Book Description
Writing with the fluent narrative artistry and the acute grasp of human motivation that distinguish all of her bestselling novels, Anita Shreve tells the compelling story of seven former schoolmates who gather at an inn in the Berkshires to celebrate a wedding. Their reunion becomes the occasion of astonishing revelations, recrimination, and forgiveness as the friends collectively recall a long-ago night that forever marked each of their lives.
From Publishers Weekly
A Big Chill–like group reunites for a 40-something wedding in this melancholy story of missed opportunities, lingering regrets and imagined alternatives by Shreve (The Last Time They Met). Bill and Bridget were sweethearts at Maine's Kidd Academy who rediscovered one another at their 25th reunion. Bridget was already divorced; Bill left his family; the two have now gathered their Kidd coterie to witness their hasty wedding—Bridget has breast cancer—at widow Nora's western Massachusetts inn. The death of charismatic schoolmate Stephen at a drunken high school party hovers over the event. Stephen's then-roommate, Harrison, now a married literary publisher, remains particularly tormented by it, especially since he had (and still has) romantic feelings for Nora, who was Stephen's then-girlfriend. Abrasive Wall Street businessman Jerry, now-out-of-the-closet pianist Rob, single Agnes (who teaches at Kidd and has a secret of her own) and various children round things out. Tensions build as the group gets snowed in, and someone gets drunk enough to say what everyone's been thinking. Though Shreve's plot, characters and dialogue are predictable (as are her inevitable 9/11 rehashes), she sure-handedly steers everyone through their inward dramas, and the actions they take (and don't) are Hollywood satisfying. (Oct. 10)
From School Library Journal
Adult/High School–This novel has many of Shreve's hallmarks: simple and elegant prose; characters who are entirely convincing in their portrayals of human fallibility; and a plot buildup with a twist toward the end that packs a wallop. Set in New England several months after 9/11, it is the story of seven former classmates who have not seen one another in 27 years but have come together for the wedding of Bill and Bridget, who dated during high school and then went their separate ways. They have reunited and are getting married in the face of Bridget's advanced breast cancer. Nora, who owns the inn where the wedding will be held, is trying to rebuild her life after the death of her husband. Agnes, Nora's former roommate, has a secret she is desperate to share. Over all of them hangs the specter of Stephen, whose charismatic life and tragic death they seem unable to address head-on. Paralleling the story of these friends is the one in the novel Agnes is writing about the Halifax explosion of 1917, a little-known disaster that resulted in the deaths of almost 2000 citizens. This story-within-a-story not only provides an eye-opening account of a piece of World War I history, but also allows Agnes to address some of her own issues. An understated and graceful exploration of the choices that people make in their day-to-day interactions and their consequences, Wedding is an excellent piece of American literature to add to any library.
–Kim Dare, Fairfax County Public Library System, VA
From Booklist
Recrimination and regret underlie an emotional reunion of seven former classmates from the Kidd Academy, an elite prep school, who gather at an inn in the Berkshire Mountains for a wedding. Nora, the widow of an abusive, renowned poet and the owner of the inn, has agreed to host the wedding of Bridget, ill with cancer, and Bill, who has divorced his wife to marry his high-school sweetheart. Among the wedding guests are Harrison, still in love with Nora and still reeling from the tragic death of his roommate, a gifted but troubled athlete, at the academy some 27 years earlier, and Agnes, a long-single history teacher with a tumultuous love life. Uncertainties bred in the wake of 9/11 also play a role here, although they are summoned indirectly through a story that Agnes is writing about a ship collision in Halifax Harbor in 1917 that left 2,000 dead and hundreds blinded. Operating with a heightened sense of their mortality, the former classmates regard each other's life decisions with a mixture of envy, wariness, and spite. The skillful, prolific Shreve, who seems to turn out one best-seller per year, seamlessly moves her story between the horrific events of Halifax Harbor and the nearly as horrific reunion, underscoring the fleeting nature of happiness and the painful trade-offs it often requires.
Joanne Wilkinson
From AudioFile
With too many threads creating an uneven tapestry, Shreve's latest lacks the vitality of her previous novels. Linda Emond's performance is adequate, but with so many subplots to keep straight it's easy for the listener to get lost. Musical segues aid transitions as we are bounced from an inn in the Berkshire Mountains in December of 2001, back to 1974, when a classmate drowned just a week before graduation from the prestigious Kidd Academy, and back even further to WWI, when Halifax was devastated by a blast that left many survivors blind. Too many threads . . . too many story lines to really care. N.E.M.
From Bookmarks Magazine
All though Shreve has all the elements of her previous successful work—an engaging plot, intricate period history, ruminations on lost loves, and a grandiose old house—something falls short in her newest novel. Her characters are variable, some rich, some tiresome. Sometimes the deep, dark secrets seem neither deep nor dark. And the rampant affairs can be wearing. But Shreve still deftly weaves the larger disaster of the Halifax narrative with the personal tragedies of individuals. A Wedding in December, like the movie The Big Chill, still evokes the languorous melancholy of midlife regret. For some, the novel is a guilty pleasure, but the guilt may be too much to bear.
Book Dimension
length: (cm)17.2 width:(cm)10.6
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说实话,一开始我以为这会是一部非常沉闷的作品,毕竟题材看起来有些严肃。但出乎意料的是,这本书充满了令人惊喜的幽默感,那种黑色幽默,恰到好处地缓解了故事本身的厚重感。角色的对话火花四溅,机智且充满哲理,很多句子我都忍不住摘抄下来。作者似乎对社会百态有着深刻的洞察力,她毫不留情地讽刺了一些虚伪的社会现象,但又总能在最尖锐的地方留下一丝温暖的人性光辉。我感觉作者在创作时非常自由奔放,没有被任何既定的套路所束缚,想象力天马行空,这一点非常吸引人。这本书就像一杯浓烈的黑咖啡,初尝微苦,但回甘悠长,后劲十足。它提醒我们,即便在最黑暗的日子里,也总有那么一抹亮色值得我们去追寻和坚守。对于那些寻求真正有思想深度的娱乐的读者来说,这本书绝对不容错过。
评分这部小说简直是一场情感的过山车,作者的笔触细腻得让人心疼。故事围绕着几个错综复杂的人物关系展开,每个人似乎都背负着不为人知的秘密和沉重的过去。我尤其欣赏作者对于心理描写的深度,那种微妙的情绪波动,从压抑到爆发,都刻画得入木三分。读到某些章节时,我几乎能感受到角色们内心的挣扎和痛苦,那种真实感让人难以自拔。情节推进虽然不算迅猛,但每一步都像是精心布局的棋局,环环相扣,引人入胜。我不得不佩服作者构建世界观的能力,即便是发生在日常背景下的故事,也因为人物的深度和环境的渲染而显得格外有张力。整本书读下来,留下的是一种悠长而复杂的余味,让人忍不住回味那些关于爱、失去与救赎的深刻思考。它不仅仅是一个故事,更像是一面镜子,映照出人性中最脆弱和最坚韧的一面。我强烈推荐给那些喜欢慢热但后劲十足的文学作品的读者。
评分这本书的语言风格简直是艺术品。它使用了大量的意象和象征手法,初读可能会觉得有些晦涩,但随着阅读的深入,你会发现那些看似不经意的描述,其实都蕴含着重要的线索和情感重量。作者的文字有一种雕塑感,每一个词语似乎都被精确地打磨过,放置在最恰当的位置。它探讨的主题宏大而深刻,关乎记忆的不可靠性、身份的流动性以及环境对个体命运的塑造。我喜欢它不落俗套的结局处理,它没有给出明确的答案,而是留下了一个开放式的空间,让读者自己去填补和定义。这种留白的处理非常高明,它极大地扩展了作品的解读空间。如果你追求的是那种能让你停下来,反复咀嚼文字之美的阅读体验,那么这本书绝对是你的不二之选。读完后,我感觉自己的词汇量和对世界万物的理解都得到了一次微妙的提升。
评分哇,这本书的叙事结构太有意思了!作者玩转了时间线,一会儿跳跃到过去,一会儿又回到当下,这种非线性的叙事方式非但没有造成混乱,反而像解谜一样,让读者一步步拼凑出整个事件的全貌。每一章似乎都在揭示一个新的碎片,让你不断地重新审视之前所读到的内容。文风带着一种古典的韵味,遣词造句考究,读起来非常享受。它成功地营造了一种略带疏离感的观察视角,仿佛我是一个局外人,冷静地旁观着这场命运的交织。虽然故事内容涉及了一些沉重的主题,但作者处理得非常克制和优雅,没有过度的煽情,所有的情感都内敛于文字的张力之中。我特别喜欢它对环境的侧写,那些景物描写简直是活的,为整个故事的氛围奠定了坚实的基调。合上书本的那一刻,我感到的是一种被智力挑战后带来的满足感,绝对是一部值得反复品读的佳作。
评分我必须称赞作者在构建人物群像方面的功力。这本书里没有绝对的好人或坏人,每个人物都充满了灰色地带,他们的动机复杂,行为可以理解但未必认同。特别是主角团之间的那种微妙的、剪不断理还乱的关系网,读起来让人叹为观止。我甚至会因为某个角色的某个决定而陷入沉思,思考如果是我,会做出怎样的选择。这种代入感,不是那种简单的“感同身受”,而是一种智性上的辩论和审视。叙事节奏的处理非常成熟,时而紧凑得让人喘不过气,时而又放慢下来,让读者有时间去消化那些突如其来的冲击。整体而言,这是一部非常“诚实”的作品,它不回避人性的阴暗面,也不美化任何苦难,只是冷静地呈现,让读者自己去得出结论。这本小说已经在我心中占据了一个重要的位置,它会陪伴我很久。
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