"Primeval architecture is an architecture of necessity. Nothing is there to excess, no matter whether stone, clay, reeds or wood, animal skins or hair are used. It is minimal. It can be very beautiful even amidst poverty and is good in the ethical sense. Good architecture seems to be more important than beautiful architecture. Beautiful architecture is not necessarily good. Only buildings that are at the same time ethically good and aesthetically beautiful are worth preserving. We have too many buildings that have become useless and yet we still need new buildings, from pole to pole, in the cold and in the heat. Man's present areas of settlement are the new ecological system in which technology is indispensable, even in hot and cold areas...Our age requires buildings that are lighter, more energy-saving, more mobile and more adaptable, in brief more natural, without disregarding the need for safety and security. This logically leads to the further development of light constructions, to the building of tents, shells, awnings and air-supported membranes. It also leads to a new mobility and changeability. A new understanding of nature is forming under one aspect of high performance form (also called a classical form), which unites aesthetic and ethical viewpoints. Tomorrow's architecture will again be minimal architecture, an architecture of the self-education and self-optimization processes suggested by human beings." - Frei Otto and Bodo Rasch in their foreword of this book.
具體描述
讀後感
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用戶評價
內容的選排十分精彩，大量從自然地質景觀，生物結構構造和Frei Otto在膜結構和dome結構的實驗和建築成品。跟Lightness這本書很相似：D最後放的是Frei Otto在Makkah and Madinah的作品讓人驚嘆！
评分哈哈，即便那麼先鋒還是去做瞭個後現代主義的清真大帽子。Otto和闆茂關係不錯，伊東豐雄的颱中歌劇院，sanna的rolex learning center，豐島美術館受過他影響麼？
评分無法直視的字體
评分NA1088.078 A4 1995
评分舒馬赫不許引用他
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