Fairest is a 2006 novel by Gail Carson Levine. It is based on the story of Snow White and set in the same world as Ella Enchanted.
Aza, the adopted daughter of innkeepers in Ayortha, has always hated her appearance. Her prodigious size and her odd coloring — milk-white skin, blood-red lips, and hair that seems to be sooty black — often make her the target of stares and rude comments. Be that as it may, Aza's voice garners as much attention as her looks, for Ayortha is a land of song, and Aza is a superb singer. But besides being skilled at singing, Aza can also flawlessly mimic people and throw her voice without moving her mouth, a form of ventriloquism she calls "illusing".
While Aza's illusing begins as a simple trick to entertain herself and her family, it acts as a catalyst for her adventures in the book. When the Duchess of Olixo, a irritable guest at the Featherbed Inn, requests that Aza accompany her to the royal wedding, the new queen, Ivi, discovers Aza's gift and manipulates her. As Ivi cannot sing well, she offers to reward Aza with land and riches for her family as well as elevation to the rank of lady-in-waiting in exchange for Aza illusing a voice for her when she needs to sing; when Aza tries to refuse, Ivi threatens to imprison her and close her family's inn.
Soon after Aza reluctantly accepts Ivi's offer, the castle is thrown into turmoil when the King is terribly wounded during a sporting event. Aza is caught in the midst of Ivi's power-hungry plotting, the affection of the king's nephew Crown Prince Ijori, the suspicions of the choirmaster Uellu, and her own increasing desperation to become beautiful, a desperation which grows so strong that she ultimately drinks a beauty potion created by Skulni, the mysterious creature living in Ivi's magic mirror. With the country on the verge of revolt, the inevitable discovery of Aza and Ivi's singing deception leaves Aza fleeing for her life when a jealous Ivi leads to Aza being branded a dangerous ogre.
Exiled, Aza is welcomed by the gnomes; zhamM, a frequent guest at her family's inn, provides her with food, shelter, and a sense of heritage. After she has spent some time with the gnomes, a sinister scheme forces Aza to fight for her life, discover her true source of strength, and ultimately, learn to accept herself.
I was born singing. Most babies cry.</p>
I sang an aria.</p>
Or so I believe. I have no one to tell me the truth of it. I was abandoned when I was a month old, left at the Featherbed Inn in the Ayorthaian village of Amonta. It was January 12th of the year of Thunder Songs. </p>
The fairy Lucinda has once again given a dreadful gift. This time it's a mysterious magical mirror. </p>
The gift is disastrous when it falls into the hands of Aza, who never looks in a mirror if she can help it. In the Kingdom of Ayortha, Aza is most definitely not the fairest of them all. Many spurn her. Many scoff at her. She keeps out of sight. </p>
But in a land of singers, Aza has her own gift, one she's come by without fairy intervention: a voice that can do almost anything, a voice that captivates all who hear it. In Ontio Castle, merry Prince Ijori is drawn to it, and vain Queen Ivi wants to use it for her own ends. Queen Ivi would do anything to remain the fairest in the land. </p>
In this spellbinding tale filled with humor, adventure, romance, and song, Newbery Honor author Gail Carson Levine invites you to join Aza as she discovers how exquisite she truly is. </p>
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第二段评价: 说实话,我一开始对这类篇幅厚重的作品有些望而却步,总担心会陷入冗长乏味的泥沼。但这本书出乎意料地抓住了我。它的魅力在于那种近乎残忍的真实感。作者似乎对人性的弱点有着近乎偏执的洞察力,笔下的人物绝非扁平的符号,他们有光辉也有难以启齿的阴影,他们的选择往往是基于环境的无可奈何,而非简单的善恶二元对立。比如,书中关于“信任”的构建过程,那种小心翼翼地试探、一次次被打破又不得不重建的循环,读起来让人感到胸闷,却又无比真实。叙事结构上,它巧妙地运用了多重视角切换,让原本可能显得单调的故事线瞬间立体了起来。每一个视角的加入,都像是为一幅已经很清晰的画作增添了一层新的滤镜,让整体的画面感更加丰富和具有层次感。我尤其喜欢其中穿插的一些哲学思考,它们不是生硬的说教,而是自然地融入到角色的日常困境之中,引人深思,让人在读完故事的最后一页后,还能持续地思考书中提出的关于选择与代价的问题。
评分第三段评价: 这本书的语言风格极其独特,充满了古老的韵律和一种近乎史诗般的庄重感。如果你期待的是现代小说那种简洁明快的对白,那你可能会感到一丝不适应,因为它更像是在进行一场精心编排的舞台剧。每一个句子都经过了打磨,仿佛是工匠用刻刀小心翼翼地雕刻出来的,每一个词语的位置都精准无误,带着一种不可替代的分量。这种语言的厚重感,虽然在初读时需要适应,但一旦适应,便会产生一种沉浸式的震撼效果。它让我仿佛置身于一个遥远而又逼真的时空之中,呼吸着那个时代的空气。人物之间的张力是通过大量的间接描述和肢体语言的微妙变化来传达的,没有太多直白的“我爱你”或“我恨你”,取而代之的是一个眼神的交汇,一次不经意的触碰,或是一段漫长而沉默的对视。这种克制,反而让情感的爆发力更具穿透力。我必须承认,有些段落我需要放慢速度,甚至需要回读几遍,才能完全捕捉到其中蕴含的细微情感波动。
评分第五段评价: 我很少对一本书的配角群体给出如此高的评价,但这本书做到了。通常,配角只是主角光环下的陪衬,但在这里,他们每一个都拥有自己完整的生命线和未被完全讲述的故事。作者毫不吝啬笔墨去描绘那些看似边缘化的人物,他们的挣扎、他们的短暂的高光时刻,甚至他们最终的沉寂,都处理得极为尊重和饱满。这使得整个故事的社会图景异常复杂和丰富,不再是简单的“英雄与反派”的故事,而是展现了一个生态系统。在阅读体验上,这种多维度的叙事带来了一种广阔的视野,让我仿佛透过一扇扇不同的窗户,观察着同一片天空下的不同生活。对于那些钟情于群像戏、热衷于分析复杂人际网络和权力动态的读者来说,这本书提供了极为肥沃的土壤。它没有试图给出简单的答案或道德评判,而是将所有素材摊开在你面前,邀请你自行去构建你的理解和判断,这份尊重读者的态度,才是它最宝贵的地方。
评分第四段评价: 对于长期阅读经典文学的爱好者来说,这本书无疑是一股清流。它的宏大叙事背景下,对细节的关注却达到了令人发指的程度。作者在描绘环境时,对于光影、气味甚至微风拂过皮肤的感受,都有着极具画面感的文字描述。比如对某地市集景象的描绘,我仿佛能闻到香料混合着汗水和泥土的气味,听到叫卖声和牲畜的嘶鸣。这种全方位的感官调动,极大地增强了阅读的沉浸感。再说说人物的行动逻辑,我发现书中几乎没有“为了推动剧情而行动”的刻意痕迹。每一个角色的决定,无论看起来多么出人意料,回溯到他们之前的经历和性格设定,都会发现其内在的必然性。这种内在的一致性,让整个故事的逻辑链条异常坚固,即使情节发展曲折离奇,读者也能始终相信故事的走向是符合其自身设定的“真理”的。这本书是为那些愿意花时间去欣赏结构和布局的读者准备的。
评分第一段评价: 这本书简直是场文字的盛宴,尤其是对那些痴迷于历史背景和复杂人物内心挣扎的读者来说,它提供了一个极其细腻且引人入胜的视角。作者在构建世界观上的功力令人叹服,每一个场景都仿佛是用油画笔精心描绘而成,色彩饱和,细节丰富到让人忍不住想要触摸。我特别欣赏他对社会阶层固化与个体反抗之间张力的刻画。那种无声的压抑感,伴随着主人公在命运的洪流中挣扎求存的每一个微小举动,都深深地烙印在了我的脑海里。阅读过程中,我好几次停下来,不是为了喝水,而是为了整理思绪,消化那些潜藏在华丽辞藻下的深刻寓意。叙事节奏的把控也相当高明,时而如春日溪流般轻快流畅,时而又像冬夜暴雪般沉重缓慢,紧紧牵引着读者的情绪。这本书不是那种能让你轻松翻阅的“消遣读物”,它需要你投入心神,去解码那些隐藏在对话背后的潜台词,去感受那些未曾言明的爱恨情仇。它要求读者成为一个积极的参与者,而非被动的接受者,而正是这份挑战性,让最终的阅读体验显得格外珍贵和圆满。
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