David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include The Films of Carl Theodor Dreyer (University of California Press, 1981), Narration in the Fiction Film (University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema (Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging (University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), and The Poetics of Cinema (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is www.davidbordwell.net.
Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. She holds a master’s degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. She has published Eisenstein's Ivan the Terrible: A Neoformalist Analysis (Princeton University Press, 1981), Exporting Entertainment: America in the World Film Market 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes, or, Le Mot Juste (James H. Heineman, 1992), Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Harvard University Press, 1999), Storytelling in Film and Television (Harvard University Press, 2003), Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005), and The Frodo Franchise: The Lord of the Rings and Modern Hollywood (University of California Press, 2007). She blogs with David at www.davidbordwell.net/blog. She maintains her own blog, "The Frodo Franchise," at www.kristinthompson.net/blog. In her spare time she studies Egyptology.
Film is an art form with a language and an aesthetic all its own. Since 1979, David Bordwell's and Kristin Thompson's Film Art has been the best-selling and widely respected introduction to the analysis of cinema. While it continues to provide the best introduction to the fundamentals of serious film study, the eighth edition has been revised be more classroom friendly by introducing film techniques earlier in the text, followed by the chapters on Film Genres. Supported by a text-specific Tutorial CD-ROM with video clips, Film Art is automatically packaged with this outstanding student learning tool.
这本书在美国出版时,对评论界和学术界是个震撼。她摆脱了长久电影理论的僵硬观念,准确的从形式主义出发,深入浅出注释电影的完整观念。它使阅读理论成为乐趣,使学生进入电影领域有所凭藉。 ——焦雄屏 华语世界最有影响力的电影人,台北金马影展主席 电影学界...
评分有时候看英文原版摸不到头绪,结果查译本更加迷惑不解了。翻译的挺一般的,可以说很多地方翻译的让人实在无从理解。 挑出来做病句题倒是容易了考生。可能翻译也尽力了吧,艺术类的书籍是比较难译一些。近些年起,艺术类书籍和相关文献的翻译问题显得越来越重要了。
评分最悲催的是,读完以后,你发现所谓形式与风格,就是形式与风格而已。怎么解读、怎么架构,还是要枯坐菩提树,一朝得顿悟。千万不要真把这本书当作教科书,更不要把David当成教授,结果说的精彩,听得痴呆。把他看成朋友吧,聊聊天,聊聊艺术,思想从剧本转换到胶片,从脑袋转换...
评分大概看电影的过程与对美食的憧憬一样。我常常忧虑明天中午吃什么,这是我一天中想的最多的事情,也许是因为无聊,或是生活中缺乏有激情的事让我想。想到了一个好吃的,铁板牛肉饭,美味多汁的牛肉下面垫了一层底部被加热成锅巴状的米饭,再在米饭当头浇一层酱油。凭着以往吃铁...
评分大概看电影的过程与对美食的憧憬一样。我常常忧虑明天中午吃什么,这是我一天中想的最多的事情,也许是因为无聊,或是生活中缺乏有激情的事让我想。想到了一个好吃的,铁板牛肉饭,美味多汁的牛肉下面垫了一层底部被加热成锅巴状的米饭,再在米饭当头浇一层酱油。凭着以往吃铁...
木意思。。。。class reading...
评分其实没仔细读过第8版,纯粹就是老师送了我一本。
评分没……读……完
评分原来李安跟他是朋友
评分2010 Fall. Intro to Film Studies. Prof: Nancy Mellerski.
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