Mercer explains his memoir's title this way: "Hard time goes slowly and painfully and leaves a man bitter.... Time at Shakespeare and Company was as soft as anything I'd ever felt." His graceful narrative follows struggling writers as they live on potato soup and dreams at Paris's famous expatriate bookshop. Mercer, a former Ottowa Citizen crime reporter, finds himself at Shakespeare one gloomy Parisian day in 1999, in his late 20s, with not much money and no plans for the future, trying to evade some angry newspaper sources back home. With little fanfare, he is taken into the store by its owner, George Whitman, a kindly yet scatterbrained man, who explains, "I run a socialist utopia that masquerades as a bookstore." Mercer begins working as an eager unpaid employee, running errands, acting as a referee between the writers who hang out there and ringing up sales (it's no B&N superstore: when Mercer asks where the credit card machine is, he's told, "Dude, Shakespeare and Company doesn't even have a telephone. Of course we don't take credit cards"). Mercer portrays the assorted characters and their adventures with an eye for detail and a wry sense of humor. Francophile book lovers will enjoy his finely crafted memoir.
一种文化追求还是一种人文精神?第一代莎士比亚书店的老板碧奇女士,因为二战期间被抓进德国战俘营饱受摧残,而关店回国。几十年后,她儿子和孙子阴错阳差又回到巴黎,在左岸的街角重建莎士比亚书店,堪称人类文化史的传奇。
評分一种文化追求还是一种人文精神?第一代莎士比亚书店的老板碧奇女士,因为二战期间被抓进德国战俘营饱受摧残,而关店回国。几十年后,她儿子和孙子阴错阳差又回到巴黎,在左岸的街角重建莎士比亚书店,堪称人类文化史的传奇。
評分一种文化追求还是一种人文精神?第一代莎士比亚书店的老板碧奇女士,因为二战期间被抓进德国战俘营饱受摧残,而关店回国。几十年后,她儿子和孙子阴错阳差又回到巴黎,在左岸的街角重建莎士比亚书店,堪称人类文化史的传奇。
評分一种文化追求还是一种人文精神?第一代莎士比亚书店的老板碧奇女士,因为二战期间被抓进德国战俘营饱受摧残,而关店回国。几十年后,她儿子和孙子阴错阳差又回到巴黎,在左岸的街角重建莎士比亚书店,堪称人类文化史的传奇。
評分一种文化追求还是一种人文精神?第一代莎士比亚书店的老板碧奇女士,因为二战期间被抓进德国战俘营饱受摧残,而关店回国。几十年后,她儿子和孙子阴错阳差又回到巴黎,在左岸的街角重建莎士比亚书店,堪称人类文化史的传奇。
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评分好文藝,這封麵就夠吸引人
评分好文藝,這封麵就夠吸引人
评分好文藝,這封麵就夠吸引人
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