Examining the black and white animated films of William Kentridge, this volume discusses the political and philosophical dimensions of drawing, a term the artist applies equally to his works on paper, film and theatre productions. It surveys Kentridge's work within a broad historical and geographic context of politicised art practices while analyzing the formal innovations of his animation techniques.
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最爱的书之一·····老头的画很有力度
评分William Kentridge
评分William Kentridge
评分William Kentridge
评分最爱的书之一·····老头的画很有力度
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