B. 1927 in Tokyo. She joined Daiei Films in 1949 and since 1950 served as Kurosawa's assistant on every film he made until his death. She now writes about films for magazines and works to spread and protect Kurosawa's legacy.
<strong>Teruyo Nogami</strong> was a relative newcomer to film production when hired as a continuity/script assistant on <strong>Akira Kurosawa</strong>'s <em>Rashomon.</em> A witness to its filming-and its near destruction in a fire-over the next fifty years she worked on all the master's films-<em>Ikiru, Seven Samurai, Kagemusha,</em> and <em>Dreams.</em> No one was more closely involved in Kurosawa's productions, and in this memoir, charmingly illustrated with her own sketches, Nogami writes candidly about the director's energy, creativity, and his famous rages, telling the inside story on how so many classics of world cinema were made.</p>
"Teruyo Nogami was Akira Kurosawa's script supervisor throughout his career, more importantly she was his loyal assistant and supporter during both the good and bad moments of his life. She is an extraordinary woman and these memories are a path to understanding the temperament and genius of one of the few...geniuses of cinematic history. It's not uncommon for a film director to have made one or two great films, but Kurosawa was able to create many masterpieces in many styles, set in both modern and classic times. So the opportunity to know this artist through the lucid eyes of a long-time collaborator is a privilege and an opportunity. Nogami-san's salty personality is perfect to show his many sides, not always flattering, which is essential in grasping him. This book is a treasury of stories and a key to the great body of cinematic work of Akira Kurosawa." -- <strong>Francis Ford Coppola</strong></p>
"If you're interested in movies, then you're interested in the work of Akira Kurosawa. Teruyo Nogami was by Kurosawa's side for almost 50 years, as he quietly (and sometimes, not so quietly) revolutionized the verygrammar of cinema. This is a wonderfully intimate and beautifully written portrait of one of the greatest filmmakers who ever lived, which makes it essential reading." -- <strong>Martin Scorsese</strong></p>
很纳闷为什么是这样。从书的包袱皮开始,黑泽明就像片云彩围绕在四周。等云到,难道是等着黑泽明这片云到?我想,用仰视黑泽明的心态走近这本书的人,一定要说,这片云彩不下雨。 五十年代的日本,正在品尝战后经济打击的滋味,用米国大叔道尔的话说,正在“拥抱战败”...
評分很纳闷为什么是这样。从书的包袱皮开始,黑泽明就像片云彩围绕在四周。等云到,难道是等着黑泽明这片云到?我想,用仰视黑泽明的心态走近这本书的人,一定要说,这片云彩不下雨。 五十年代的日本,正在品尝战后经济打击的滋味,用米国大叔道尔的话说,正在“拥抱战败”...
評分放假没事买了这本书看。看着看着就想起了以前有位朋友说,日本的小说写得像散文,而散文就更没有章法。这本书也是维持了日本人写东西的那种絮絮叨叨的平静风格。 书里讲的是日本电影人的旧事。没有沉重,没有浮夸,没有顾影自怜。整个书的风格非常清新,哪怕是在叙述作者亲历...
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