Book Description

Doctorow's new novel is set towards the end of the American Civil War and follows General Sherman's epic march with sixty thousand Union troops through Georgia and the Carolinas, one of the major manoeuvres to bring the war to its conclusion. THE MARCH ranges widely over a diverse set of characters - each of whom is brilliantly realised - so that we see the war through the eyes of both white- skinned Pearl (daughter of slave and slave owner) and General Sherman; a deserting confederate who sets himself up as a photographer; a ruthless army surgeon who enjoys his reputation as an amputator; and the two brothers of a brutal slave owner who find themselves in uniforms facing Sherman's forces. Doctorow's narrative brilliantly blends the intimate and the epic, sweeping the reader along the route of Sherman's notorious march and making us care deeply about each individual's fate.

Amazon.com

As the Civil War was moving toward its inevitable conclusion, General William Tecumseh Sherman marched 60,000 Union troops through Georgia and the Carolinas, leaving a 60-mile-wide trail of death, destruction, looting, thievery and chaos. In The March, E.L. Doctorow has put his unique stamp on these events by staying close to historical fact, naming real people and places and then imagining the rest, as he did in Ragtime.

Recently, the Civil War has been the subject of novels by Howard Bahr, Michael Shaara, Charles Frazier, and Robert Hicks, to name a few. Its perennial appeal is due not only to the fact that it was fought on our own soil, but also that it captures perfectly our long-time and ongoing ambivalence about race. Doctorow examines this question extensively, chronicling the dislocation of both southern whites and Negroes as Sherman burned and destroyed all that they had ever known. Sherman is a well-drawn character, pictured as a crazy tactical genius pitted against his West Point counterparts. Doctorow creates a context for the march: "The brutal romance of war was still possible in the taking of spoils. Each town the army overran was a prize... There was something undeniably classical about it, for how else did the armies of Greece and Rome supply themselves?"

The characters depicted on the march are those people high and low, white and black, whose lives are forever changed by war: Pearl, the newly free daughter of a white plantation owner and one of his slaves, Colonel Sartorius, a competent, remote, almost robotic surgeon; several officers, both Union and Confederate; two soldiers, Arly and Will, who provide comic relief in the manner of Shakespeare's fools until, suddenly, their roles are not funny anymore.

Doctorow has captured the madness of war in his description of the condition of a dispossessed Southern white woman: "What was clear at this moment was that Mattie Jameson's mental state befitted the situation in which she found herself. The world at war had risen to her affliction and made it indistinguishable." And later, " This was not war as adventure, nor war for a solemn cause, it was war at its purest, a mindless mass rage severed from any cause, ideal, or moral principle."

As we have come to expect, Doctorow puts the reader in the picture; never more so than in recalling "The March" and letting us see it as a cautionary tale for our times.

　　--Valerie Ryan

From Publishers Weekly

Starred Review. Sherman's march through Georgia and the Carolinas produced hundreds of thousands of deaths and untold collateral damage. In this powerful novel, Doctorow gets deep inside the pillage, cruelty and destruction—as well as the care and burgeoning love that sprung up in their wake. William Tecumseh Sherman ("Uncle Billy" to his troops) is depicted as a man of complex moods and varying abilities, whose need for glory sometimes obscures his military acumen. Most of the many characters are equally well-drawn and psychologically deep, but the two most engaging are Pearl, a plantation owner's despised daughter who is passing as a drummer boy, and Arly, a cocksure Reb soldier whose belief that God dictates the events in his life is combined with the cunning of a wily opportunist. Their lives provide irony, humor and strange coincidences. Though his lyrical prose sometimes shades into sentimentality when it strays from what people are feeling or saying, Doctorow's gift for getting into the heads of a remarkable variety of characters, famous or ordinary, make this a kind of grim Civil War Canterbury Tales. On reaching the novel's last pages, the reader feels wonder that this nation was ever able to heal after so brutal, and personal, a conflict.

From Library Journal

*Starred Review* American history is the wellspring of Doctorow's prevailing fiction, but never before has he so fully occupied the past, or so gorgeously evoked its generation of the forces that seeded our times. The march in question is that of General William Tecumseh Sherman and his Union soldiers as they slash and burn their way through Georgia and the Carolinas, and the "march to freedom" as liberated slaves fall in step with the liberating army. But it is also, given the poetic depth of Doctorow's vision, the great march of time and of humanity in all its cruelty and glory. As Doctorow dramatizes the fury, conviction, and chaos of the Civil War, he portrays historical figures, as he is wont to do, most electrifyingly Sherman himself. But he focuses most on brilliantly imagined characters who embody the epic conflicts of that cataclysmic era, including Pearl, the smart and courageous daughter of a slave and slave owner; an excessively clinical military surgeon; the valiant daughter of a Southern judge; a freed slave who becomes a war photographer; and Arly, a scheming Rebel soldier who provides shrewdly comic relief. Doctorow writes with blazing clarity about the "brutal romance" of war and its gruesome realities, with lyrical splendor about nature, and with wry wisdom and nimble satire about human folly. Heir to Stephen Crane's The Red Badge of Courage, Doctorow's masterpiece uncovers the roots of today's racial and political conundrums, and taps into the deep and abiding realm of myth in its illumination of sorrow and beauty, the continuity of human existence, and the transcendence of tenacity, compassion, and love.

　　　　　　　　　　　　　　　　　　　　　　　　　　　Donna Seaman

From School Library Journal

Adult/High School–A Civil War tale with much to engage teens. The title refers to a climactic event, General William Tecumseh Shermans March to the Sea. Using a nonlinear (but not especially challenging) structure that recalls his groundbreaking Ragtime, Doctorow narrates events through multiple Union and Confederate perspectives. A rich variety of individuals, both fictional and historical, populates a moving world of more than 60,000 troops accompanied by thousands of former slaves and assorted civilian refugees who follow Sherman on his ruthless progress through Georgia and the Carolinas. While many characters are essentially entertaining sketches, there are a few memorable standouts, particularly 15-year-old Pearl, a so-called white Negro fathered by her owner. Taking advantage of the chaos after war disrupts her tightly controlled existence, she flees her looted plantation home, disguises herself as a drummer boy, and joins the march, determined to reach freedom and create a life worth living. On the way, she experiences moments of violence, love, irony, and even humor in the midst of horror. Short cinematic episodes illuminate and interpret history with meticulous attention to period settings, from terrifying battlefields to desperate field hospitals to once-grand mansions, all described in lyrical language crafted by a skilled writer.

–Starr E. Smith, Fairfax County Public Library, VA

Book Dimension :

length: (cm)19.8 　　　　　 width:(cm)12.6