Book Description
The Captain Underpants series, by Dav Pilkey, is a series of American children's books about two 4th graders, George Beard and Harold Hutchins, and the aptly-named superhero they accidentally created, who is their principal, Mr. Benny Krupp.
Captain Underpants and the Attack of the Talking Toilets is a children's book by Dav Pilkey, the second in the series of books with "Captain Underpants" in the titles.
Harold and George run into trouble when they use the school brain's science project to print copies of their latest Captain Underpants adventure — they accidentally unleash an invasion of Talking Toilets! The boys have to hypnotize Principal Krupp again so that, as Captain Underpants, he can battle the menace. But will it be enough?
From Publishers Weekly
In this worthy sequel to The Adventures of Captain Underpants, Pilkey maintains the original's satiric, self-referential formula as he revisits fourth-grade pranksters Harold and George, along with their school principal and principle nemesis, Mr. Krupp (aka superhero Captain Underpants). Trouble begins when Harold and George sabotage a science fair and are punished with "The Invention Convention Detention." Bored, the boys collaborate on a comic book about Talking Toilets. To their surprise, the Toilets come to life and Mr. Krupp's alter ego is called into service. Worst of all, even the brave Captain Underpants may be no match for the Toilets' leader, "nearly a ton of twisting steel and raging porcelain" known as the TT 2000. Pilkey illustrates in uncomplicated black-and-white line drawings with washes of gray, and offers "Flip-O-RamaTM," which requires turning a page back and forth for low-low-budget animation ("Don't forget to add your own sound-effects!"). He promises "extremely graphic violence" in scenes of "a giant toilet getting its shiny hiney kicked," ridicules teachers named "Ms. Ribble" and "Miss Anthrope" and decides that the story just wouldn't be complete without "upchucking." Bart Simpson could learn a few things from the subversively hilarious Harold and George, who consider inventing a robot urinal ("The Urinator"), then decide, "They'll never let us get away with that in a children's book. We're skating on thin ice as it is!" Ages 7-10.
From School Library Journal
Grade 3-6This epic novel opens with an introductory cartoon strip that tells the top-secret truth about how two kids, George and Harold, used the 3-D Hypno-Ring to hypnotize their principal, who now becomes Captain Underpants whenever he hears fingers snaping. In this second adventure, the boys are banned from attending the annual Invention Convention and sent to detention to keep them out of trouble. This, of course, is impossible, so they sneak into the school that evening and tamper with all of the inventions to wreak havoc. They also make copies of their newest comic strip of vicious attack toilets and the daddy monster of them allTurbo Toilet 2000. The copy machine is an invention that duplicates into live matter all images it copies and the attack toilets come to life. The wild story actually comes to a logical conclusion, but it really doesnt matter. The fun is in the reading, which is full of puns, rhymes, and nonsense along with enough revenge and wish fulfillment for every downtrodden fun-seeking kid who never wanted to read a book. The cartoon drawings and the amazing flip-o-rama pages make this book so appealing that youngsters wont notice that their vocabulary is stretching. Hooray for Captain Underpants! Watch him fly off your shelves.
Marlene Gawron, Orange County Library, Orlando, FL
From Booklist
Pilkey keeps his promise (or threat) to continue the adventures of George, Harold, and their split-personality principal, Mr. Krupp. Using school brainiac Melvin Sneedly's science project, a specially modified copy machine, to reproduce their latest homemade comic book, George and Harold inadvertently create an army of teacher-eating toilets led by evil supercommode Turbo Toilet 2000. Enter Captain Underpants, Krupp's briefs-clad alter ego, "faster than a speeding waistband . . . more powerful than boxer shorts," able to lay the attackers low with generous glops of school lunch--but not even Wedgie Power can stop the menacing meisterjohn. What to do? It's back to the copier for a new superhero, the Incredible Robo-Plunger. One climactic battle later, the triumphant lads send all their creations off to Uranus, and kick back to enjoy their reward: a gig as Principals for a Day. Destined to be at least as popular as the first book, this, too, is profusely illustrated with black-and-white cartoon art, including actual pages of the lads' comics, and two chapters done in back-and-forth Flip-o-Rama, "the world famous cheesy animation technique." 'Nuff said.
John Peters
Book Dimension :
length: (cm)20.3 width:(cm)14
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说实话,我刚拿到这本书的时候,光看标题就觉得它带着一股**“不怀好意”的邪气**,那种直奔主题、毫不拖泥带水的劲头,太对我的胃口了。它彻底摒弃了那些繁琐的背景铺垫和角色介绍,直接把读者“拽”进了高潮之中。这种**开门见山的叙事策略**,在快节奏的现代社会里显得尤为珍贵。它尊重读者的智商,默认你已经准备好迎接任何挑战,并且渴望一场**高强度的感官刺激**。书中人物的反应,也完全符合这种极速的叙事节奏——他们没有时间去过度分析或陷入恐慌,而是必须立刻做出反应,无论是逃跑、反击,还是干脆加入这场闹剧。这种**即时性的、肾上腺素飙升的阅读体验**,让我几乎忘记了时间。它成功地营造了一种“事态严重到必须以最荒诞的方式来处理”的氛围,这远比那些循规蹈矩的“好孩子”故事要来得刺激和令人难忘得多。
评分这本书的**视觉冲击力**,即便是仅凭文字来构建,也达到了令人惊叹的程度。作者的用词非常大胆且富有色彩感,仿佛每一句话都自带了一张高清的、充满动态效果的插画。我能清晰地“看”到那些场景:光怪陆离的颜色,夸张到失真的动作,以及角色们脸上那**定格的、混合着惊恐与兴奋的表情**。阅读的过程,更像是在快速翻阅一本**不断自我更新的、充满爆炸性新闻的快讯**。我尤其欣赏作者在描述混乱场面时所展现出的**控制力**。尽管一切都看似天翻地覆,但故事的主线从未丢失,那股推动情节前进的内在驱动力始终清晰可见。它不像有些故事那样,在追求夸张的过程中迷失了方向,而是巧妙地将所有的“失控”都编织进了整体的叙事网中。这种**结构上的精妙与内容上的狂野**形成的强烈对比,是这本书最迷人的魅力所在。它在告诉你:“嘿,世界可以很疯狂”,但同时又在耳边低语:“别担心,我来引导你穿越这片混乱。”
评分哇塞,这本书简直是**史诗级的想象力大爆炸**!我得说,我以前读过的那些“儿童冒险”故事,跟这个比起来,简直就像是幼儿园画的涂鸦。首先,作者对于**幽默感的拿捏**达到了一个近乎于神乎其技的境界。它不是那种干巴巴的、故作深沉的笑话,而是那种能让你**瞬间从椅子上弹起来**,笑到肚子疼,甚至连路人都侧目观望的级别。那种文字的流动感,仿佛每一个单词都被赋予了滑稽的表情和夸张的肢体动作。我特别喜欢那种**无厘头却又逻辑自洽**的叙事方式,就像是把一堆最不可能发生的事情,用一种最让人信服的方式给你端上来。你明明知道这不符合物理定律,但看着故事发展,你就是忍不住跟着主角一起跌入那个光怪陆离的世界。而且,这本书的**节奏控制**也是一绝,它不会让你有任何喘息的机会去思考“这到底在搞什么鬼”,而是用一连串接踵而至的惊喜和荒谬事件,把你牢牢地钉在座位上,直到最后一页。那种酣畅淋漓的阅读体验,真的很难用简单的“好”或者“优秀”来概括。它更像是一场**脑洞全开的过山车之旅**,让你在尖叫和爆笑中,完成了对“日常”的彻底颠覆。
评分这本书的**叙事口吻**,简直是教科书级别的“反传统”。它不像是成年人试图去模仿孩子们的语言,而是更像是一个**刚刚掌握了巨大、但尚未完全理解的破坏性力量的孩子**,用最直接、最不加修饰的方式,向全世界宣告自己的存在。那种语气中的**自信、不羁和对既有秩序的轻蔑**,扑面而来。它巧妙地利用了那种**“反派的逻辑往往比英雄的逻辑更清晰”**的悖论,让读者在支持主角的同时,也不得不为那些疯狂的创意感到一丝敬佩。而且,书中对于一些细微的心理活动描写,尽管被包裹在厚厚的荒谬外衣之下,却异常的真实。你能在主角的恐慌中看到自己的影子,只是他们的处理方式更……爆炸性一些。这本书的价值,不仅仅在于它提供的娱乐性,更在于它**提供了一种看待问题的新视角**:有时候,最合理的解决方案,就是彻底放弃合理性本身。这是一种对**创造性破坏的赞美诗**,读完后,你会觉得自己的思维也跟着被重新格式化了一遍,更加灵活、更加无畏。
评分我必须承认,我一开始对这种风格的书持保留意见,总觉得它可能只是哗众取宠,缺乏真正的深度。但读进去之后,我发现我完全错了。这本书最成功的地方在于,它**精准地捕捉到了童年的那种“叛逆的自由”和“对抗权威的渴望”**。它没有说教,没有冗长的人生哲理,它只是提供了一个舞台,让那些被成人世界压抑的、最离谱的想法得以肆意奔跑。那种用**极度夸张的语言和漫画式的场景描绘**所构建起来的世界观,简直是天才之作。举个例子,书中对某些日常物品的拟人化处理,简直是**神来之笔**,让你对那些原本平淡无奇的东西产生了全新的、带着一丝敬畏的恐惧感和喜爱之情。更重要的是,它教会了我们,**“荒谬”本身就是一种强大的力量**。当你面对一个完全失控的局面时,最好的应对方式可能不是试图去恢复秩序,而是干脆跳进去,比所有人都更疯癫。这种**积极的、对抗性的幽默感**,是很多成人作家都难以企及的高度。它让阅读变成了一种**精神上的宣泄**,一种对既定规则的温柔而坚决的挑衅。
评分原版阅读#12
评分马桶是小夫的画风。这个3D打印的机器可以说是万能的了。但是马桶被食物恶心到总觉得有点不合理,还是漫画当中的搋子比较好。
评分马桶是小夫的画风。这个3D打印的机器可以说是万能的了。但是马桶被食物恶心到总觉得有点不合理,还是漫画当中的搋子比较好。
评分马桶是小夫的画风。这个3D打印的机器可以说是万能的了。但是马桶被食物恶心到总觉得有点不合理,还是漫画当中的搋子比较好。
评分马桶是小夫的画风。这个3D打印的机器可以说是万能的了。但是马桶被食物恶心到总觉得有点不合理,还是漫画当中的搋子比较好。
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