Little Red Riding Hood Uncloaked

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凯瑟琳·奥兰丝汀,哈佛大学毕业,哥伦比亚大学国际关系学硕士,现为自由作家,专门撰写有关女性问题,拉西美洲和海地的文章,《百变小红帽》的构思源于她的毕业论文。

其作品常见于美国《华盛顿邮报》、《纽约时报》、《仕女杂志》、《旧金山侦查者周日杂志》和其他刊物。目前定居纽约。

出版者:Basic Books; New Ed edition
作者:Catherine Orenstein
出品人:
页数:304
译者:
出版时间:2003-7-8
价格:GBP 8.99
装帧:Paperback
isbn号码:9780465041268
丛书系列:
图书标签:
  • 童话 
  • 英文 
  • 有趣的历史 
  • 文化研究 
  • 小红帽 
  • 原版 
  • gender 
  • CatherineOrenstein 
  •  
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Choosing one of the few fairy tales that does not conclude with a wedding, Catherine Orenstein reinterprets the many versions of "Little Red Riding Hood" by setting the tale against the mores and values of its times. The result is a highly entertaining and interesting conversation about one of our best-known stories.

Starting with the first-known published version, Orenstein points out Charles Perrault's lesson to young girls entering the lascivious and political court of Louis XIV. She traces the story further back to a shockingly playful rendition that includes bzous (werewolves) and cannibalism. In this version, she revives the symbolism that relates to the feminine by pointing out the odd questions of the bzou: "Which path are you taking... the path of needles or the path of pins?" Orenstein also takes a look at more modern versions, including Anne Sexton's poem "Red Riding Hood" and Matthew Bright's film Freeway, taking on, as she examines these and other modern versions of the old tale, the machismo wolf and the Gen-X grrrl.

Though expansive in her research, Orenstein's interpretations are occasionally too simplistic. In "Grandmother's Tale," Riding Hood's cannibalistic meal of her grandmother is reduced to a "symbolic reminder that the old will be reborn in the young." There is nothing mentioned of the talking cat who decries Riding Hood, saying, "She is a slut who eats the flesh and drinks the blood of her granny!" But what Orenstein lacks in depth, she more than makes up for in her encompassing study. In all, 10 tales are examined, as well as a vast historical study of the times they were published. Written with lively prose, Orenstein has produced a book that will spark thought and conversation, encouraging readers to find the wolf, the grandmother, and the little girl within. --Karin Rosman --This text refers to an out of print or unavailable edition of this title.

具体描述

读后感

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我们关于小红帽的印象可能来自于小时候躺在床上时妈妈讲的睡前故事,或者录音机里绘声绘色的对白与旁白的演绎,或者几毛钱一本的方块连环画。那个穿着红色连帽披肩的小女孩伴着童话故事里永远的坏蛋第一提及对象——大灰狼,还有感冒的外婆,缔造了我们从童年就开始建立的世界...  

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为什么是小红帽?因为和别的童话女孩不一样,她不是美丽的公主,没有缺乏特征的王子,不需要美丽的爱情,最终也没有步入幸福的婚姻。 所有耳熟能详的角色里,只有两个人逃脱了被欺压、等待死亡的命运,小红帽和小人鱼。美人鱼更是第一个变接受命运为“我想要”的角色。 一直认...  

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关于小红帽的首版或另类的故事,并不是看这本书时才知道的。几年前曾经流行过一阵子所谓的初版的童话故事,里面就有关于小红帽所谓的“真实的原型”。而这类故事中,总是被人解释为含有隐秘的内容,好像每一个童话中发生的每一件事,甚至每一个场景都别有意义,有的是暴力有的...  

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凯瑟琳•奥兰斯汀(Catherine Orenstein)的《Little Red Riding Hood Uncloaked: Sex, Morality, And The Evolution Of A Fairy Tale》也许翻译成“去魅小红帽:一则童话中的性、道德及演变”更为恰当,但不知为何三联书店引进台湾学者杨淑智的译本会先后有两个书名:“百变...  

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一开始觉得这书会是暗黑系列的解读,法国王宫那些事都是众所周知的,翻了一半的时候,才发现这书就是一个标题党,性、道德什么之类的都是切入点,尤其是关于格林兄弟那段,分析了故事演变的背景,还有很多细节。记得三联曾经出过一套咱们自己文化的丛书,解读西游记的,玄之又...

用户评价

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The one and only essence of her is eternal fluidity.

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The one and only essence of her is eternal fluidity.

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The one and only essence of her is eternal fluidity.

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vely interesting, half-done

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vely interesting, half-done

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