The Age of" strongly suggests a historical investigation, an attempt to pinpoint a time when this "feminine drawing," in whatever form it takes, was a defining characteristic. I’m envisioning an exploration that might uncover forgotten female artists, analyze the evolution of female representation in art and media, or perhaps even dissect the societal pressures that dictated how women were expected to present themselves. The dual potential of "Feminine Drawing" – as active creation by women and as external shaping of women – is what makes the title so compelling. I’m curious to see how the author balances these interpretations, and what specific historical lens they employ to illuminate this unique "Age of Feminine Drawing." The title alone has piqued my interest, promising a deeply thoughtful and visually engaging read.

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The Age of Feminine Drawing。这个书名，光是念出来，就带着一种历史的厚重感和艺术的精致感。我一直对历史叙事中女性的缺席或边缘化感到遗憾，而这个书名似乎承诺要填补这一空白，并且是以一种极其富有想象力的方式。我首先想到的是“Drawing”这个词的多重含义。它既可以指艺术创作，即女性艺术家如何通过绘画、雕塑等方式描绘她们的世界，表达她们的情感和思想；同时，它也可以理解为社会、文化、权力结构对女性的“Drawing”，即在特定的历史时期，女性的身份、角色、行为规范是如何被“塑造”和“刻画”的。而“The Age of Feminine Drawing”，则将这两者结合，暗示着一个特定的历史时期，女性的艺术创作和女性的社会身份塑造，都达到了某种高潮或形成了某种独特的模式。我非常好奇作者会如何处理这两条线索。它是否会聚焦于某一个具体的艺术运动，分析其中女性艺术家的贡献，以及她们的作品如何挑战当时的性别规范？抑或，它会从更广泛的社会文化角度出发，探讨在某个时代，公众对女性的普遍认知是如何通过绘画、文学、时尚等多种媒介被“Drawing”出来的？“Feminine Drawing”这个词本身也很有意思，它既可以是女性主动的创作，也可以是被动接受的描绘。我希望这本书能够深入探讨这种张力，展现女性如何在被描绘的同时，也在不断地自我描绘和重塑。这个书名给我一种强烈的感觉，它不仅仅是一本关于历史的学术著作，更是一本充满艺术美感和哲学思考的探索之作，我期待它能为我打开一扇全新的窗户，去理解女性在历史长河中的独特轨迹。

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收录有：Audrey Kawasaki,Ellen van Engelen,Firenze 都不错

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女性化

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终于买回来看的时候怎么觉得只是还好了

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有一本好书入囊

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蝌蚪把它给我了 真不错