吉尔·德勒兹,法国哲学家。1925年1月18日生于法国巴黎,1944年中学毕业后就读于巴黎索邦大学哲学系。1957年任索邦大学哲学系助教,1960年任法国国家科学研究中心研究专员,1964年到1969年任里昂学院哲学教授,1969年接替米歇尔·福柯任巴黎第八大学哲学系教授直至1987年退休。1995年11月4日,因难忍肺疾折磨,从巴黎住处的窗户坠楼自杀。德勒兹的影响遍布人文科学的各个角落,代表作《反俄狄普斯》和《千座高原》业已取得世界性的声誉。
董强,北京大学法语系教授、博士生导师。1988年赴法国留学,旅居巴黎12年。早年师从世界文学大师昆德拉。1995年合作创办法国第一家以介绍中国文化为宗旨的出版社“中国蓝”。1997年成为以法语写作的外籍作家,同年获博士学位。2001年起受聘北京大学法语系。主要著作有:中法双语诗集《远方的手》(1997),法语诗集《松绑的手》(1997),法语专著《亨利·米肖的现代诗与绘画》(1998),专著《梁宗岱:穿越象征主义》(北京,2004)等。回国后致力于翻译法语文学与美术著作,逾二十余部,包括《小说的艺术》、《波德莱尔传》、《云的理论——为了建立一种新的绘画史》、《西方1500年视觉艺术史》。目前正在主持翻译《西方绘画大辞典》(即出)。
Translated and with an Introduction by Daniel W. Smith
Afterword by Tom Conley
Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter’s method and style as well as his motifs of seriality, difference, and repetition influenced Deleuze’s work. This first English translation shows us one of the most original and important French philosophers of the twentieth century in intimate confrontation with one of that century’s most original and important painters.
In considering Bacon, Deleuze offers implicit and explicit insights into the origins and development of his own philosophical and aesthetic ideas, ideas that represent a turning point in his intellectual trajectory. First published in French in 1981, Francis Bacon has come to be recognized as one of Deleuze’s most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon’s paintings but also as a crucial text within Deleuze’s broader philosophy of art.
In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon’s paintings but at the same time finds a place in the “general logic of sensation.” Illuminating Bacon’s paintings, the nonrational logic of sensation, and the act of painting itself, this work—presented in lucid and nuanced translation—also points beyond painting toward connections with other arts such as music, cinema, and literature. Francis Bacon is an indispensable entry point into the conceptual proliferation of Deleuze’s philosophy as a whole.
Gilles Deleuze (1925–1995) was professor of philosophy at the University of Paris, Vincennes–St. Denis. He coauthored Anti-Oedipus and A Thousand Plateaus with Félix Guattari. These works, as well as Cinema 1, Cinema 2, The Fold, Proust and Signs, and others, are published in English by Minnesota.
Daniel W. Smith teaches in the Department of Philosophy at Purdue University.
The book by Gilles Deleuze on Francis Bacon is more than the study of a painter by a philosopher. Is it from" on "Bacon, the book and who is the philosopher who is the painter? We want to say that think, and think that looks? One can certainly think of the ...
评分德勒兹 (Deleuze)是一位非常重视艺术的哲学家。他在《弗朗西斯.培根: 感触的逻辑》一书里不只提到了艺术和哲学的平等,也强调了艺术的基本问题不在于复制或制造形态, 而是在于“凝聚力量”。[1] 艺术的“力量”何在?这力量来自何处?本文想通过德勒兹的《感触逻辑》一概念来探讨...
评分都说德勒兹是解构主义的大师,看了几章之后吓得不轻,他竟然真能把培根的每一幅画的每个细节都解构之后扩大化,不仅是构图、形象,甚至连颜色,笔刷的用法都用一种夸张的语言不厌其烦地描述出来。之后还要挖掘出所谓的内涵和隐喻,再把其共性总结出来归于一种心理学,神经刺激...
评分 评分德勒兹 (Deleuze)是一位非常重视艺术的哲学家。他在《弗朗西斯.培根: 感触的逻辑》一书里不只提到了艺术和哲学的平等,也强调了艺术的基本问题不在于复制或制造形态, 而是在于“凝聚力量”。[1] 艺术的“力量”何在?这力量来自何处?本文想通过德勒兹的《感触逻辑》一概念来探讨...
英译版好读多了。。。
评分July2018重刷
评分英译版好读多了。。。
评分can't believe i have to google all the paintings. like one by one. hello?! 差评!!
评分can't believe i have to google all the paintings. like one by one. hello?! 差评!!
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有